BlazeLime Strong and Moving!

Console best movie i've ever seen.

Pacionsbo Absolutely Fantastic

Chirphymium It's entirely possible that sending the audience out feeling lousy was intentional

avzwam Araf begins with a shot of a giant pot on a train of what looks like sand tip over at a sluggish pace. At one point it becomes clear that it only seemed sand on the surface. In fact it is burning hot, orange glowing, molten metal that pours out of the pot.This pre title shot is a great idea for a beginning. One that is promising. It's like it tells you something about what you are about to see. But what I saw in the movie was only so interesting. The pot metaphor deserved a better movie.You get a peek into the lives of these characters but we don't see anything that is particularly surprising. For instance who doesn't know that a lot of people are longing for things out of their reach? Or that there is domestic violence? Or that there are unhappy marriages? What's the point of showing all these things?The miscarriage is a false note to me. It doesn't fit with the rest of the film because of the way the scene is filmed namely too shocking and uncomfortable. And the marriage in jail seems too much of a "fairytale" ending to me. I think it should have ended less brightly.But although it is far from a complete success as far as the script is concerned and I question the point of showing a lot of what the film shows, I do feel that it's a movie which has its heart in the right place and which a lot of the time does what it sets out to do rather well.

moodsteer I am a big fan of Turkish and World Art-house Drama and Romantic movies. Looking for the festivals and big directors of era especially Haneke,Trier and Ceylan and Kim Ki-duk. But today i found just another one named Yeşim Ustaoğlu. You can feel the taste of Zeki Demirkubuz and N. Bilge Ceylan's movies in her last shot. By the way Shooting the drama movies aren't so easy in these days. There are a few movies in genre to keep you make feel the real pain and sadness for example Haneke's Amour and Zeki Demirkubuz's Kader.Don't like to write much and spoil the movie but just one word; you should see the dramatic story of Zehra (Neslihan Atagül) who was captivated in between love ,trust and fate in the hands of darkness and pain. just another Fabulous Turkish cinema a must see...

corrosion-2 Araf/Somewhere in Between which won the Best Film prize in the 2012 Abu Dhabi Film Festival is an absorbing feature from Yesim Ustaoglu.Zehra and Olgun are waiters at a café in a service station. They live monotonous lives and are going nowhere. Olgun loves Zehra but is not able to express himself. Zehra is feeling suffocated in her house under her strict parents and is looking for a way out. To her it seems that Mahur, a truck driver offers the best chance of escape to a better life.There is a scene inside a ladies toilet involving Zehra which is reminiscent of Mungiu's 4 Months, 3 Weeks and 2 Days and in my view director Yesim Ustaoglu goes a step too far. Overall though Araf offers assured direction and very good performances. It is yet another impressive film from the Turkish cinema.

zeki_p In her 5th feature, Yesim Ustaoglu celebrates the ingenuity of approaching to the story of today. Remarkable observations on regular lives in a small town of Turkey leads a sudden empathy of viewer. In Karabuk, a town on the main road between two biggest cities of Turkey, Istanbul and Ankara, everyone and everything is passing by and that transience causes a strong gap between the present and the future, on its inhabitants. Specifiying this transition point trickily symbolize the zeitgeist of Turkey, stumbling between modern and traditional. In such atmosphere, characters feel the same stagnancy while dreaming about a sudden and easy way to slip through the net, and waiting for a miracle, whatever it's about-money, love or happiness. Such representation of today and -what I like most about Araf / Somewhere in Between is- its bold language, are the elements which make the movie extremely strong and success to make the audience feel being stuck, so an identification.