Brave Little Tailor

1938 "Mickey Mouse, a tailor, is appointed by the king to kill the giant."
7.5| 0h9m| NR| en
Details

When a giant threatens the land, the cityfolk mistake Mickey's boast of killing seven flies with one blow to be giants. He is then forced to fight the giant for real.

Director

Producted By

Walt Disney Productions

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Reviews

Billie Morin This movie feels like it was made purely to piss off people who want good shows
Frances Chung Through painfully honest and emotional moments, the movie becomes irresistibly relatable
Mandeep Tyson The acting in this movie is really good.
Ortiz Excellent and certainly provocative... If nothing else, the film is a real conversation starter.
kyle-350-235584 Watching this in the early 80's as a child I loved this short. And now in 2018 watching it again, I assumed it was at least made in the late 50's. Because of the quality and craftsmanship. Shocked and even more impressed now that I now it was created in the late 30's. Still holds up and should be on the shelf of any Disney or animation fan.
OllieSuave-007 One of my favorite Disney cartoons when I was growing up, as I would always rent this cartoon at the local video store when it was part of a video compilation of cartoon shorts. This short stars Mickey Mouse as the Brave Little Taylor who single handedly takes on a giant when he was invading his peaceful village. It is fun to see Mickey worm himself in and around the giant as he attempts to bring him down. The giant himself is pretty comical looking, but you could tell he is a force to be reckon with as the entire earth trembles as he stomps by. It is also nice to see Mickey in an underdog role without any magic tricks to save the day, instead, relying on his physical self.This cartoon short serves a good message that heroes can come in small packages, and quick wit and thinking can defeat even the strongest or biggest foes.Grade A
Shawn Watson This time Mickey is starring all on his own, with no back-up. And for a change he's actually got a good story instead of the usual 'disaster' plots. In this cartoon, he plays a tailor who, through a series of misunderstandings, is sent on a mission by the king to take out a giant who is about to pound on their village. Princess Minnie is his reward so obviously he's going to oblige no matter how impossible that mission may be.Shock horror, there are actually some laughs and Mickey manages to hold our attention instead of making us drift away. The gimmicks and imagination are very good and the ending in which the villagers use the sleeping giant as a power source is very clever.Definitely one of the best Mickey shorts.
Ron Oliver A Walt Disney MICKEY MOUSE Cartoon.A BRAVE LITTLE TAILOR, mistakenly acclaimed as a great champion, is sent to stop the depredations of a fearsome giant who is terrifying a tiny kingdom.This is one of the truly classic color Mouse films, featuring excellent animation, sly humor & some genuine thrills. This vivid, fast-moving reinterpretation of the Brothers Grimm tale gave Mickey one of his grandest adventures and he obviously relishes his return, albeit briefly, to the top of the Disney heap. Without Donald, Goofy or Pluto to steal the limelight, Mickey proves to be a most dashing hero. Miss Minnie's involvement in the cartoon is mainly to add encouragement to Mickey's resolve and provide a reward for his heroics. Walt Disney supplies Mickey's squeaky voice.Walt Disney (1901-1966) was always intrigued by pictures & drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew comic figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that childlike simplicity of message and lots of hard work will always pay off.