Fairaher The film makes a home in your brain and the only cure is to see it again.

Matylda Swan It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties.

Hattie I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.

Guillelmina The film's masterful storytelling did its job. The message was clear. No need to overdo.

bertieclem I was told by a friend and fellow 24 fan, that there was a fantastic movie made on the same subject as this years series storyline. I rented the movie and was completely blown away. I have to say, some of the comments above are harsh. As a television movie, this is hands above 95% of what's made. No one has mentioned that Chechik seemed inspired by Paul Greengrass' work on Bloody Sunday, rather than 24. Interestingly enough, I would say the writers of 24 actually saw this movie and went so far as to use its premise and if you can believe it, even cast the same actor as the lead terrorist, Arnold Vosloo. That said, the movie is pretty relentless. Chechik places you inside moments without editorializing. Although I might question some of the motivation of the terrorists, once I got the big twist, I found myself being less interested in the why and more interested in the how. Which I suppose is the reason FX made the movie. More importantly, the ending leaves you breathless in its callousness and in the position the US government takes regarding their actions. Actions characterized as being for the "good of the country." It's amazing to me how bad for the country that posit is. Really well done.

philip-106 Director Jeremiah Checheck who brought us big budget debacles like "The Avengers" and the remake of "Diabolique" has directed this ripoff of the Die Hard concept, done on - what looks like - a Blair Witch budget. A California nuclear reactor is overtaken by Arab terrorists. But - are you ready? - the terrorists aren't Arab; they're really disgruntled American soldiers masquerading as Arabs! We find out that they don't really intend to blow up the reactor just make a statement. We're not sure what the statement is but never mind. So there's really no threat. But then one of the terrorists decides to go it alone and actually blow up the plant because he's kind of crazy. So maybe there is a threat after all. But the army goes in and all the bad guys are killed. So there was no threat. Oh, and a good guy is killed too. Let that be a lesson to everybody.If all of this sounds muddled and kinda of a waste of time then you got the idea of what watching Meltdown is all about.The script never bothers to introduce the characters or to even give any personal details that might flesh them out or emotionally involve the audience. So we're left with one dimensional characters: the-expert-that-nobody-will-listen-to; the-trigger-happy-sergeant; the-slimy-politicians; the-dweeby-Engineers. The story skips from one cliché incident to the next in a formula composite of practically every action movie you've ever seen. But at nearly every turn, just when we think something may be at stake the script flinches and we find out there's actually nothing to worry about.Like Die Hard, there's an police officer who's on the inside, unbenownst to the bad guys. The big twist is that the cop here is....A WOMAN! Oh and she's injured too. But not that bad, just enough to make her wince a couple times. Oh and instead of the walkie talkie that Bruce Willis had this cop has a magic cell phone that works everywhere...even underground! When he's not yelling at everybody else Bruce Greenwood - his jaw made out of granite - tries to soothe her over the walkie talkie. He even makes a joke once but we're afraid his face might crack. After all, this is serious business.But mostly it's scene after scene of people arguing: the Military expert is arguing to wait it out (his reasoning doesn't seem particularly sound but he's supposed to be the smart guy in this movie so okaaaay); the people at the White House argue with him; the army sergeant argues with him too; the nice Pakistani Nuclear Engineer argues with the main terrorist. The dialogue is absolutely B Movie all the way and lines like, "stop the broadcast! STOP THE BROADCAST!!!" may have you in rolling off your sofa as you wonder if the characters are actually referring to this silliness.Maybe to compensate for the lack of production quality the camera-work is kept jittery in that faux documentary 21 Grams style that's supposed to lend immediacy and energy to the scenes but the way it's indiscriminately and amateurishly applied here it's downright annoying; even pretentious. Further attempts to ratchet up the tempo are made with the inclusion of nonsensical black and white footage that's randomly intercut with the main action. But this, too, is pretentious and annoying in that Blair Witch kinda way. In short, the stylistic attempts look very amateurish.The music lives up to the visuals - it's synthy and cheap sounding. Sort of like a porn movie but with less melody and lots more heart beat sounds. The graphic treatment is howlingly bad too: cheesy graphics in huge red font scream out to us "9:28 pm" as though the timeclock actually makes some kind of difference.Meltdown may work as a marketing concept but it's clear that the script was a second thought. FX - part of Fox - put this cheesy production together and dropped several million dollars on it. Now THAT'S what I call a meltdown!

James_T_Kirk This film was not all that bad as the story went but the camera work is what makes it difficult to watch. I just don't like that so-called "realistic" camera work that is being done nowadays; you know the type- jumping off center, panning around, etc. What got me particularly irritated about this film though was the new thing that they threw into the mix by shooting a few frames in black and white in each scene. I believe that the film would have been much better if the camera work was shot in the much more conventional way because as it was I couldn't concentrate on it and found myself analyzing the camera work instead. Maybe if more people express dissatisfaction with camera work like this the filmmakers will finally get the hint.

Mister_Anderson *some information on the film but no spoilers*I have to admit, I'm not a big fan of TV movies. Namely, because often the story lines are ridiculous and the characters (and dialogue) are clichéd. I gave up on watching TV movies from start to finish years ago simply because it wasn't worth the time spent. Occasionally, though, I would sneak a peek at a segment (i.e. I saw a piece from "10.5") which would cause me to shudder and change the station.That being said, it was an unusual occurrence when I sat down specifically to watch "Meltdown." I had seen the previews and it looked like an interesting topic (but that can be deceptive). The primary reason for me watching it was that it was on FX. ("The Shield" has reborn my interest in TV series.)In any event, I still was not anticipating too much from "Meltdown." I expected the requisite lame plot-points, acting, and effects common on most TV movies. Needless to say, I am happy to report that "Meltdown" was a pleasant surprise.Probably the strongest factor in the movie's favor is its smart directing and editing. The editing is quick enough to keep the pace moving. The movie never lags. Once a scene is established, it fades to black and the next scene begins. Sometimes these scenes are very short, giving us the gist of what's going on, and then moving on. In this effective way, the director alerts the audience to the main events in the plot without laboring over the needless details. (For example, in an early scene, an officer drags an injured person from one area to another. Instead of wasting time showing the entire length of the drag, we see her begin the drag, then the scene fades and reappears with them in a new area.) This technique is consistently used to good effect.In short, the plot concerns a group of terrorists who take over the San Juan nuclear power plant. The FBI, national guard, and police arrive and fear a potential meltdown, which would devastate the area and kill hundreds of thousands.The characters are written well, and there's no cheesy romance or sideplots.Bruce Greenwood plays the main character, a senior agent in the FBI. Thankfully, he doesn't spout off any lame one-liners or pull any Bruce Willis action stunts.The entire scenario of a potential nuclear meltdown is played realistically and in today's climate. The setting is the modern world: 9/11 has happened, there's a Department of Homeland Security, etc. There are no insane heroics. It's almost as if watching a documentary. There are even constant national news broadcasts.I'm happy to report that while some may be able to predict the general outcome of the movie, many plot-points leading up to the end throw twists into the system. For instance, about 3/4 of the way through the movie an unexpected event occurs which actually made me spurt "OH ****." aloud; I don't think I've ever done that before to something on TV.This film does not follow any established formula for action movies. Indeed, it's not even an action film. If you're expecting special effects, look elsewhere. "Meltdown" is a case study as to how the government could realistically respond in a moment of crisis. It has some flaws that go along with a modest budget, but thankfully this is minimal (since it doesn't blow its money on effects). "Meltdown" keeps you interested and thinking throughout, which is as much as you can ask from a TV movie.8/10