Lightdeossk
Captivating movie !
Onlinewsma
Absolutely Brilliant!
Kien Navarro
Exactly the movie you think it is, but not the movie you want it to be.
Rainey Dawn
One of the dirtiest, grittiest crime noirs to come out of the 1950s. It's about a man, Jerry Barker, that kidnaps a sick child, holds him hostage and asks the father for ransom money for the safe return of the child. Barker gets his money but the boy ends up dead and Barker in prison. He became known as The Ice Man in the news papers and well hated in prison for killing a child. Barker's troubles become worse inside the penitentiary.Great casting, superb acting, cinematography is beautiful and a story that can leave you on the edge of your seat. A worthwhile crime-prison film to watch. It is really rough at times but a darn good film. Great to see this one again! 9/10
Spikeopath
Big House, U.S.A. is directed by Howard W. Koch and written by John C. Higgins, George George and George Slavin. It stars Broderick Crawford, Ralph Meeker, Reed Hadley, William Talman, Lon Chaney Jr., Charles Bronson and Felicia Farr. Music is by Paul Dunlap and cinematography by Gordon Avil.A Kidnap, A Ransom and A Prison Break = Powder Keg.Out of Bel-Air Productions, Big House, U.S.A. is a relentlessly tough and gritty picture. Beginning with the kidnapping of a young boy from a country camp, Howard Koch's film has no intentions of making you feel good about things. Deaths do occur and we feel the impact wholesale, tactics and actions perpetrated by the bad guys in the play punch the gut, while the finale, if somewhat expected in the scheme of good versus bad classic movies, still leaves a chill that is hard to shake off.Split into two halves, we first observe the kidnap and ransom part of the story, then for the second part we enter prison where we become cell mates with five tough muthas. Crawford, Chaney, Meeker, Bronson and Talman, it's a roll call of macho nastiness unfurled by character actors worthy of the Big House surroundings. The locations play a big part in the pervading sense of doom that hangs over proceedings, Cascabel Island Prison (really McNeil Island Federal Penitentiary) is every bit as grim as you would expect it to be, and the stunning vistas of Royal Gorge in Colorado proves to be a foreboding backdrop for much of the picture.Although it sadly lacks chiaroscuro photography, something which would have been perfect for this movie and elevated it to the standard of Brute Force and Riot in Cell Block 11, Avil's photography still has the requisite starkness about it. While Dunlap scores it with escalating menace. Not all the performances are top draw, more so on the good guy side of the fence, and some characters such as Chaney's Alamo Smith don't get nearly enough lines to spit, but this is still one bad boy of an experience and recommended to fans of old black and white crims and coppers movies. 8/10
sol1218
***SPOILERS*** Even though the movie "Big House U.S.A" runs for a scant 83 minutes it seems like well over two hours watching it and all the side plots that's in it. In fact we never get to see the big man or top star Braderick Crawford, the psycho as well as wimpy sadist killer Rollo Lamar, until almost halfway into the film.The story starts with good natured fisherman Jerry Baker, Ralph Meeker, giving a hand to this runaway boy Danny Lambert, Peter J. Votrian, who checked out of camp when he was about to be giving an injection for his serious asthma condition. As it turned Baker was on to little Danny in that his dad Mr. Lambert, Willis Bouchey, being one of the riches men in the state of Colorado. Holding little Danny hostage for a ransom of $200,000.00 Baker makes the mistake in leaving the kid alone in this dilapidate fire tower in the woods. Trying to escape Danny falls to his death and with that Baker if caught faces the death penalty for, a federal charge, kidnap/murder.Caught by the FBI lead by Special Agent James Madden, Reed Hadley, Baker being a step ahead of the law had disposed of Danny's body and hid the ransom money where he only faced and got a one to five year sentence at the top security Cascaville prison. It's behind bars that Baker got involved, since he had no choice in the matter, with his cell-mates who were serving time for a slew of multiple murders all across the country. Headed by the brains of the outfit Rollo Lamar Baker is forced to break out of jail with Rollo and his fellow cell-mates the worst bunch of convicts in the entire prison system. It's not that Rollo liked Baker but the fact that Baker knew where he stashed the $200,000.00 ransom money was worth saving his life; That's until Rollo got his hands on that cash and then he's history!Worth watching just to see future action star Charles Bronson all pumped up, the guy would give Arnold Schwartznegger a run for his money in a body building contest, and crazy with future District Attorney Berger, William Talman, in the Perry Mason TV show as, this really takes the cake, William "Machine Gun" Mason! In fact three years later Charles Bronson would get the lead role as the real, whom Talman's character was obviously based on, Machine Gun Kelly.P.S There's also horror star Lon Cheney Jr. as the dim witted and lovable convicted murderer Lenny Alamo Smith. It fact it was Lenny that Lon Chaney played in the 1939 film "Of Mice & Men" that made him a star. And talking about Lenny in "Of Mice & Men" it was non-other then Broderick Crawford who originated the role on Broadway three years earlier!
telegonus
Rugged mid-fifties prison break flick with great cast,--Broderick Crawford, Ralph Meeker, Lon Chaney, Jr., Charles Bronson, Reed Hadley, Bill Bouchey and Roy Roberts--it oozes violence and cruelty, and is even today one tough, convincing little movie. Ralph Meeker is excellent as a cold-blooded killer known as 'the iceman", but Crawford has the film's best line when Meeker joins his prison cell: "The iceman cometh". Very watchable and outdoorsy, with fine work by a virile cast, it rather resembles stylistically Crawford's TV series Highway Patrol in its plain, police procedural take on the American western landscape of the fifties, with killers, like Commies, lurking behind every rock and tree. Strong stuff, and a worthy late entry in the prison escape genre.
