Birth/Mother

2006
7.1| 0h32m| en
Details

Tarachime is a documentary film which observes 'life' through childbirth. Kawase Naomi, a film director working under the theme of family, life and death, presents the bond of life through her own childbirth experience. "First, I was planning to film from the day I conceived a child and to the moment I gave birth. But I realized, while filming, that this is not the story of "one life." In the end, the film sublimed to a higher stage on which we can witness the knot tying one life with another."

Director

Producted By

ARTE France Cinéma

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Reviews

Mjeteconer Just perfect...
Kidskycom It's funny watching the elements come together in this complicated scam. On one hand, the set-up isn't quite as complex as it seems, but there's an easy sense of fun in every exchange.
Abbigail Bush what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.
Hayden Kane There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes
Andres Salama This disturbing autobiographical documentary (running time is less than 50 minutes) starts as director Kawase (who is in her 30s) berates her 90 year old grandmother (who apparently raised her alone) for...well, it's not clear what is she reproaching her for, apparently for once telling her that if she didn't want to live with her, she could go somewhere else. It's an ugly scene, and after that we saw another disturbing scene of the old grandmother bathing in close up. Later scenes show Kawase and her grandmother on better terms as they reflect on old age, life, happiness, etc. The movie later shows the grandmother being brought to a hospital on an ambulance and we are later informed that she died (we are thankfully spared of seeing her on her deathbed). The final scene of the movie shows Kawase giving birth to her son. The movie is interesting, but it's also disturbing for its exhibitionism, and for the seeming sadism in which director Kawase treats her grandmother.