Cathardincu Surprisingly incoherent and boring

InformationRap This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

Suman Roberson It's a movie as timely as it is provocative and amazingly, for much of its running time, it is weirdly funny.

Ezmae Chang This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

Charles Gough Honestly I found this movie to be a very enjoyable experience. The pacing was fantastic, the whole time I wanted a character to do this or that, but they didn't, so I'd get frustrated. But then a half hour later they'd do something twice as satisfying then what I had wanted them to do and with perfect timing. The movie starts off a little slow but let yourself get to know the characters, try to understand their points of view and guess how they became this way. By the end of the film everything is understood and it makes those first few scenes even better now that you understand why the characters where acting the way they were.Elyse Friedman's writing feels genuine. The characters are rich, and the story plays out very well in getting to know those characters. At times you think you have one figured out and then you learn something new that changes who they are in your eyes. I love when a film can do that affectively and this one does. It feels like a character piece, but unlike most who overdo the story, this film is entertaining enough just getting to know the characters.Craig Lucas does a great job directing the camera to support the performances. This film has a genuine indie feel. It's not forced it just fits.The performances are also very appropriate for the feel of the film. Matthew Parry was a fantastic choice for his role. He acts by not overdoing it. He keeps his performance inside and in turn it seems more real on the outside. Ben Foster is perfect. He nails the character in a way that few actors could have pulled it off. He makes me want to meet Jay and have a conversation with him. I want to hang out with him and ask him about his perspectives on life. Lastly but certainly not least, was Ginnifer Goodwin. I want you Ginnifer, I want you so bad. She delivers a performance that is fantastic in its combination of both subtle and not so subtle moments. At times you have to look closely into her eyes to figure out what the character is feeling, other times it's displayed in her every expression and gesture.I really am a tough critic most of the time, but I was just so surprised by this film that it sold me. I love it. I won't recommend it to all my friends because it is a film for people who love film and don't just want to see car chaises and sex scenes.

jakers12367 I was a little apprehensive going into this movie as Matthew Perry has not had much luck choosing successful films. While his television career has been critically successful with friends and studio 60, he is usually a victim of poor writing. In truth, although he will always be "Chandler Bing" as will the rest of the Friends crew, he does have talent for the dramatic. This is shown in "Birds of America" Being a future independent filmmaker, I chose to enter this movie with loosening my predisposed judgements and this helped me find the depth in the film. When watching independent cinema, you must always expect the unexpected and allow yourself to think outside the box.This film was significant as it dealt with the importance of family connection and being true to oneself. As well, it brings out the question "Is honesty always right". This has been a topic that has been debated for years. Honesty has always been thought of as a necessity, but what happens when it takes precedence to kindness? This is all dealt with during the film.In terms of the performances, I believe that the two strongest links in this film were Ginnifer Goodwin and Ben Foster as the "problem" siblings. Ginnifer Goodwin's mannerisms and subtle facial expressions really captivate the screen and for me, although Matthew Perry's character is considered the father figure in the story, she really is the central link of the sibling connection. Ben Foster was great as well. It's refreshing to see that some people in Hollywood are not encapsulated by money and fame and are just in acting for the material. Matthew Perry was very good as the older brother /father figure, but I found my attention drifting to the other characters performances when he was sharing scenes. Finally, Lauren Graham, who is also very talented and needs to make wiser choices than "Evan Almighty", was great as the desperate wife trying to get her husband to have a baby with her. In one scene, she makes washing clothes seem like such a luxury and with her subtle nuances, makes the audience truly feel for her.I thought the film was very good, but there were some slip ups. First off, Hilary Swank was wasted playing a stepford-wife type, which truth be told, could have been played by anyone. She is far better than that role. As well, although somewhat important to the theme of the film, I found the feces aspect of the film rather distracting and with exception to one humorous scene, took away from the storyline.It sometime amazes me that cinematography can be far superior in films with independent budgets. I really appreciate the "nature aspect that the cinematographer incorporated into the setting and I found that it really highlighted the themes of kindness and connection. The only complaint I have about the cinematography and lighting is that some scenes were very dark and it was difficult to truly connect with those scenes.All in all, it was a very good movie and I recommend it as a "lazy Sunday afternoon" type movie

Dotacion Boring attempt at a quirky indie feature with mainstream actors playing anxious wimps or pathological sibs prone to embarrassing their responsible (but loving!) caretakers, including a long suffering wife who wants to conceive but whose dream is perpetually postponed by her husband's, yes, you got it, anxiety about his ambition, and which fails to exploit the college town atmosphere it's trying so hard to contextualize (sacrilege in an indie), and ultimately we get stuck with some unpleasant (and not in a schadenfreudy kind of way either) characters and unfortunately for us passive viewers this 'feature' features a protagonist (Chandler Bing - who seems to be specializing in wimpy-bois now and even into middle age) whose only goal at this stage in his life is to someday enjoy a nice steamy dump (Begelman would be shocked SHOCKED! at such a wuss wanting to flush away such valuable treats); in fact rather than waste any more of the few seconds I have remaining in this life I decided to pull the plug, cinematus-interruptus style, so you should surmise by now I am not so sad to report this fillum is a misfire from the get-go since I get to take revenge out via IMDb, so you should take it from me- a compassionate conservationist- I don't think you or anyone else should waste what precious few remaining seconds on this planet.Would you pay good money(tm) had to spend some time (say 90 mins) alone with the person(s) you most dislike in this world ("in-laws") and sit passively while they go about flailing their crazy unorthodox manners and peccadilloes right under your nose? Yes? Then by all means, "enjoy."I gave it a two ("2") because at least they all showed up to work knowing they had a time bomb ticking away, and still managed to record it for posterity. Come to think, no THAT might have made a better movie, everyone obliterated in the end by a mad bomber movie patron. Maybe I should have stuck around to see... hmmm.

wmjaho You might be getting a little tired of movies about dysfunctional families. I know I am. I think I've seen at least three at Sundance this year. But Birds of America manages to break the mold and feel fresh and alive from the outset, delivering a warm, funny, zany, tender and compassionate film that left the audience smiling and satisfied.Morrie (Matthew Perry) is an uptight university professor anxiously seeking tenure, which requires the approval of his department head, who lives next door. Morrie and his wife Betty (Lauren Graham—Gilmore Girls) live in a house he inherited at 18 years old after his mother died and his father committed suicide. As a result, Morrie raised his brother Jay (Ben Foster) and sister Ida (Ginnifer Goodwin), both of which grew into their problems. Ida is substance-abusing and promiscuous, and Jay a deeply gentle and sensitive soul whose actions are almost completely unfettered by advanced thought. They reunite in the family home when Jay gets run over by a car (he was laying in the road) and Morrie, who still feels more parent than brother, asks him to move in for a while. Without asking permission, Jay invites Ida to join them, stressing Morrie and Betty's relationship and jeopardizing his career with their outrageous behavior.Matthew Perry is surprisingly good in his deadpan portrayal of an overwrought brother who cares deeply for his siblings, often at his own expense. Goodwin is a pleasure as well, as the addictive personality with the carefree spirit. But Ben Foster (3:10 to Yuma) is great, and despite having such a naturally funny role, manages to never play Jay for laughs, creating an endearing and memorable character. Growing up without parents, these three have formed an unbreakable bond, with unconditional love and acceptance, and a tenderness and compassion unlike any I can remember in movies. Elyse Friedman has crafted a remarkable script, and Sundance veteran director Craig Lucas (Secret Lives of Dentists, The Dying Gaul) brings it to life with a funny but light-hearted and gentle touch.