Bones

2001 "This Dogg's got a bone to pick."
4.4| 1h36m| R| en
Details

Over 20 years after his death, local legend and benefactor Jimmy Bones returns as a ghost to avenge those who killed him and restore his neighborhood.

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Reviews

Konterr Brilliant and touching
Curapedi I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.
InformationRap This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.
Marva It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,
BA_Harrison Any film with a rap artist as its star should be approached with caution: for every '8-Mile' (Eminem), there are a dozen 'Lockjaw: Rise of the Kulev Serpent's (DMX). Not that the failure of Bones is the sole fault of its legendary hip-hop star Snoop Dogg (AKA Snoop Doggy Dogg, Snoop Lion, DJ Snoopadelic, Snoopzilla)—even the most talented of thespians couldn't prevent this predictable vengeful ghost story from being a total mess.In addition to a tired and muddled plot that leaves too many questions unanswered (what did that dog have to do with things? why didn't Bones's spirit kill the kids as soon as they entered the house? why wasn't that building demolished like the others?), this film suffers from an irritatingly 'trendy' directorial style and gimmicky editing, awkward humour (were those talking severed heads really necessary?) and totally wastes the talents of both Pam 'Coffy' Grier and horror hottie Katherine Isabelle (in the role of token white girl).Working slightly in the film's favour are its impressive production design, the half-decent gore (the red paint for blood notwithstanding), a few neat visual references to cult horror classics, and some surprisingly good visual effects, but make no bones about it, this is a desperately uneven and not in the least bit scary effort that even avid Snoop fans might want to give a miss.
lthrlady I used to watch Pam Grier movies back when I was a teen. Loved 'em even though they were grade B. The same goes with this one. Simply a grade B movie. I don't like bloody flicks but somehow this blood (tho massive) didn't bother me. It has a good story line & the dialog isn't bad. The flash back scenes sometimes are a bit fuzzy as to what is flash back & what isn't. It does get a bit creepy with worms flying from everywhere. It's supposed to be a horror flick but it lacks the suspense. Old horror flicks have more suspense than this one does for me and that's saying something. Snoop does a better job in this movie than others I've seen him in. Pam Grier plays a mom/Tarot card reader with something to hide. Michael T. Weiss's "bad cop" role is believable but I wasn't crazy about the make-up to make him heavier & older. All in all worth watching.
whammy666 I rented this movie not expecting much, and that is a good thing because this film is a real stinker. The overall idea is not very original, which is okay. Some gangster named Jimmy Bones died and is coming back for revenge, or something or another. Plot does not really matter for a movie like this, you just watch and try to enjoy the ride. Now, this is not near close to the worst movie I have seen, I have seen far, far, far worse, but it is also quite far from the best movies. My main gripe with this flick may sound dumb but...pink blood? What is that? The pink blood really takes a lot out of it...it makes it more unrealistic (though not realistic to begin with) and just looks...bad. I have seen $5,000 budgeted films with better looking blood! And other than the pink blood, the movie is just stupid and annoying to me. I say avoid, but some may like it. Worth a rent, I guess, if you want to see a cool pool table death......with pink blood.
El_Rey_De_Movies An attempt to make a modern-dress Gothic melodrama that is just not successful. Ernest Dickerson has a good grasp of the iconography of horror films, but he can't put them together well enough to make a good scary movie. He borrows concepts and images liberally from Clive Barker, Dario Argento, and Mario Bava - but all it shows is that he's a good copycat, not that he's a good stylist. From the idea of evil reviving itself by consuming a victim (Barker's "Hellraiser", but cinematic ally dating at least back to Hammer's "Dracula, Prince of Darkness" from 1965), thru the rain of maggots (Argento's magisterial "Suspiria"), to the disembodied hand reaching out of the darkness to torment the dead man's lover (Bava's masterpiece, "Whip and the Body"), there really is nothing here that we haven't seen before and better. The conceit of setting it in a ghetto with an all-black cast promises an interesting variation on your basic "revenge from beyond the grave" scenario, but beyond the music and fashions it's still a pretty clichéd film. One of the problems is that Dickerson just can't seem to leave well enough alone - like the maggot scene. OK, it's raining maggots and it's terrifying, we get it already, is it really necessary to go for the gross-out by showing people EATING them? Or the scene where Maurice is killed - again, the dog-spirit eats Maurice to give form and substance to Bones' cadaver, we get it, it's not necessary to linger on the details of the chow-down. It's never scary - just disgusting. Even his attempts to inject humor are forced and heavy-handed, with the idiotic scenes of Bones carrying the heads of his victims and having them carry on an interminably pointless conversation. And again, he doesn't show it to us once, there's at least three long scenes with the chatty heads so whatever humor there was is pounded into unconsciousness thru repetition. But the most glaring problem with this movie is that we are asked to sympathize with a character who is, at bottom, just as big a bad guy in life as the crack dealers who murder him. Dickerson tries to show us Bones as the protector of his 'hood, but come on - he's exploiting his people just as much with his numbers game, or did it never occur to anyone to ask how Bones got the money for his supah-dupah fly crib when everyone else around him lives in complete poverty? For a MUCH better horror movie that reflects the black urban experience, rent "Tales from the Hood" instead.