Caged Women in Purgatory

1991 "Terrified, Tortured and Humiliated..."
5.1| 1h27m| en
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Former Miss Spanish Basque Country, Pilar Orive, stars as American Janet Cooper who is drugged and shipped to a remote women's prison managed by a sleazy warden and a Nazi-type lesbian guard. 90 minute of graphic sexual abuse ensue

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Reviews

ShangLuda Admirable film.
Doomtomylo a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.
Loui Blair It's a feast for the eyes. But what really makes this dramedy work is the acting.
Bumpy Chip It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.
Woodyanders Beautiful young American tourist Janet Cooper (incredibly buxom, shapely, and drop-dead gorgeous brunette knockout Pilar Orive) goes on vacation to a remote South American country. After being arrested by a corrupt cop and subsequently found guilty of a trumped-up charge involving possession of narcotics, Janet finds herself incarcerated at an isolated castle that serves as a hellish women's penitentiary. The brutal staff at said prison not only treat the inmates as their own sexual playthings, but also force the ladies into prostitution and even allow decadent rich folks to hunt them down in the wild like animals. Writer/director Leandro Lucchetti covers all the satisfyingly seamy chicks-in-chains grindhouse cinema bases: Abundant tasty gratuitous female nudity, sweaty'n'steamy soft-core sex scenes, a cheesy bar fight, lesbianism, fierce catfights, nude gals being drenched with a fire hose, a gloriously lurid sequence in which two dehydrated women lick the perspiration off of each other's bodies, and a raw'n'scuzzy tone that ensures things remain appropriately sordid and slimy throughout. Best of all, the delectable Mrs. Orive ain't the least bit bashful about baring her deliciously ripe body and spends at least 90% of her screen time in the buff. Veteran character actor Aldo Sambrell has a ball as the evil, leering, and sadistic Captain Juan. Elena Wiedermann likewise impresses with her twisted portrayal of depraved guard Gerda. Lanfranco Perini's funky-throbbing score does the groovy trick. Renato Doria's plain cinematography gives the picture a suitably rough and grainy look. A choice chunk of tawdry trash.
correspondence-2 Yes- this IS the best WIP film ever made. I know that Jess Franco did some hotties, but this take the genre Oscar for its combination of sensuality, brutality and downright steaminess.The UK censors murdered this film on certification, and many of us pondered long and hard what was behind the voids and sharp edits that their pointless activities had generated. It was released under the title "Caged Women", but is also known as "Caged - Le Prede Umane" and "QHS" (Quartier Haute Sécurité- French DVD title). It is the French title you need if you want to see this film in all its 90m uncut glory.Pilar Orive, a former Miss Spanish Basque Country, is utterly magnificent as the abused heroine. She is both Amazonian and completely transfixing, and it stirred my teenage heart (and other bits) when released in 1992. That she and many of the cast are stark naked throughout the film is a plus rather than any sort of negative.Its works for me- and I promise will work for you.....
dbborroughs A women in prison film for the low brow in us all.Woman is sent off to prison after rebuffing the advances of a sleazy guy who kidnaps her and sends her to the mountain top prison in some third world country. There the prisoners run around damn near naked as they are abused, raped and hunted by the staff. Meanwhile, the guy who did go home with the woman the night before tries to find out where she disappeared to.For the record I've seen this in two versions undubbed or subbed French version (this is the reason my plot summary is lacking in details) with all of the nudity, sex and violence intact and a Japanese import version in English with Japanese subtitles, shortened by 12 minutes and heavily fogged (which I shut off almost instantly because of the censoring). Given the choice I'd watch the fuller version I'm not sure what I think of this film. Its a good movie if you like these sort of things, but at the same time it seems to be be play acting and not too serious (I can't believe that the women's hair always look perfect). Its a weird feeling, it some how misses the grit and violence of say The Big Bird Cage or Caged Heat, and exists just for the titillation of the sleaze factor. I some how wanted more than just the scenes of naked women running in slow motion, soft-core bondage and trashy lesbianism. On some level its a women in prison film which wants to be something spicier, but no more offensive than the Man Shows girls on trampolines. I think I missed the strong take no crap stands of the women in the Roger Corman produced films of the early 70's.Its not bad, but given the chance I'd probably go with the earlier films (though this does have some classic exploitation scenes including the one with the two women are thrown in a cage in the hot sun with no source of water). If you like women in prison films I'd say try it, though you'll remember the pieces more than the whole.
Stefan Kahrs Here we have a prime example of a women-in-prison film. None of the standard ingredients is missing: shower scenes, the lesbian prison guard, sexual abuse of the prisoners, unlawful imprisonment, staff murdering inmates, etc. We even have a good guy and a happy ending.However, this film is way over the top, increasing the sleaze factor enormously, and having not the slightest inclination to tell a believable story. For example, both the sexual abuse and the unlawful killings are organised: the women are first auctioned to the highest bidder, then let loose in the jungle, then hunted down, then raped, and then killed. Come to think of it, this is actually one of the more believable elements of this prison system.Although superficially the film is much more exploitative (more sex and more violence) than even the usual genre entries by the likes of Cirio H. Santiago, Jack Hill, or Jess Franco, the viewer is always aware that none of this is serious and that turns it around, it makes it less nasty. Do not get me wrong: this is not a comedy, and it does not have any unintentional laughs either; but it is noticeably tongue-in-cheek.