AniInterview Sorry, this movie sucks

Exoticalot People are voting emotionally.

Voxitype Good films always raise compelling questions, whether the format is fiction or documentary fact.

Haven Kaycee It is encouraging that the film ends so strongly.Otherwise, it wouldn't have been a particularly memorable film

dsewizzrd-1 Ginger Rogers stars in this portmanteau of romance and thriller, which is called "Beautiful Stranger" on the title. Eddie Byrne is his usual disreputable self - "I stole it, I'm innocent". Rogers is the girlfriend of an apparently reputable millionaire living on a continental island when she meets a young potter at a bijou beatnik house on the coast. Bizarrely, her Rolls Royce keeps changing colour from white to silver, even during car chases. I'm not sure if this is a filming fault, because of film processing, or a mistake made in digitisation.Eddie creeps around a house and the potter looks outside but doesn't see his Citroen (the same one as used by the police) parked clearly in front of the house. The same white telephone is used throughout the house and office.

blanche-2 Ginger Rogers stars with Stanley Baker and Herbert Lom in "Twist of Fate," a 1954 film shot on location in the Riviera. Even in black and white, the scenery is wonderful.Rogers is Johnny, an ex-showgirl living on the largesse of her sugar daddy Louis Galt (Baker), who's been separated from his wife supposedly for years and whose divorce will be final any minute. After a fight with him, she runs off and has a minor accident with her car. Going to the nearest house, she meets Pierre (Jacques Bergerac). (In real life, Rogers had the same reaction when she saw him as Dorothy Malone did - she married him.) Johnny and Pierre fall in love, and she wants to leave Louis. First of all, he's a criminal, though she's unaware of this; secondly, he's been lying to her, which she finds out the night of the accident; and thirdly, he turns out to have a violent streak. He announces that he won't let her leave.Louis sees that the diamond bracelet he gave her is in the hands of a con man (Herbert Lom) and thinks he's her lover. That's where the twist of fate comes in.Very derivative film, with Rogers excellent as Johnny, and with good performances by Baker and Lom, both scary in different ways.Jacques Bergerac was a handsome Fremchman, and that was about it. My mother once told me, "He was someone who married beautiful actresses." After he had married a couple of them and done some films, he became the head of Revlon's Paris office. Bless his heart, at 86, he's still with us.

drednm Decent little thriller with an oddly cast Stanley Baker and hard-to-understand Jacques Bergerac, but the story is pretty good: about the mistaken identity of a thief amid the lies and deceptions of others.Ginger Rogers plays a third-rate performer who is shacked up with Baker, a wealthy businessman. They have a fabulous house in Cannes, and everything seems to me going well until an old acquaintance turns us (Herbert Lom) who seems to bring bad luck to anyone he associates with. Aside from that he is a thief. Rogers soon learns that Baker is really not separated from his wife (Margaret Rawlings) or divorcing her. He's also a crook. In a snit of hysterics, she almost drives her Rolls over a sea cliff and wanders to a funky beach house where she meets Bergerac. They fall in love. But how to get rid of Baker? Meanwhile, Lom robs the Cannes house and the diamond bracelet he steals ends up back with Baker, who gave it to Rogers. So he assumes Rogers and Lom are an item. From there everything goes wrong with botched killing attempts, escapes, and each person trying to figure out who is with who.Rogers looks great and acts imperiled well but beyond that has little to do in the finale as the men thrash it out on the sea cliffs. Lom turns in an excellent and subtle Peter Lorre like performance. Coral Browne steals the one scene she is in. Atmospheric and tense and not bad at all.

jaykay-10 This is worth watching for the fine, understated performances by Stanley Baker and Herbert Lom, each of whom exudes menace: a coiled snake and a desperate weakling respectively. The story strains credibility to achieve its effects and keep the plot moving, notwithstanding its reliance on the familiar trappings of melodrama - e.g., greed, betrayal, characters who are not what they seem to be. For a "kept woman," Ginger Rogers displays remarkable innocence. And is it actually possible to open the combination lock on a wall safe by merely turning the dial slowly and listening for clicks? The picture is minor-league Hitchcock (without Hitchcock), and it shows.