Bring Me the Head of Mavis Davis

1997 "Marty's about to make a killing in the music business"
5.2| 1h40m| en
Details

Marla Darland is blessed with the voice of an angel, a singing legend. But when her agent, Marty Starr, finds his agency in trouble, he concocts a sinister plot to bring up her record sales. Amazed at the posthumous record sales of Elvis and Jimi Hendrix, Marty becomes determined to arrange a similar fate for Marla, staging the perfect tragic demise. But he didn't count on Marla not being quite ready to go.

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Reviews

Actuakers One of my all time favorites.
ActuallyGlimmer The best films of this genre always show a path and provide a takeaway for being a better person.
Kinley This movie feels like it was made purely to piss off people who want good shows
Roxie The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;
JohnHowardReid There are only two ways you will react to this movie: You will either love it or you'll hate it. There is absolutely no in-between. The opening scenes set the character of the whole film which, admittedly, is written, directed and played in a most unusual style. Needless to say, I loved it. My only quandary is deciding who gave the best performance. Most people pick Rik Mayall and he is most certainly the best of a whole screen-full of absolutely unique, way- out male characters. Admittedly, he and everyone else were given a great script to work on. But my favorite of favorites is undoubtedly Jane Horrocks. The scene in which she strips down to black briefs and bra and vigorously ignites her song is a classic interlude that deserves listing as one of the Best Twenty Movie Scenes ever made. All the acting is absolutely first class. The only point I'd like to raise is who is this Mavis Davis? There is no Mavis Davis character in the cast at all. Is this an intentional inside "joke", or am I really missing something? This movie is available on a superb – and I really mean "superb" – Trinity DVD.
Theo Robertson Pop Svengali Marty Starr is in a little bit of trouble with shady American Bruce whose son has ambitions to be a pop star so Marty decides the best way to keep his kneecaps is to come up with a get rich quick scheme BRING ME THE HEAD OF MAVIS DAVIS has few fans and while it's not exactly consistently laugh out loud it's by the same token not a truly terrible British comedy , I did see THE WEDDING TACKLE the previous night so I know what an abysmal comedy from this small island looks like believe me Much of criticism may have to do with the casting of Rik Mayall as Marty , as everyone is keen to point out his character is very similar to Alan B'stard from THE NEW STATEMAN but dissimilar enough to make you notice that Marty is very much an inferior comic character to that of the Tory MP but any deficiencies are made up by the supporting cast especially Jane Horrocks and Marc Warren The script by Craig Strachen is slightly uneven containing mainly moments that are fairly predictable but one or two bits are very funny . Perhaps the script can be summed up where Marty goes to buy some drugs from a rent boy where the audience are one step ahead of the script ( You can guess what's gonna happen next ) but contains a misunderstanding at the police station where Marty's cell mate starts to pull his trousers downOften predictable , sometimes amusing and there's worst movies I've seen this week that were made in Britain
sneakermusic i really like rick mayall, drop dead Fred was great and when he's not doing his bottom and young ones style he can be charming/sly and a surprisingly good straight actor.....so all this is just me setting up an apology to him.rick 'im sorry'... this film suffers from the worst failing a film can have. it is so crushingly slow moving....no, sorry. its just plain boring. funny moments are negated by the whole thing being so drawn out. it has appalling pacing.There is also a weirdly misplaced 'accidental' outing that is just plain not funny, succeeds in just padding the film out. padding it really doesn't need. its fitting that in a film that deals with murder, the viewer is constantly losing the will to live.
psico I think this film is very funny and highly underrated.You have to have seen Rick Mayall in the New Statesman to understand how well he can play a shifty businessman. Jane Horrocks performs very well (Particularly when you realise she does her own singing) and for me seemed very believable. Whilst some of the side plot lines may seem tenuous and dare I say it even a little dry, the whole piece spirals toward the climax of both the tour and the movie with Rick Mayall 's character bouncing in an emotional maelstrom between love and hate. (One of the smaller scenes which is actually very funny is when Mayle is being driven to see the gang boss. in a 30 second piece they manage to put a parody of Pulp Fiction and a very funny gag about answering questions. (In fact when they get to talk the secondary characters (and the thugs in particular) are given some great lines) If you can forgive the straight-to-tv look and like the Rick Mayall of Alan B'Stard instead of the Young ones or Bottom then this will have you laughing out loud.

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