BootDigest Such a frustrating disappointment

Numerootno A story that's too fascinating to pass by...

Ezmae Chang This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

Deanna There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

seymourblack-1 Although it was made on a shoestring by a small independent company and features some below-par acting, this movie redeems itself because of its lively pace, its outrageous story and the performance of its leading lady. Based on the 1938 novel "Once Too Often" by Whitman Chambers, "Blonde Ice" follows the exploits of an extremely ambitious femme fatale whose pursuit of wealth, power and status leaves in its wake, a lot of collateral damage in the form of broken hearts and dead bodies.At a ceremony held in his own mansion, wealthy businessman Carl Hanneman (John Holland) marries Claire Cummings (Leslie Brooks) in the company of his guests who include some of Claire's colleagues from the San Francisco newspaper where she's employed as a society columnist. Immediately after making her vows, she leaves her new husband to join her old flame Les Burns (Robert Paige) on the balcony. There she tells the sportswriter that he's still the man that she loves and adds "I'll think of you on my honeymoon".Whilst on honeymoon in Los Angeles, Carl sees a love letter that Claire's written to send to Les and immediately decides to divorce her and return to San Francisco. That night, Claire hires a charter plane to fly to San Francisco and back and pays the pilot Blackie Talon (Russ Vincent) an extra $100 to ensure his future discretion about the trip. When she returns home after her very brief honeymoon, she arranges for Les to meet her and take her back to her husband's house where they discover Carl's dead body. He'd been shot dead in circumstances that suggest that he'd committed suicide. The police are convinced, however, that Carl was murdered but don't have sufficient evidence to charge either Claire or Les.A short while later. Claire gets another of her boyfriends to introduce her to a politically ambitious attorney called Stanley Mason (Michael Whalen) who she wants to administer her late husband's estate and soon they become an item. When Mason is elected to Congress, he announces his engagement to Claire but problems then arise when Blackie Talon turns up to blackmail her and Mason's psychiatrist friend Dr Geoffrey Kippinger (David Leonard) expresses strong reservations about her suitability for marriage. Naturally, Claire resolves these problems with her usual ruthless efficiency but further complications follow."Blonde Ice" is a film noir with a number of the usual archetypes such as the femme fatale, the weak man who repeatedly gets into danger because of his obsession and the "good girl" who the man consistently ignores. The involvement of psychoanalysis in the plot and the presence of a blackmailer who suddenly emerges from the shadows are also typical noir components. What the story eschews though is the twists and the uncertainties surrounding identities and motivations which often add greater intrigue to some of the best films of this style.Leslie Brooks exemplifies what's best about this movie as she's bold, brazen and shows no reservations or conscience about her character's actions or crimes. Everything she does is treated as simply the next logical step in her progression to her goal. The remainder of the cast are adequate at best but this doesn't detract from the enjoyment because the uncomplicated nature of the whole undertaking makes all the wickedness on-screen highly entertaining and often comical to watch.

Bucs1960 This is an obscure noir film which is seldom seen but will show up at film festivals that celebrate the "B" productions of the 1940s and '50s. That's where I got the chance to see Leslie Brooks weave cinema magic as the coldest babe in town. Her performance ranks right up there with the wonderful Ann Savage's Vera in the greatest "B" of all times, "Detour".Brooks plays a newspaper columnist who goes from one wealthy victim to another, kills, inherits the money and moves on. A blackmailer gets in her way so she dispatches him as well. All the while, her ex-boyfriend, played by Robert Paige, a familiar face to movie buffs,is hanging around on the fringes of her life. He becomes the main suspect in the murders and complications arise.Brooks should have gone on to bigger and better things but, here again, her career mirrors the aforementioned Ann Savage. The low budget films were not always a stepping stone to stardom.This is an unusual film with a totally unrepentant and psychologically twisted main character who, in a word, is a bitch. The supporting cast is strong and the cinematography is quite good. Now that I have said that, I must admit that this is definitely a "B" film and can sometimes be rather hard going. But it is Leslie Brooks that makes it worthwhile. The film was made by Film Classics, originally a releasing company, which tried it's hand at it's own productions, with some limited success. The company disappeared early in the 1950s, as did most of the Poverty Row studios, much to the chagrin of all aficionados of the genre. "Blonde Ice" is one of the stars in the crown of low budget film making due to Brooks. Make an effort to find it.

Dale Houstman "Blonde Ice" (which I just viewed in a nice DVD version with the restorer's commentary, and some nifty extras) is not a classic, nor even a particularly good movie by most standards: it is strictly poverty row rather than Scarlet Street, BUT... I found it easy to watch, and (at times) quite good. The male lead (although obviously a dashing actor on his way down the ladder) brings off his part with some real style, especially in a scene in which he eschews the usual macho man poise expected and almost breaks down in bewilderment over the Woman's actions and seeming imperturbability. And there are a few satisfying (if never quite resplendent) turns by a handful of character actors well-versed in what is expected of them. Although - as commented upon already - there is not quite enough "shadow and darkness" to make it a solid noir presentation, there are - in fact - some rather well-drawn night scenes, and the requisite "venetian blind shadows aslant" scattered here and there. And there is a (limp) stab at analysis of Claire's "problem" by a weakly-sketched German shrink, who also concocts a rather vapid (and seemingly pointless) plan to upend her schemes. The ending is perhaps a bit perfunctory, although the very last line is snappy.The main positives however are the terribly efficient story-telling (often a lost art in B-movies: hell, in ALL movies!) and some truly terrific compositions. These two elements make it worth at least a single viewing, especially if you can see it on the DVD with the commentary, which also delves into the important work of the film restorer. Seen in such a fashion, the movie is rewarding enough, considering its brevity and quick pace.

django-1 Director Jack Bernhard was on a roll when he made this low-budget crime drama for the interesting "Film Classics" company (all of whose releases that I've seen have been fascinating on some level)--he had made VIOLENCE (about a crypto-fascist secret society preying on returning veterans) and DECOY (a noir classic with the ultimate femme fetale, as played by Jean Gillie) at Monogram in 46-47, and after BLONDE ICE he went on to direct two of the three John Calvert "Falcon" films which I found entertaining in a quirky way. BLONDE ICE teams Leslie Brooks (who played a similar "deadlier than the male" female two years earlier in SECRET OF THE WHISTLER), here playing a upwardly-mobile woman who uses marriage and murder as a way of improving her social status, with actor-singer-gameshow host Robert Paige, a reliable performer best known to me for the serial FLYING G-MEN and the horror classic SON OF Dracula. The film will not make anyone forget DETOUR or DECOY because to me it doesn't really aspire to the dark world of noir--it's not a corrupt world here, just an empty one for Claire Cummings. Les, her friend and the man she keeps coming back to whenever she conquers a new financially successful man (played by Robert Paige), is an interesting character because he is a devoted friend who knows that something is wrong but doesn't want to know about it. Claire states many a time that she loves him, but he seems to have gone beyond any romantic feelings for her before the film starts--his feelings for her are more like those of an ex-spouse who has moved on but who still wants to help his former partner who is having a run of bad luck. I disagree with those who don't care for Brooks' performance--she has a number of wonderfully feline poses and it's easy to see how men who ought to know better (such as the congressional candidate) fall for her. I also like the fact that no real explanation is ever provided for her actions other than social climbing, and she always seems unsatisfied with each new level she reaches. The supporting cast does a good job also--my favorite being Russ Vincent as the sleazy flyer/blackmailer, in a performance straight from the Jack LaRue school of acting. I'm glad to see this film available in a crisp-looking DVD. It has the flavor of a paperback-original crime novel with a lurid cover (the film's poster and title card have that flavor too)and it pulled me into its world for 70 minutes.