Unlimitedia Sick Product of a Sick System

Jonah Abbott There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

Derrick Gibbons An old-fashioned movie made with new-fashioned finesse.

Nicole I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

ben-1606 big ideas. At some point though, I began to feel that the narrator is manipulating information to conform to his conclusions. For instance, he attacks the global financial system and its architects, and portrays them as causing only suffering. But he leaves out the huge increase in global prosperity that has occurred over the last decades. He says that China kept its exchange rate artificially low, and used the trade surplus to lend back to the US instead of helping its own citizens. He leaves out that average Chinese citizen's income is maybe 7 to 10 times what it was 25 years ago. There's a story here and it's not all good or bad. The characters highlighted in the film are interesting and important - but the film misses an opportunity to reveal something more profound about the mysteries of our times - instead I think it leads viewers to simplistic conclusions that can perhaps be as damaging or more than Ayn Rand's philosophies.

Chris Gill Adam Curtis' recent documentary series disappointed some. Compared to his work on The Century Of The Self and The Power Of Nightmares, it seemed hodge podge, lacking a central framework idea and bouncing all over the place.After twenty minutes of the first episode, I may have been inclined to agree – the documentary seemed to lack focus and carried over the experimental mix of music and image that had been used so successfully for the interactive theatre piece "It Felt Like A Kiss".However, having seen the full piece, I now beg to differ. If anything, the series is a broader and more satisfying development of areas touched on in his previous pieces, particularly Century Of The Self.As with Curtis' other work, it explores the far reaching and (for the most part) unintended consequences of big ideas. In this case, the idea that nature can be explained and entertainingly presents a series of case studies to explore whether this idea is flawed or not. Unlike his previous pieces, the period under discussion is very recent and the ideas explored so varied that each episode does not really follow a linear timeline and the debates bounce from the 1950s to the 1990s to the 1960s to the present day.This is a powerful and thought provoking piece, Curtis never comes across to me as polemical and seems happier drawing your attention that things may not be quite as they seem rather than hitting you over the head as he proves everything you know is wrong.Everything you know isn't necessarily wrong but it may be that you aren't fully informed of all the facts. The opening sequence may be the the weakest of the series, linking Ayn Rand's ideas of Objectivism to the development of moden computing. However, clever dick that Curtis is, it only becomes apparent with the patience to sit through this that the central character isn't Rand at all but a member of her social circle, Alan Greenspan – who, as chairman of the US Federal Reserve became, through a series of unforeseen events, the most powerful man in the world for a brief period.The subsequent rattle through the economic crises in the Far East in the 90's and the knock on effect to the current economic crisis in the West (and China's part in it) is eye opening to say the least. And it goes on, finding short degrees of separation from a multitude of players on the world stage, linked by the rise and consequences of ideas relating to systems. The second episode then explores the theory of self organising networks through cybernetics, eco politics, the geodesic dome, the 60s counterculture, maximum population growth to the Facebook/Twitter revolutions of the 2000s.I was especially impressed with the final episode exploring the theory of the selfish gene, moving from the initial theory through Anglo- American intervention in the Congo, myths on the origins of the AIDS virus, the Belgians role in the genocide of Rwanda through Richard Dawkins and Dian Fossey.Fascinating stuff and well worth three hours of anyone's time.

rgcustomer This miniseries claims to be about machines and how our use of them and misinterpretation of them has not led to the positive results we'd expected.And of course this is true. I majored in Computer Science, and yet my experiences in the "real world" developing and testing computer software have left me wondering whether this is what we, or at least I, ought to be doing, because it doesn't seem to be making anything better, and I can count the lives made worse by the software I worked on (working correctly). So I was perhaps one of the ideal viewers of this program.However, it doesn't seem to really get into the connection between computers and other machines, and the problems we've let them cause. Instead, he takes human failings, and notices that computers don't fix them, and then blames the computers and the thinking that led to them, for the original human problems. He also doesn't seem to give any credit for humans who correct past errors in thinking, which is a function of philosophy and science.The show seems to come off as fuzzily religious. The "villains" famous enough to already be known to the audience tend to be either atheist or frequent targets of religious fanatics. They are made guilty by association with genocide. It's a not-so-subtle propaganda, with the living accused not given any time to respond.Let me just say that the people who carried out the genocide carry the blame themselves. They believed foreigners who told them they were two separate people, despite their own history. They then decided it was OK to wipe each other out. Even if this idea of genocide came from the Belgians, which is unclear to me, they still accepted it and carried it out. That is their own doing, and is on them, nobody else.I've given this a score as high as 6 because I did find the stories of Ayn Rand and Africa to be interesting, aside from the rest of the content. I'll probably seek out more reliable sources to follow up on that information.

Guy ALL WATCHED OVER MY MACHINES OF LOVING GRACE is a documentary purporting to explain the negative impact of computers and computer thinking on our society. But as this is Adam Curtis making it the result is a documentary that ranges from gorillas in the Congo to Ayn Rand rather than taking a straight A-Z. Unfortunately, in common with much of his other work, despite the sheer breadth of material covered and Curtis's undoubted skills in melding image and music, the actual argument is extremely dubious, poorly argued, lacking in evidence and frequently incoherent.Instead the documentary relies on Curtis's soothing tones (he does the v/o) and constant changes in ideas, music and images, in order to bamboozle the audience. This method of constant change prevents you thinking clearly as your attention is always being called to something else. Once the programme stops and you begin to think about it without the benefit of music, image and voice, you realise just how dodgy the whole argument is.My other usual problem is that, whenever Mr Curtis touches on a subject with which I am familiar, I usually discover he is wrong or at least generalising to a dangerous degree. Thus the entire section on the decolonisation of the Congo basically blames the Belgians and more generally the West for the near immediate collapse of that unhappy country. There is no hint that the inhabitants of the Congo could even think or act for themselves. Curtis paints a picture of local tribes living in perfect pre-European harmony (conveniently forgetting the original inhabitants of the Congo - the pygmies) that is at odds with reality. There are a large number of similar errors. My worry is that, if Curtis is so often wrong when he talks about things that I know well, then is he also wrong about the things I don't know well?The sad thing is that every poor Adam Curtis documentary is an opportunity lost. The BBC has frankly given up on even trying to make documentaries on such complex subjects (even BBC4 is more arts than intellect). And nobody else has access to such a great amount of archive or the funds to really sift through it (hence why you always see the same archive on documentaries).