Assault of the Killer Bimbos

1988 "Bimbos Away!"
4.7| 1h25m| R| en
Details

Two go-go dancers, Lulu and Peaches, are framed for the murder of their employer by the real killer, sleazy gangster Vinnie. Picking up waitress Darlene along the way, the three are involved in wild car chases with cops as they head south to cross the border into Mexico, where they unexpectedly encounter Vinnie in a fleabag Mexican motel.

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Reviews

Executscan Expected more
Matrixiole Simple and well acted, it has tension enough to knot the stomach.
Chirphymium It's entirely possible that sending the audience out feeling lousy was intentional
Ava-Grace Willis Story: It's very simple but honestly that is fine.
Anthony Bannon (bannonanthony) I was curious about this movie as it featured an appearance from Nick Cassavetes, who I think is a great actor, and there were possibly car chases in it, so I just had to see it. The movie is certainly never going to win any Oscars, but I don't care as I thoroughly enjoyed it. The three 'Bimbos' are all very attractive and well-performed and Cassavetes and his 'WRAITH' co-stars Griffin O'Neal and Jamie Bozian were good as the stoner surfers that the girls meet while on the run.There is only one real car chase in the film, but it's done very well, and features a great cameo from professional nerd Eddie Deezen as a clueless police officer and a unique use for lingerie. ASSAULT is a rather short film, but then again, the film makers probably didn't want the joke to wear thin. I lover how the girls get revenge on the guy who framed them, and earlier in the film where they give a lecherous, crooked gas station owner what-for when he tries to rip them off. It's also funny how Peaches (the 'leader' of the Bimbos) tries to artistically justify go-go dancing.Overall, this was a great, funny movie, with sexy girls and great humour. May not be to everyone's taste, but I liked it.
Oskado Bimbos is a work of slapstick theater. In contrast, I consider its derivative, Thelma and Louise, a work of junk Americana - to me perhaps all the more junky since I live in that film's playground. But back to our Bimbos. Early in this work, three surfer-boy characters perform a brief Three Stooges parody as though to set tone and genre. Unfortunately, the film falls short of developing that tone as a well-balanced work. If I compare Bimbos to works of the Marx Brothers (together with their faults of excess) or to films such as My Man Godfrey, or to full-length films by Charlie Chaplin, I conclude the following:First, at least to please me, slapstick comedy must present a mix of `high' and `low' tones. The Marx Brothers interject high tone through music performances, through inclusion of high-class and rational characters - wealthy spinsters, etc. - and through a structure that permits each of the brothers a solo performance, whether on harp, piano or (more questionably) one-on-one clever dialogue. Godfrey employs a languishing piano virtuoso - Carlos, the family protogé - as essentially a clown who actually performs romantic music. The role of art is to entertain and to uplift - `elevare et delectare'.Drama requires contrasting characters - i.e., texture. The Three Bimbos were not enhanced dramatically by joining forces with three more bimbos - the surfers - and things only became blander as policemen, café crowds, etc., all turn out to be just as `bimbo' as our heroines. Our girls needed to stand out as unique, to contrast against society - e.g., perhaps to fall in with higher-tone `road' figures, like a Woody Guthrie group. We could have watched the three bimbos' tails wagging as they picked melons with the Mexican `temporarios' in the farms along the Colorado, we could have shared the enchantment of fireside music and dance under a huge Arizona sunset. The movie could have ended with our three bimbos waddling off into the sunset like Charlie Chaplin and his sweet sidekick in Modern Times.The film needed to introduce nostalgic elements to give the humor a bittersweet texture. National Lampoon's Animal House achieves nostalgic counterbalance through enacting slapstick absurdities that recall deep sentimental memories to the minds of many a typical old-college grad - i.e., within each slapstick act hides a kernel of emotionally rooted truth. Last, our three actresses were not used in either a complementary or complimentary way - indeed, the least charismatic of the three is given the opening scene and the most exposure. Kaitan's minuscule strip at the foot of a scraggly joshua tree only seems a desperate attempt - perhaps an improv, like the three surfers' quick Stooges routine - to inject some shred of life into the work. But the wreckage was too great for Kaitan to save - not even Superman could have done that alone - and Tammara Souza, the third bimbo, isn't even given a chance. Yes, I prefer the Bimbos to T & L, though that isn't saying much. I still respect Susan Sarandon, but far too much as an after-effect of her performance many years ago in the television film, The Last of the Belles - for which I've forgiven many an indiscretion ever since - but not all. For me, her time has come and gone - however much I commiserate with that universal need to make a living. If T & L merits a 7-rating, the Bimbos merit a 9. But that's impossible. I would rate T & L at 2 and our sorry bimbos at three and a half. What a shame - because for so little additional investment in time and money, this film could have been so much better. I guess the real bimbos were the director and producer?
TedEBear Expecting some lamebrain sitcom reject, I found "Assault of the Killer Bimbos" to be good stupid fun. Christina Whitaker made the biggest impression on me; I found her to be funny, smart, and rather attractive. To coin a cliche, don't expect Shakespeare, and you won't go away disappointed. An excellent "girls just wanna have fun" movie; the overall acting and story are better than what the box at the video store led me to believe.
Mister-6 You gotta love this movie.In this one, "bimbo" isn't so much an insult as it is a call to arms to just about every woman in it. They band together, seek out their fortunes and make names and faces for themselves against the tyrannical machinations of the men surrounding them.And if they happen to be go-go dancers, all the better.And the cast! Not only is patron saint Kaitan featured, but so are familiar names like Cassavetes and O'Neal (offspring, not fathers), as well as the big mack daddy himself, Eddie Deezen. With his name on the credits, you can be assured of at least one funny moment. Maybe two.In the end, they may "Assault" but these "Bimbos" are basically just good-natured gals looking for a good time. And MAN, do they look comfortable stretched out on the beach.Two stars, but two well-meaning, good-natured stars. If its laughs you want and lots of go-go dancing, not to mention Eddie Deezen, rent this "Killer" movie.

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