Borsalino

1970 "They're going after what they want. And what they want is everything."
6.8| 2h6m| PG| en
Details

In 1930 Marseilles two small-time crooks join forces when they meet brawling over a woman. Starting with fixed horse races and fights, they start to find themselves doing jobs for the local gangster bosses. When they decide to go into the business for themselves, their easy-going approach to crime starts to change.

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Reviews

VeteranLight I don't have all the words right now but this film is a work of art.
UnowPriceless hyped garbage
Nayan Gough A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.
Philippa All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
Bene Cumb Late 1920ies and the 1930ies were apparently the years when gallantry and stylishness saw their peak: war wounds were mostly healed, people acquired wealth, aristocracy and bourgeoisie were able to spend on entertainment and diversity again. Such was the background in the 1930 Marseille, where two small-time crooks join forces after an odd meeting, begin with fixed horse races and fights, and the continue in doing jobs for local top gangsters. Viewers can see several fine places, with wealthy people wearing stylish clothes, enjoying a good music/games/food, sometimes disrupted by shootings, chases and fights, mostly related to the two leading characters - François Capella and Roch Siffredi, splendidly performed by famous character actors Jean-Paul Belmondo and Alain Delon, respectively. Their talent and elegance is visible throughout the film, outperforming all their co-actors, and the French language is a booster of the atmosphere (U.S. gangster films are usually gloomier and rougher).Borsalino is a fine example of French action movies made in the 1960- 70ies; luckily, it is a colour film and shows fully the talents of Belmondo and Delon. I try to watch its sequel as soon as possible.
paxton-12 "Borsalino" is one of the all-time fun French gangster films. I saw it in a cinema in Paris when I studied there eons ago, but just try to find the DVD or videotape! I guess they're trying to increase its rarity value by foisting a much inferior film, Borsalino & Company, on Delon and Belmondo fans. Well, this is the genuine article, more Marseille than the real city, perhaps 70 years or so ago, so just enjoy the great dialogue and scenarios IF YOU EVER MANAGE TO GET YOUR HANDS ON THIS TAPE OR (BETTER) DVD, NOT DUBBED but with subtitles s'il vous plaît. The soundtrack by Claude Bolling (sporadically available on CD) is the perfect accompaniment, and the combination of the French cinema's two most popular young actors made this an all time favorite in France. In the final analysis, style certainly triumphs over substance, and you'll never forget you are seeing Delon and Belmondo. This film has stuck in my mind all these years, and I think you'll be just as impressed as I was... bonne chance!
François Beya I watched this movie for the first time when i was 15 and continue watching it today,this movie is timeless, i was already familiar with Alain Delon and most of the works by Jean-Paul Belmondo,the two actors are phenomenal by themselves and were electrifying together in this movie.I find no fault in this representation of french mobsters in the 30's, and further feel that this movies should have received similar praise to movies such as our more recent "the Godfather".The movie starts off in a french Bistro with François Capella(Belmondo)shooting pool, and a lady sitting at the bar, Roch Siffredi(Delon)storms in and request the lady(Lola) to leave with him, and this results in a fist fight between Capella and Siffredi, and the movie catapults from their first meeting.The movie is well shot even by todays standards, the story is quite complete and will not leave questioning much once it is over. if you can get hold of it, it is definitely worth watching.
aspartica Jacques Deray, who directed gangster genre movies almost exclusively, has achieved his most popular success (in America) with this movie. It was a stroke to combine the two leading men in roles which were cut out for each of them. Credit for this must go (in part, at least) to Alain Delon, who produced the movie. The very catchy, and hummable music for this movie was by the prolific composer, Claude Bolling, who collaborated with Deray on other films.My only carping criticism is the length of the movie. I feel that about 15 minutes could have been trimmed in order to keep it moving.