XoWizIama Excellent adaptation.

Taraparain Tells a fascinating and unsettling true story, and does so well, without pretending to have all the answers.

Kaelan Mccaffrey Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

Bob This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

MrChi Saul Dibb's debut feature stars So Solid's Ashley 'Asher D' Walters as Ricky, a parolee returning to Hackney's infamous murder mile. He is hoping to remain on the straight and narrow but this proves difficult as he's re-encompassed by the same violent climate he left and the need to maintain honour while preserving his reputation is the code to live by.There is little to fault this British Movie. Shot on 16mm and on a tight budget of ca.48k, what we are given is a fly-on-the-wall view of life on the streets and the futility of Britain's gun culture. This didn't have to be shot in Hackney, but anywhere would have suited the scenario of disadvantaged youths trying to keep their heads above water in the increasingly gangsterish streets of Britain.Dibb, the director, is very careful not to preach to us. The closet similarities and comparisons made will point an out-dated and clichéd finger at John Singleton's 'Boyz in da Hood' and Spike Lee's 'Do The Right Thing'. Although these two films crystallised (inner) racial feuding and violence in America, Dibb keeps his message a little closer to his chest as the audience decide who's the true hero, villain or victim - if any. This film plays as a theatrically scripted tragedy, which is sensed from the opening where the young Curtis (Luke Fraser) goes to meet his paroled brother.It is hard to pinpoint the film's genre and exactly what the plot is. Largely unknown actors, a purpose-built raggedy script (with plenty of improv) revolving on just-happen-to-be circumstances leads to a sense of a horrific reality. Here, kids try to become men too young, and violence is the sole key to respect even if it is borne from a childish dispute like a minor traffic incident as in the film.It works and it works very well. All character development is sidelined for a streamed view of street life. Clare Perkins plays the mother who has no control over her boys despite her strenuous efforts, the reformed Preacher (Curtis Walker) and Wisdom (Leon Black) all have their own back story, which we are told in a sentence, focusing our attentions on the Brothers. Each character represents a social template in one of life's cycles, Ricky and Wisdom are the present and his younger brother could easily be the future while the rest of the cast represent those inadvertently embroiled in street politics and gun ethics.Massive Attack's Robert Del Naja delivers a haunting theme to end the movie, as the filmmakers ask no questions but leave them in sight. Dibb, who is traditionally a documentary maker is all too aware of how to enter the psyche of gritty subject matter with previous works on street life and shop lifting he wants us to see all the angles, the choices these people make and their consequences. It is then up to us to draw our own conclusions.Ricky wants to be the ideal brother for Curtis but the street will not let him. He wants to knock some sense into his over zealous friend Wisdom but loyalty won't let him. Curtis is a lovable character because he has the innocence of youth, which his environment is too eager to snatch as (peer) pressures encroach on him and his brother's good intentions are contrasted by the actuality of his actions. Curtis is the natural choice to become a Bullet Boy, like others around him and the responsibility is left to the one character that should traditionally have none.This is a powerful fete in film-making and serves topic matter that is relevant and garnished with gritty realism that you cannot help but feel for all those involved.

PSIcological2004 Firstly, I have to say, I didn't like this film. So why then, you might think, have i given it a good rating. It is down solely to the respect i have for it. Never before have i seen a film portray the tough life that is experienced by many in the tough streets of London or anywhere else for that matter, quite so realistically. At no point does it become unnatural or over the top, it always seems to draw you in because of its sense of realism. Like i have said, i did not like this film. Ordinarily this is not my cup of tea, the type of film i find myself fast forwarding because there are certain parts i don't want to see. However, I give my full congratulations to the director because i can see that it is a genuinely good film that i can respect, if not like.

clueless99999 I went to the Premiere of Bullet Boy at the Corner House last night and was very impressed with the film. The film has a very powerful, positive message, and i think it is a very thought provoking film which deserves to be seen by as many people as possible. The film deals with the issue of gun crime is a very realistic, non stereotypical way, and gives a very good insight into a world which many of us have probably never come across. The film ends with what i thought was a positive message of hope and inspiration. This film is definitely worth a look!!! I would also like to add that the director and lead actor- Ashley Walters both came across as really nice people, who obviously have a great passion for films and the issues within this one. Is was very refreshing to see 2 fairly young people with such an intelligent, positive, polite manner. I was very impressed!

squeakyorm I wasn't expecting too much of this film before I saw it, but I have to say I was wrong to think it would be dull. Although American audiences -- and, in fact, non-London-dwelling audiences -- probably won't appreciate it for its wonderful depiction of east London, I find myself for once thankful that I live in Hackney. Some scenes around the Hackney Marshes and Lea Valley are astonishingly lush, to the extent that I had my doubts they were actually filmed there, because they present such a contrast to the grubby streets I'm used to, and which are portrayed in other parts of the film.One of the other things that struck me was the accuracy of the dialogue -- I know this sounds a bit silly, but it's easy to get wrong, and in Bullet Boy there wasn't a word out of place. Lines like "that dog's like my brethren" are faintly amusing, but people do actually speak like that, and Bullet Boy got it exactly right.I think Bullet Boy is a beautiful film, and have in fact only one gripe besides perhaps its inaccessibility for people who aren't English: the editing-over of a sign at a train station from the station name to 'Platform 2'. I'm an appalling pedant.