An Angel at My Table

1991 "Based on the autobiographies of Janet Frame"
7.4| 2h38m| R| en
Details

Based on the autobiographical work of New Zealand writer Janet Frame, this production depicts the author at various stage of her life. Afflicted with mental and emotional issues, Frame grows up in an impoverished family and experiences numerous tragedies while still in her youth, including the deaths of two of her siblings. Portrayed as an adult by Kerry Fox, Frame finds acclaim for her writing while still in a mental institution, and her success helps her move on with her life.

Director

Producted By

Australian Broadcasting Corporation

AD
AD

Watch Free for 30 Days

Stream on any device, 7-day free trial Watch Now

Trailers & Clips

Also starring Alexia Keogh

Reviews

AniInterview Sorry, this movie sucks
ChicRawIdol A brilliant film that helped define a genre
Matylda Swan It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties.
Marva It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,
whatalovelypark Most biopics are usually pretty average, because they attempt to pack in every important moment in someone's life into 2 hours. This is a rare exception. It's a tragic tale of mental problems on the one hand, family problems, and yet also a rather optimistic and positive tale of success.I think the script made Frame more vulnerable than she really was in real life. For instance, in the love scene, according to the book, she says she made up a host of previous lovers, which isn't in the movie.The movie is colourful, delicate and very humorous. It's a rarely perfect blend of humour and tragedy, done to perfection. I much preferred this to The Piano. It's a long film, but you won't notice.
Galina "An Angel at My Table" (1990) made by Jane Campion is a true life-story of Janet Frame (1924-2004), New Zealand's most famous author. The film starts with young Jane, a funny -looking red haired girl, shy and quiet who knew too well that she was "poor, smelly, and unpopular". Then it follows her to misdiagnosis of schizophrenia and more than 200 electroshock treatments in a mental hospital where she had spent eight years and a severe, lifelong shyness that was her only problem. Even in the hospital she was writing and was able to have her book published - writing did save her from losing her mind. The film is based on three of her memoirs, "To the Is-land", "An Angel at My Table" and "The Envoy from Mirror City".Jane Campion made a very affecting and quietly powerful portrait of a writer who also was a gentle and genuinely humble woman. The film is never a sentimental manipulating story of a talented but misunderstood artist. It does not idealize Frame but it is a very honest and sympathetic portrait of an artist.
futures-1 "An Angel at My Table" (New Zealand, 1990): It's been three years since I've last watched this film. There is NO further reason to wonder if it should be in my "top" category. It is created by Jane Campion from the writer Janet Frame's autobiographies of her harrowing life. We join Janet during childhood, move through the teenage years and into adulthood, as she struggles for a place - ANY place - in the world...but deep down, writing is her one reliable love. Three actresses were needed for the role of Janet, and all do wonderful jobs, especially depicting someone who always feels on the outside, and longs to be included. Jane Campion, one of my favorite film makers, presents a powerful, subdued, and melancholy work of Art. It is not an amazing film due to every camera shot or the quality of sound recording… THIS work is great for its acting, and its story telling. It has as much emotion as one heart can hold for 157 minutes.
dukemantee Jane Campion's "An Angel at My Table" is a superbly competent biography of New Zealand writer Janet Frame. Frame, who suffered the death of two siblings as a child, was wrongly diagnosed as mentally ill. She was institutionalised for eight years and received over two hundred shock therapy treatments. Sharing like themes with "Sweetie" (Campion's first feature which I highly recommend), both films deal with emotionally driven misfits. I admire the fundamental narrative, as oppose to the oversentimental maudliness of a televised mini-series. In fact, the American theatrical version is an editing of such programming. I would have preferred seeing the longer version, because some parts are brief and required further explanation. Kerry Fox is magnificently capital as the older Frame. I did not realise, until an IMBD inquiry, she was the female lead in "Shallow Grave". Overall, Frame's life is compelling drama and Campion's portrayal is intelligent. 3 out of 4 stars.