Brendon Jones It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

Abbigail Bush what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

Sarita Rafferty There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

Bob This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

lost-in-limbo Um, yeah. It's puerile… not wonder why the fetchingly detailed video artwork is eye-catching as it draws you in (and how many times have we've been fooled by that?) to only to find when you watch it. Boy what a mistake! Hey a friend gave this one to me (with a smile on his face), but in all honesty I don't know what to make of 'Appointment with Fear'? If this was supposed to be a supernatural slasher, it wasn't much of one. So randomly bizarre and tacky, but even more so deadly dull. It does seem to have a lot going on with something always happening, but the terribly thought-out material (it's a wonky script) is a complete shambles with numerously pointless developments (what was the deal with bum they virtually kept as a pet?) and unrelated padding that throws out ideas with nothing to entirely back it up. All of this build-up and all we get is one abysmally meandering set-up after another with no real groundwork. Tacked on is a lame climax, with an even lamer freeze ending. Ugh! The concept which has a criminal lying in hospital in a coma, but managing to leave his body in a spiritual sense and go after his baby (no not teleporting, but in his mysteriously white van in psychical form) to murder it for the reason of staying the king (something of a Egyptian Demigod) for another year. He takes care of his wife, but the baby finds itself in the care of some hopeless teenagers that spend the night at forlorn house in the desert. Soon they find themselves caught in the terror in trying to protect the baby, as a lone, worn-out police detective is the only one who they can turn to.I guess you call it plain dumb, or simply an interesting idea poorly realized, which has got to count for something. Director Alan Smithee (yeah I wouldn't blame them not wanting their real name tagged to this project) shoddily puts this low-end feature together with blotchy imagery and distracting techniques. The unhinged music score is overkill, editing around certain sequences is jerky and it seems to lose concentration with the camera closing in on redundant images… e.g. dolls? However it demonstrates a fluid glide in some looping camera shots when centering on the action at the remote villa. Then you even begin to question that! Atmosphere is non-existent with inept staging of the deaths (as most of them occur off-screen) and what we do see is impulsively ramshackle. They're bloodless and tensionless… oh no that's not good and our good old villain looks quite plain (while trying hard to evoke a serious face of pure evil!) and what he does is no better… driving about or just loitering around. As for the performances they're mainly annoyingly drab and oddball, however I didn't mind Michele Little as the main heroine, even though her constantly recording sounds with her microphone got numbing. The cast is made up by some faces that appeared in other horror/teen features like Debi Sue Voorhees, Kerry Remsen and Michael Wyle. James Avery shows up in minor part too."Appointment with Fear" is a drawn-out and hackneyed appointment that's well worth missing.

Coventry Don't make the same mistake I did, please… If some person, whether it's a good buddy or a complete stranger, ever tells you not to watch this film, then take the advice and DON'T WATCH THIS FILM! "Appointment with Fear" easily ranks in the top 3 most retarded movies ever made and there's more than one reason why it ended up being directed under the pseudonym of "Alan Smithee". The basic premise is imbecile to begin with, not one dialogue in the entire stupid script makes any sense, and – despite being labeled as horror – it's completely gore-free and without tension. Worst of all are the insufferable characters, which give you the impression that this whole film-project had to be one giant lame and very unfunny joke. Allow me to introduce some of them: The 'hero' is a cop who wears suits that already went out of fashion in the 1930's and he has the strange habit of setting his own car on fire by accident. The female lead is a teenager who allows bums to live in the back of her pick-up truck and, as some kind of hobby, she monitors random people's conversations with a giant (and not very discrete) microphone. Her best friend likes to paint her face blue for no reason and she also give mime-shows to her senile grandparents. The heroine's boyfriend, to finish with, is a long-haired loser who keeps a modeling dummy in the sidecar of his motorcycle… Why? Because it's cool, of course! The "plot" revolves on a crazy killer who's in a coma but at the same time he walks around killing people whilst looking for his baby-boy son. He's supposed to be an Egyptian Demigod, even though he looks like an ordinary idiot. The whole thing is slow and every newly introduced sub plot goes nowhere real fast. The music is horrible; crappy 80's dancing is shamelessly used as padding and even the brief nudity-flashes are boring. Oh, and did I mention it's entirely gore-free? What a total piece of crap!

alansmithee04 A thoroughly disagreeable entry into the slasher genre, this film began life as "Deadly Presence". After the producers saw how gawd-awful the film really was, they fired Thomas and shot some more footage. Gowan's detective character and a bunch of others were added in a sort of parallel story and the whole thing renamed "Appointment With Fear." Aside from a couple of performances, this cinematic disaster's only redeeming value is its score. Written by ace composer Andrea Saparoff, the music is the only thing lending a little eeriness to what is otherwise an hour and a half of scare-free tedium.Recommended audience: Weevils, chunks of granite, D-cell batteries and very very minor Egyptian deities only.

GoreMonger I was looking through the "Videos For Sale" bin at a local Blockbuster and came across this title. I saw that it was produced by Moustapha Akkad and it sparked my interest. I'm a huge fan of the Halloween series, to which Akkad has contributed greatly. On that basis I decided to buy it. The most exciting part of this movie is the ending credits. Only then do you know that the torture session is over. That's also when the true horror of the film set in for me..........I actually paid money for this garbage. Avoid this title at ALL cost. Moustapha Akkad should be ashamed to have his name associated with this title.