VeteranLight I don't have all the words right now but this film is a work of art.

Chirphymium It's entirely possible that sending the audience out feeling lousy was intentional

Voxitype Good films always raise compelling questions, whether the format is fiction or documentary fact.

Jakoba True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.

Michael O'Keefe This mid 30's back and forth romantic drama has a humorous element. Some times a woman just thinks she knows what she wants. Ann Southern stars a the lovely Miss Kitty, that gets torn between two lovers. She off and on goes out with mechanic Bill Lowery(Paul Kelly); the problem with Bill is he loves his job too much. Actually it is the chance at making money that he places above all else; and that means standing up Kitty on the night of her birthday. She accepts a blind date with a considerably older wealthy clothing store owner Bob Hartwell(Neil Hamilton). Hartwell plies her with fancy clothes and even a job at his store. He even buys Bill's wrecker service/mechanic shop. When Kitty feels beholden to her first love, Bill; and wants to try over again with him, he breaks the relationship off. Now, what is a girl to do? Roy William Neil directs this 71 minute mini-soap opera. Veteran actress Jane Darwell plays Kitty's mother aptly. Other players rounding out the cast: Geneva Mitchell, Joan Gale, Spencer Charters and a young, but still growing Mickey Rooney.

mark.waltz This is a disappointing drama about a hard-working model (Ann Sothern) supporting her lazy family and torn between two men: an honest mechanic (Paul Kelly) who works long hours yet seems to be intent on dominating her once they get married, and a rather lecherous wealthy playboy (Neil Hamilton) whose intentions do not seem at all honorable. The lack of likable characters, with the exception of Sothern and a very young Mickey Rooney as the younger brother who hasn't had the opportunity to become like his parents Jane Darwell and Spencer Charters yet, makes this difficult to tolerate at times. All this family seems to do is bicker over nothing and makes no effort to resolve any conflicts.While this is certainly a good looking film, there isn't enough to recommend it past that. Ann Sothern is certainly a lovely heroine, but even though she had been in films for several years (mainly as a chorus girl), she was still too green in her acting to hold together an entire movie when everything else around her was mediocre. While Kelly tries to add some softer dimensions to his character, he never fully hits the mark. Hamilton seems to be just stuck in the rut of playing less than noble wealthy men, sort of a poor man's Ralph Bellamy who never got the girl even though he used every dirty trick in the book. Sothern would have better luck when she went over to RKO for some frivolous comedies and of course much more success at MGM with the "Maisie" series and a string of musical successes.

Karen Green (klg19) Working girl Kitty (Sothern) is engaged to Bill (Kelly), who neglects her by working long hours at his garage in order to save money for their marriage. After being stood up on her birthday, Kitty goes on a double-date/blind date, where she meets department store heir Bob Hartwell (Hamilton). She falls in love, but leaves him when his protestations of love appear to cover a desire for her to be his mistress, rather than his wife. Faithful Bill rallies 'round to comfort her, and at last she gives in to his repeated requests to reinstate their engagement, pressured in part by Bill's support of her family after she loses her job. When Bob returns, however, convinced that he wants marriage after all, will Kitty follow her heart or her conscience? This film was a lot better than I'd expected it to be. The character of Bill at first comes off as the sort of loud comic Irishman type that Jack Carson played so often. But Kelly (and the script) infuse the character with real compassion and love, and Bill turns out to be the best person in the entire group. Viewers may find themselves rooting for him against the feckless Hartwell! The tone of the film wavers, however, between light-hearted romance and a much darker side, especially in the depiction of a dance marathon and a rather horrific accident at Bill's garage.The cast is rounded out by the dependable Jane Darwell as Kitty's mother, an impish but not yet thoroughly obnoxious Mickey Rooney as Kitty's younger brother, and Spencer Charters as Kitty's ne'er-do-well father.

boblipton A mild but decent low-class soaper, well directed by under-rated B director Roy William Neill -- best remembered, these days, for the Sherlock Holmes series starring Rathbone and Bruce that he directed a decade later. There is a spiffy cast in this piece and they give good performances.It is interesting to compare this Columbia Picture with its Pre-Code contemporaries from the majors and contrast its constant moral tone with the sexier stuff produced by, say, Lubitsch at Paramount. Part of the reason, doubtless, is that a minor studio like Columbia didn't have leverage against the increasingly powerful Production Code that would swamp the sex comedy even at the Majors by the end of the year. But the most of it, I don't doubt, is that the Majors had an eye on the big cities and European markets, while Columbia still was concentrating on the smaller US cities and rural markets.