Baran

2001
7.8| 1h30m| PG| en
Details

On a building site in present-day Tehran, Lateef, a 17-year-old Turkish worker is irresistibly drawn to Rahmat, a young Afghan worker. The revelation of Rahmat's secret changes both their lives.

Director

Producted By

Fouad Nahas

AD
AD

Watch Free for 30 Days

Stream on any device, 30-day free trial Watch Now

Trailers & Clips

Also starring Hossein Abedini

Reviews

Beystiman It's fun, it's light, [but] it has a hard time when its tries to get heavy.
Roman Sampson One of the most extraordinary films you will see this year. Take that as you want.
Lucia Ayala It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.
Brenda The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one
Hassan Ahmed Raja Baran is a dramatic love story written, directed, and produced by "Majid Majidi" in 2001. Like his previous smashing hit works at that time, like "Children of Heaven", "The Colour of Paradise", and "The Father", Baran keeps on moving the audience emotionally in a slow pace, covering the story in a very cultural dramatic manner. Baran's story is very close to human life scenarios that is beautifully visualized and written with a strong message for love and peace where people could actually relate to the strong portrayed characters to their real lives and feel every little emotion of the character throughout the movie.The story of Baran revolves around two very strong characters; 'Lateef', a seventeen years old Kurdish worker who works at a building site in Tehran; and 'Baran', an eight years old girl whose family is a poor illegal Afghani immigrant. 'Lateef' is a lazy, carefree and hot-headed guy who works as a caregiver of all the crew working at the site and manages the kitchen providing the workers tea, water, and food. The turning point comes when one of the old Afghani workers 'Memar' faces an accident and gets hospitalized. He begs the humble building contractor to give his responsibilities of work to his eight years old eldest son 'Rehmat' as he is the only one who could earn money to support his big family. 'Rehmat' fails to carry the heavy loads due to his little age and the contractor makes him swap the responsibilities with 'Lateef' who instantly gets jealous of him and tries his every effort to let him down from the post. One day, on his mission to tease 'Rehmat' in the kitchen, he finds out that he is actually a beautiful little girl disguised as a boy. Her beauty, personality and simplicity makes him fell for her eventually. Then, he tries his every effort to help her and make her feel his affection for her. Every coming day, 'Lateef' feels that he is getting more emotional, sensitive and a better human being by admiring her, her simplicity and personality and tries to be like the person she is. The conflict comes when the Iranian government issues an order to stop all Afghani immigrants to work in Iran and move back to their country and sends forces to arrest them. 'Baran' loses her work in the building site and faces many ups and downs by doing different harder jobs. 'Lateef' stalks her and feels her pain. He is in so much love that he wants to keep 'Baran' away from every pain and hurdle in her way and spends his money and everything that he had and makes her and her family to move back to their country.The ending scene of the movie is very beautifully and dramatically visualized. 'Baran' is sitting on a Tonga in a veil with her family with all their luggage to migrate back to their country Afghanistan and 'Lateef' is standing in front of her with a very peaceful look that he finally succeeded to vanish all her pains and grieves away from her. The Tonga starts moving and 'Baran' removes her veil from her face and looks at 'Lateef' and gives him a smile showing that she's happy and thankful and she has felt his affection for her and 'Lateef' smiles back that he got her message and goes back happily.The amazing camera work, beautiful background score and amazing story keeps the audience engaged till the end of the movie, both emotionally and visually. Every character shows a very strong personality with emotions for humanity and peace. Baran fulfills every aspect to be a blockbuster emotional drama movie by touching audience's heart. More importantly, Baran tells the audience an important message that the greatest thing in the world is just to love and be loved in return. I would definitely give this movie a 10/10 and would definitely recommend it to every movie buff out there.
Lee-107 Something must be there in the air of Iran! How can they repeatedly make such good films? What is it about this country's landscape/culture/socio-economic circumstances that is so unique, that seems like it cannot be replicated anywhere else... I've watched many Iranian films over the years and each one of them has been a cinematic treat. Iranian filmmakers have truly raised the bar of cinema. If films are about capturing a slice of human life, presenting it as justly as possible and thereby helping us understand ourselves better, than I think Iranian filmmakers have done just that...over and over again!'Baran' is again a gem of a film - basically a love story which beautifully talks about the prevailing socio-cultural dynamics in Iran at the time. Hossein Abedini as Lateef is excellent - your typical lovable rogue who has an insatiable propensity for mischief but is basically good at heart! Mohammad Amir Naji as Memar is absolutely endearing! You cannot help but be touched by this man's kindness and his subtle paternal attitude towards Lateef. Mohammad Amir Naji was also there in 'Children of Heaven' and even in that he was so amazing! He must be major actor in Iran or at least I hope he is! And Zahra Bahrami as Baran - a very controlled beautiful performance.The "still sad music of humanity" reverberates in Iranian cinema all the time except that it is also complimented with refreshing doses of humour and joy revolving everyday situations and actions. Watch 'Baran' for another example of good cinema from Iran! Thankfully there's plenty of it there and plenty for us to see, enjoy and may be even learn...
Claudio Carvalho In Iran, when the illegal Afghan worker Najaf (Gholam Ali Bakhshi) breaks his foot in an accident in a construction of a building, his fragile son Rahmat becomes his replacement. The master Memar (Mohammad Amir Naji) makes Rahmat responsible for feeding the worker, and brings the young Lattef (Hossein Abedini), who was responsible for this task, to the heavy work. Latted becomes jealous of Rahmat, and spends a cruel treatment to him. However, when Lateef finds that Rahmar is indeed a girl called Baran (Zahra Bahrami), he falls in love for her and spends all his savings and gives his best efforts to protect her family and her."Baran" is a simple, human, beautiful, touching, irresistible wonderful love story. Exposing the situation of the explored Afghans refugees in Iran, after the Soviet invasion, their civil war and the Taliban regime, this movie also gives a lesson of humanity, sympathy and generosity. The actors and actresses have very realistic performances, showing an excellent direction and the character Baran does not speak any word along the story, using only her facial expression to disclose her inner feelings. And the sacrifice of Lateef to please the family of "Baran" shows the essence of a pure and platonic love. The arid and cold landscape completes the scenario of this gem. My vote is eight.Title (Brazil): "Baran"
Vivek Thakur There are directors who give one or two classics and are considered immortal and than there's Majid who gives classic back to back. Well I don't have word for him.Baran is one such film from the director who has given us Children of Heaven. The simplicity of the film and the simplicity of cinematography are exemplary. Way the beauty of Iraq is captured is amazing. Each scene is aesthetic yet poignant. With minimal dialogues and no dialogues for the girl playing the title role it is quite an experimental film. If any one has noticed the film there are only on three instances that background score comes into play and during this time you will notice that we are watching a movie and not a documentary. They cast which was mostly non-professional actors looks authentic and spontaneous. The technical aspects are simple like an achievement. And last scene when rain (Baran) starts pouring down to fill the mark created by Baran's shoes is overwhelming.To write about the director will be like undermining his work. In one word he is brilliant.If you have not seen it you are completely missing one genre of films.