TrueHello
Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.
Derry Herrera
Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.
Logan
By the time the dramatic fireworks start popping off, each one feels earned.
Richard Chatten
This film version of 65 year-old feminist writer Gertrude Atherton's controversial 1923 novel based upon her own treatment with an early form of hormone transplantation was on cinema screens by the end of the year and generated a lot of discussion at the height of the flapper era; and it remains topical today with the advent of HRT and current journalistic buzz about Cougars and toy boys.Aged 45 (but like many matinée idols of the era looking much older), Conway Tearle as eligible bachelor Lee Clavering has the dilemma that dizzy flappers like Janet Ogelthorpe (played by Clara Bow) bore him, yet has "a vague idea that Autumnal love is - is rather indecent". He indeed looks pretty long in the tooth for 28 year-old Corinne Griffith as the mysterious Mary Ogden, referred to in the opening credits simply as "The Woman"; about whom an awful lot of footage is squandered upon speculation as to her true identity until she finally fesses up and confirms that she is really sixty year-old Madame Zatianny. In a flashback in which she is supposed to be in her late fifties, but is made up and shuffles about like an infirm eighty year-old, she is rejuvenated in Austria by a medical procedure that is alluded to only very vaguely.At this point it gets interesting, as her old friends digest the implications of this revelation; notably Claire McDowell as Agnes Trevor, who bitterly regrets her own lost opportunities to find love when young and thus sorely envies Madame Zatianny the second chance her treatment has gifted her. (McDowell was actually less than six months older than Tearle and would probably have benefited enormously just from a more contemporary makeup and wardrobe like Griffith's.) Unfortunately, with twenty minutes still to go this is the point at which the only currently available version of 'Black Oxen' abruptly ends. Or maybe it's not so unfortunate. We know from original reviews that her old Austrian beau Prince Rohenhauer (played by Alan Hale) shows up, persuades her to act her age and return with him to Austria, leaving Lee to find true happiness with the flapper who had so bored him earlier, provoking 'Variety's original reviewer to ironically state that the film's "only fault seems to be the disappointing ending".An epilogue to 'Black Oxen' that proves yet again how much stranger real life can be even than a silent movie came in 1966 (the year that Claire McDowell died at the age of 88) when 72 year-old Griffith divorced her 45 year-old fourth husband of a few days and testified in court (contradicting testimony from Betty Blythe and Claire Windsor, who had both known her during the 1920s) that she was not Corinne Griffith, but her younger sister who had taken her place upon her elder sibling's death.
kidboots
That's what one of Clara Bow's friends said about her performance in "Black Oxen" - the first time she experienced working with a top studio, big budget and a famous star. Schulberg recommended her to director Frank Lloyd and once he saw her knew she would be so right for the flapper role. Clara had her hew own take on the meeting - "he didn't make me feel like he was doin' me a favour lettin' me work in his picture". This was the movie that really got Clara noticed by the other studios. First National was so impressed with her performance that they requested her for "Painted People" another "biggie" with Colleen Moore but that turned out to be a fiasco. Clara's instinctive knowledge of what was right for her made her realise that the part was all wrong - "and she was right" Colleen Moore said. Still "Black Oxen" raised her standing and had her Preferred Studio bosses quadruple her salary to a princely $200 a week.This film is fascinating for what's not included. The film I saw was 60 minutes but it is supposed to be 80 minutes and because it flowed pretty smoothly I have to assume that the missing reels are at the end. And also for the fact that Claire MacDowall has a prominent supporting role as Agnes Trevor, an embittered spinster - in the film I saw she has a very small scene where she renounces Mary (Corinne Griffith) as a "Hypocrite"!!!When attractive "mystery woman" (Griffith) stands up at a Broadway first night, Lee Clavering's (Conway Tearle) elderly companion does a double take - she looks the mirror image of a girl, Mary Ogden, he was infatuated with in his youth but the last time he saw her she was old and feeble. Lee is determined to find out who she is - so they visit Jane Oglethorpe, a society "Grand Dame" who is feared for her frankness. Clara Bow is introduced as Janet Oglethorpe "going to Hell as fast as she can foxtrot - the wretched little flapper"!!! And from her first entrance she owns the movie - Lee exclaims "when you were little I gave you a spanking, I may be forced to do so again" - her reply "Can I depend on that"!!! Naughty Clara!! He also says when he has to escort her home and put up with her outrageous flirting "Girls of your age bore me to death and you're the silliest of them all"!!!Meanwhile Lee becomes involved with mystery woman Mary who finally reveals to him the secret of her youthful appearance. The victim of an early unhappy marriage that took her to Vienna, she finally found a reason for living through helping her adoptive country until age caught up with her. It is here that the make-up artists really have a chance to "go to town" on Miss Griffith but I agree with the other reviewers, she is made to seem old and decrepit and almost on her last legs at 60!! Offered a rejuvenating X-Ray anti aging treatment, she took it - not for vanity but because her feebleness was an impediment to her good works.She then announces it at Mrs. Oglethorpe's afternoon tea and later on Agnes Trevor speaks for them all when she wonders if she could regain her youth so she could find a husband. When Mary claims her ideals were higher than that Agnes denounces her - and Mary believes deep down that she is right!! Ian vehemently proclaims he would love her however old she looked but he is distinctly uncomfortable when some of the younger women "rib" her around the dinner table.The film finishes there but was definitely heading "somewhere" and it is fascinating to wonder what the ending would be like. I don't think in 1924 there was a mainstream Hollywood film that would take a chance to end on a controversial note. Since Mary proclaimed her secret she is very thoughtful about how she would be treated if she wasn't so young and beautiful. Meanwhile Janet has been reading "Flaming Youth"(another Colleen Moore film!!) and wondering how to get her man!! The flapper segments give the film a much needed zest - the love story between Griffith and Tearle being just a tad boring. Corinne Griffith may have been best known as the "Orchid Lady" but she had only her beauty - she didn't have a huge personality or a lot of acting talent, though the last few minutes saw her giving her role a bit more colour and shade. Maybe the missing reels see her put Lee's loyalty to the test by, maybe, foregoing her treatment to see if he would stand by her if her looks were gone. An interesting theory.Highly Recommended.
melvelvit-1
An enigmatic young woman becomes the talk of Jazz Age Manhattan when it appears she's the same socialite who left New York for Europe decades before. They actually are one and the same thanks to x-ray treatments that reverse the ageing process but will her new beau care once he finds out? Like ARE PARENTS PEOPLE? made the following year, the movie's trying to say something about age-ism but I'm not sure if the point was made because it's missing the last reel. Still, I enjoyed what I saw thanks to its star, the extravagantly beautiful Corrine Griffith, and it's impossible to look away whenever Clara Bow's flirtatious flapper appears on screen.
Jerry Rutledge (jerfilm)
Sadly, I would like to know how this film ends. The DVD that is available of course is short the missing reels - the film ends at a dinner party. It's not a great transfer but worth watching. Clara Bow is an obnoxious little flapper who is in love with Conway Tearle - a small complication throughout. I agree with the previous comment that Corrine Griffith who is supposed to be around 60, when made up looks much older. She seems infirmed with a cane but there is no explanation about this. It would be wonderful if the missing reels would turn up in Russian or the Czech Republic or the Netherlands or anywhere. This film was long on my want list so when I saw it advertised on DVD I took a chance and ordered it.
