Hottoceame The Age of Commercialism

Smartorhypo Highly Overrated But Still Good

BelSports This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

Kinley This movie feels like it was made purely to piss off people who want good shows

seivadch Many many years ago (late 80s) in a town near by I entered a record store and saw a sound track album by Mark Knopfler for a film called Cal.Recorded at the same time and place as mega hit album Brothers in Arms, in the same way as Private Investigations and Local Hero the 2 albums had been done concurrently. Cal (the Album) contains the music that was not used on BiA, for what ever reason, wrong Vibe, too much like, whatever it is Mark's intimate music at that time.Unlike Local Hero the film is a very sad, and much as I've tried to like it I cannot. Thankfully the cause of this story is now lost and hopefully forever. I wold recommend the Album to anyone, but the film to no one.

Theo Robertson This is a slow burning romantic drama set against the backdrop of The Troubles in Northern Ireland . There's very few satisfying films that use the backdrop of The Troubles as its theme THE DEVIL'S OWN is a travesty . RESURRECTION MAN is low budget underdeveloped torture porn . Both SOME MOTHER'S SON and IN THE NAME OF THE FATHER are based on true events but suffer from artistic licence by the producers . Along with HARRY'S GAME this movie is probably the best movie on The Troubles in my opinion and it did receive much critical acclaim when it was released in the mid 1980s . Sadly when I came to this page it had less than 1,000 votes and a grand total of six people had bothered to comment on it which is a pity since it deserves to be better rememberedAt the core of the story is a love affair between a recently widowed librarian Marcella and a teenager called Cal who is a recent recruit to the IRA . Some people might claim this is an unlikely love affair but I think were to brutally about human sexuality men would confess to being sexually attracted towards older women while women are sexually attracted to younger men and it's only social conditioning that has stopped these type of love affairs becoming more common . It should also be pointed out this sets up the mystery of plot where the audience wonder who it was who pulled the trigger and murdered Marcella's husbandOne thing is unlikely and that is the way the IRA want to keep Cal in the organisation . In the early 1970s with internment and Bloody Sunday the IRA didn't find recruiting young men from Republican ghettos a problem . The problem started with new recruits having to plant bombs that often killed and mutilated innocent civilians both protestant and catholic and the recruits finding themselves wanting no part of this violence so they'd be released by the IRA . This was entirely down to practicalities - an unwilling volunteer in the IRA could be easily recruited by RUC special branch and MI5 as an informer The dialogue does suffer from blackly comical absurdity which is no doubt deliberate such as the robbing of a cinema " How'd it go ? " " What ? " " The f-ckin' picture did ya get the money ? " " Oh aye shaking in her hi heels . Whose side it this time ? I said ya think I'm working for the other side ya stupid b*tch " There's also the bizarre nature of an IRA gunman being a mod and committing acts of Republican terrorism while wearing patches dedicated to The Jam on his jacket . One can visualise him attending IRA meetings while wearing a parka emblazoned by Union flags with hilarious results All in all this is a very good drama featuring the Troubles as its backdrop . Some people might be put off down to the fact that there's little incident but that's to forget it's a human drama rather than a thriller and is intelligently written and superbly played by the cast which makes it possibly the best of the films featuring the Troubles

highwaytourist This story is truly a tragedy about Northern Ireland. The protagonist is Cal, a sensitive and aimless working-class Catholic youth in Ulster. Cal holds down various low-paying manual jobs during the day and at night, sometimes performs services for the Irish Republican Army, even though he's only a minor participant. In his most significant job, he becomes the getaway driver for the killer of a Protestant policeman, an assignment which upsets him greatly. A year later, he meets Marcella, a lonely, widowed librarian and becomes infatuated with her, and they drift into an affair. However, he learns to his horror that her late husband was the murdered policeman and can't bring himself to tell her. Meanwhile, both the law and the I.R.A. are beginning to close in on him. The film's intentions are good. It's an attempt to tell the story of ordinary people trapped in a place and time of political violence that damages everyone and everything around it, and forces people to make decisions that inevitably have tragic consequences. Unfortunately, there is too much tragedy, too much sadness, so much that it becomes hard to believe. The lead characters are a problem, too. The are weak and resigned people who can only evoke pity. You certainly cannot cheer them on like you could stronger people, the kinds of people who make good things happen for them. The result is tragedy overkill. Eventually, the viewer will also become resigned and glum.

Glenn Walsh Nobody that I have ever discussed this film with thinks it is any good. The characters are pretty much stereotypes from 'The Troubles,', but the core of the plot requires a suspension of disbelief that can't be made. The idea of a murdered RUC officer's widow taking up with a known Provo (regardless of her religion) is just too much to take in. Cal himself is a pretty unsympathetic character and by the end of the film he gets the kicking that he richly deserves. To make matters worse we get the usual diddly-dee score and lots of culshies doing rustic stuff because we are all so backward here.