VividSimon Simply Perfect

Phonearl Good start, but then it gets ruined

MoPoshy Absolutely brilliant

Crwthod A lot more amusing than I thought it would be.

utgard14 Esther Williams' first starring role is a silly but fun musical comedy from MGM filmed in beautiful Technicolor. Despite the title the movie centers more on Red Skelton's character, a songwriter who marries then loses Esther because of the machinations of Basil Rathbone. So Red forces his way into enrollment at the all-girls college where Esther is a teacher, hoping to win her back. It's all fluff but enjoyable. Musical numbers by the Xavier Cugat Orchestra, Harry James and His Music Makers, Lina Romay, Helen Forrest, and more. The music's fine and Red's funny but Esther's the reason most of us are likely to watch this. She's gorgeous, of course, and has a nice swimming scene at the beginning and a classic aquatic ballet number at the end. Just amazing to watch. She's very likable and holds her own with Skelton. It's easy to see how this movie made her a star. The cast also includes Carlos Ramirez, Nana Bryant, Donald Meek, Jean Porter, Jacqueline Dalya, and Janis Paige (in her film debut). Basil Rathbone seems to be having fun with a different kind of part than he usually got to play. Yeah he's sort of the villain but it's a soft villainy not someone evil. He gets to do a little comedy, too, which he seemed to enjoy. It goes on a little longer than it needed to but it's all light and fun. The sort of movie that's a good pick-me-up when you're feeling down.

atlasmb You know this is a comedy that lives in the slapstick category of humor when a bicycle built for four, ridden by three coeds and a guitarist, comes out of a closet. Before that, you might guess that the humor borders on the absurd when you realize the steamy romantic relationship the film revolves around is between Esther Williams and Red Skelton.Once you have dispensed with any notion that the plot of Bathing Beauty bears no resemblance to reality, it is easy to sit back and accept the film as an amorphic assemblage of skits. Like many films of its era, it tries to jam as much entertainment into two hours as possible, utilizing the talent at hand. Bathing Beauty combines singing, dancing, comedy routines, pantomime, an aqua-routine reminiscent of Busby Berkeley including flaming water fountains, trumpet and organ solos, Stoogesque physical comedy, and Skelton's comedic touches that were the staple of his TV show for year to come.Esther Williams is, of course, beautiful. Some of the wardrobe she wears is amazing. Skelton is clever and his brand of physical comedy is sometimes silly, sometimes nearly poetic.The rest of the cast feels like a ensemble. They even put Harry James in a kick line. Jean Porter, a diminutive coed with spunk, plays a part usually given a name like "Jinx". She gives the film a shot of energy and vitality.Bathing Beauty does display a vibrant color palette. It's an attractive distraction from the war that Americans flocked to, and it's still a pleasant diversion today.

bkoganbing The swimming routines of Esther Williams and the comedy of Red Skelton are timeless which is why Esther's debut as a star can be seen hundreds of years from now and not lose any entertainment value. Of course an appreciation of swing music and Latin music does help.Bathing Beauty which is certainly an appropriate title for Esther's first starring role has Red and Esther as newly minted newlyweds when some woman objects to the wedding saying she's already Red's wife.Red's a writer of swing music and his publisher Basil Rathbone deliberately arranged that incident to break up the marriage so Red can deliver some special material. However the minister beat out the objection with his 'I now pronounce you man and wife' so they are married, but Esther will get that annulled. But not if Red can help it. She goes back to her old job teaching at an all girl's college which Red enrolls at as a student to be near her to plead his case. At this point the rather thin plot is just a frame for the various routines and numbers done by the stars and with guest performers like Harry James and his Orchestra, Xavier Cugat and his Orchestra and the famous Tico Tico girl Ethel Smith doing, what else Tico Tico on the organ. Also orchestra vocalists Helen Forrest with James and Lina Romay with Cugat have some good numbers.Basil Rathbone taking time off from playing Sherlock Holmes hams it up to beat both those featured bands in his role as the comic villain of the piece. Red does his usual clowning and is an adept musical performer in a swing version of Loch Lomond.But this film is strictly Esther and her final water ballet sequence was the first of many making use of that special tank MGM built for this very special star.You could remake this film today, but where would you ever come up with another Esther Williams or Red Skelton?

Neil Doyle BATHING BEAUTY offers lots of eye candy and a couple of hilarious RED SKELTON routines proving he's a master at physical comedy. The musical interludes are on the dull side and don't give strong enough material to Ethel Smith (at the organ), Harry James, Xavier Cugat and Carlos Ramirez--a Latin tenor with a strong voice but no charisma.The slender plot is the usual misunderstanding that occurs in these type of ESTHER WILLIAMS movies. She thinks her newly wed hubby (Red) is the father of three boys, thanks to a practical joke played by BASIL RATHBONE (who looks as if he'd rather be elsewhere in a thankless role). She tries throughout the film to get Red dismissed from the all girl college he enters just to be near her. The highlight of the film is Red's bashful entrance into a class of ballerinas, clad in pink tutu and ballet slippers--all the while being slapped around by a ruthless instructor and going through ballet paces with hilarious results.The supporting cast is largely wasted--including Bill Goodwin, Margaret Dumont and Janis Paige in a brief role. Jean Porter gets to do more than usual and even has a song and dance number with Red. The water ballet at the finale is nicely done in typical MGM manner but not as ostentatious as usual for an Esther Williams film. This was her debut as a leading lady and she has lots of confidence and poise, both in and out of the water. In fact, it's one of her better performances--but the spotlight belongs to Red Skelton who deserves his top billing.