Always Goodbye

1938 "Why must it always be good-bye... when a woman loves like this ?"
6.7| 1h15m| NR| en
Details

Following the death of her fiancé, Margot Weston is left pregnant and unmarried. Former doctor Jim Howard helps the desperate Margot. When her son is born, Jim helps her find a home for the baby with Phil Marshall and his wife. Margot insists that neither the Marshalls nor the child can ever know that she is his mother.

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Reviews

Cebalord Very best movie i ever watch
Vashirdfel Simply A Masterpiece
Humbersi The first must-see film of the year.
Casey Duggan It’s sentimental, ridiculously long and only occasionally funny
MartinHafer This movie is clearly one you must suspend all sense of disbelief in order to enjoy it. This isn't saying it's a bad film....I actually liked it. But it has a plot that certainly is far-fetched!When the film begins, Margot (Barbara Stanwyck) is waiting for her fiancé to arrive at the marriage license bureau. However, as she's waiting he's killed in a traffic accident right in front of her!!! To make things worse, she's pregnant*! So you next see her about to kill herself when she is caught by Jim (Herbert Marshall) and he takes her under his wing and gets her back on her feet. He also helps her find a nice adoptive couple when her baby arrives months later. But although Jim is marvelous, he has a real wandering spirit and is sometimes gone for years on his sea travels.In the meantime, while Jim is off on one of his voyages, Margot gets a job with a fashion studio and her life is really going well. In fact, soon a crazy Count, Gino (Caesar Romero), is chasing her and proposing marriage. He's a nice guy...just a bit full of himself. Soon after, she sees an adorable kid in a hotel and realizes this boy is her biological son she gave up years ago! So, when she learns he's going on a cruise, she arranges to go on the same ship and soon the two become inseparable. But there is a huge problem-- the boy's mother has died and the woman his father (Ian Hunter) wants to marry is just awful and cares nothing for the boy....Margot's baby! So what's she to do and who is she to marry when THREE guys all pop the question?!Thi is an enjoyable film mostly because although far-fetched, the acting is quite good and the story engaging. Well worth seeing, though it is one of Stanwyck's lesser-known films.
PamelaShort Barbara Stanwyck gives an admirable charming performance as a young woman who survives a personal and emotional tragedy, and triumphs in the end. This film could have been very heavy melodrama, but the story is uplifted with some well placed comedy played exuberantly by Cesar Romero. Herbert Marshall is outstanding in his portrayal of the kind and sympathetic friend who helps Stanwyck's character to overcome and flourish. Most delightful is child actor Johnny Russell, who plays Roddy, the little boy Stanwyck had to give up at birth. The playfulness between Stanwyck and Russell is very sweet, genuine and adorable to watch. Binnie Barnes, Lynn Bari and Ian Hunter all play their roles adequately. Barbara Stanwyck is very beautiful and as always manages to shine through this routine melodrama, with its twists and turns, it is her performance which produces a most touching story. A full synopsis of this film would spoil it for the reader, and although the story may feel a little dated now, it is still a must see for all die-hard Barbara Stanwyck fans, and is also an excellent example for those who love films from the 1930s.
dbdumonteil The thirties were a good time for melodrama,par excellence the female movie.In almost all the great melodramas of the era "Imitation of life" and " Only Yesterday" by Stahl or "Mannequin" by Borzage ,the woman realizes she's through with love and she becomes generally a brilliant business woman,be it in the pancakes ,the stock exchange or the chic fashion for selfish ladies who do not think twice when it comes to sending their soon-to-be adoptive child to a military school.Routine situation in melodrama:Stanwyck's fiancé got run over and she is pregnant by him.In those ancient times,the only solution was to find a family where the child would be fine .But some fine day ,in old France,the mother meets again his little boy.Barbara Stanwyck gives a fine sensitive (and a bit mischievous:the way she gets rid of Jessica is delightful)portrayal .In the end, somehow or other, woman must be prepared to sacrifice something.That's the golden rule of melodrama.Like this?try these"The old maid " Edmund Goulding 1939 "To each his own" Mitchell Leisen 1946
lora64 It's a touching tale that begins with a tragedy and the harsh realities of life in which Margo, played by Barbara Stanwyck, has to give up her child. Life goes on and she finds fulfilment in a career and a new love but there are some unexpected twists and turns ahead for her.I'm so pleased to discover this movie; didn't know about it until today and it's a real treat to follow the careers of these stars. Ian Hunter was just out of his King Richard role in "The Adventures of Robin Hood," and shortly to make "The Sisters" and "The Little Princess." For a change he's been given a more prominent part to play here, which is nice as I considered him quite a good actor not given enough opportunities to 'shine' in dramatic roles.One sees a younger Herbert Marshall before several great roles in the years ahead, always with that fine sounding, quality voice so memorable in many films, particularly in "The Razor's Edge." A very young Cesar Romero is amusing as the Count (not sure if he really is one though) and never hesitates to charm any woman within two feet of him! It keeps him rather busy, flitting from flower to flower, but such are his ways. He also has a chance to demonstrate his beautiful dancing skills as he was a professional early on in his career. Ms Stanwyck never seems to change much over the years in her beauty and acting talent.This is a very human drama that time does not alter. I'd like to buy the video one day if ever it's available.