Allegro

2005 "Allegro dwells on the romantic world in which character flaws and personal mistakes alter one's universe."
6.5| 1h28m| en
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Famous pianist Zetterström returns home to his native Denmark, to give a concert, just to find out that the choices he has made in his life have affected his love life greatly.

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Reviews

Ghoulumbe Better than most people think
Console best movie i've ever seen.
TeenzTen An action-packed slog
Roxie The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;
oOgiandujaOo_and_Eddy_Merckx I'm a big fan of existential folly in film, especially having completed many of my own. Zetterstrøm is the main character in this movie, a world-renowned pianist from Denmark. Since childhood, he is an assiduous "forgetter" of everything except his piano playing. This is to say that he stores up his disappointments, forgets them, and retreats behind a piano. After a love affair that ends due to his emotional constipation, he uses his facultative amnesiac skills once again, and this act is one step too far, so inimical to the fabric of reality, that a rent in reality is formed over three city blocks, and becomes referred to as the "Zone".Zetterstrøm buries himself in his solitary existence of piano-playing, quite literally performing concerts in the dark, or behind screens so that the audience cannot see him. Shadowy figures draw Zetterstrøm back to the zone, unwilling to allow his non-confrontational existence to continue. Zetterstrøm must be made to confront his past.It's a fascinating film, the narrator lets us know that it's Zetterstrøm's very brilliance which allows him to annihilate himself, that allows him to inoculate himself from reality.I'm in absolute adoration of films that attempt to make visual metaphors of the human mind, such a film is this (the Zone fulfils this purpose), Tarsem films such as The Cell and The Fall are others. There is no subject more sacred, more revelatory as regards human potential. There's a scene where Zetterstrøm sits and has dinner in an ornately plastered ballroom. The windows and floor are all blacked out with plastic sheeting, and the room is covered in latched boxes loaded on pallets, representing Zetterstrøm's repressed past, there's also a cage with globes of light in, recognising the potentiality of his mind.When there's narration we also see some very nice cartoons with Zetterstrøm as a child, that's another metaphor I'm very fond of from The Cell, that many of us are still children inside, just wounded, subdued, and with horrid barriers put up. You may have guessed that this movie moved me deeply.
mino78 I went out from the cinema crying. The movie, as all movies in my opinion, removes inside you what you let be removed... I am only 28, and yet, this movie reminds me of how many memories I want to hide, forget, just because my life is based on "keep on living, keep on acting as you decided, don't turn back, because this is imperfection". I don't think the movie is excellent, but it has a specific message (art is made of passion and passion is made of each one's history) and it knew how to express it, how to deal with this psychological side each one of us has. Also the music, mainly J.S. Bach, is beautiful. This is the kind of movie that I would call "of the moment", maybe you won't remember it in a few months, but it inspires you and lives with you unconsciously as a psycho therapy does.
Tobias Lynge Herler (www.philm.dk) Don't hesitate: watch this rare Danish movie, it's anything but typical and a delightful twist of standards in the Danish movie trends of today."Allegro" has this unique story that surprises and wants more than just to amuse and please: this script is simply very well written and surely ends up like nothing you've seen before.This film is anything but boring and one of the highest recommended Danish feature films at the time being!Really challenging and far from typical Danish, great acting and many surprising twists.
Roger I don't understand how the previous reviewer could accuse this film of trying to be too mysterious and of being "overexplained"--these seem inconsistent to me. For my part, I found it straightforward and a bit didactic but I do think the psychological phenomena it pointed to are worth thinking about. Those who remember "Reconstruction" will find this exercise similar in style but less ambitious. It does have its flaws--for example, the devices used to attempt to generate suspense are not very effective. I would say this film succeeds more at getting those in the audience who are attuned to the questions it raises thinking than it does as pure entertainment.

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