SunnyHello Nice effects though.

Derry Herrera Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.

Roman Sampson One of the most extraordinary films you will see this year. Take that as you want.

Guillelmina The film's masterful storytelling did its job. The message was clear. No need to overdo.

r f One of the best I've seen from the Occult genre of the 70s. Copyright year is 1979, so its not a 80s flick. Reminds me of movies on the CBS Late Night movie I use to enjoy watching when I was a in my late single digits to my early teens. When, as we kids called it, the midnight hour approached, the witching hour, we all knew 'scary' movies may be coming on, but we usually fell asleep at the TV set. I don't recall ever watching this one, but its in the likes of Gargoyles, Beyond the Door, Devil Dog, Devil's Rain, Shadow of the Hawk, and of course Rosemary's Baby; all of which is supernatural horror. If your a spoiled 21st century computer effects lover, then you will be disappointed since you are use to "visual" rather than "psychological" fun.

FieCrier A sixteen-year-old named Alison and two friends play "ask the glass," a variation on Ouija, played here on a glass table, using square tiles featuring numbers and the alphabet arranged in a circle, and two titles for yes and no in the middle, and an upturned glass as a planchette. A warning is spelled out for Alison from her deceased father, who is then pushed out by some other power. The girl he briefly possessed snatches a circular amulet from Alison's neck, then is crushed by a bookcase.Close to Alison's nineteenth birthday, she goes to visit her aunt and uncle. Her boyfriend tries to continue visiting her, but the family tries to keep him away. Alison discovers a miniature (though still large) stonehenge in a secret garden, has nightmares, and gets hypnotized. The boyfriend tries to do some research about the name Mirne, which the warning mentioned, and also Alison's real family.The stonehenge is neat, and I liked that a character takes the time to do research. However, the movie on the whole is on the boring side. The picture quality on the video is not terribly good either. The VidAmerica videobox is sort of a warning: the cover features a drawing, and the back has no pictures from the movie.

Paul Andrews An on screen caption informs us 'Alison - Sixteen years, Four months'. Alison Findlay (Joanne Samuel) & two of her school friends, Chrissie Willis (Margie McCrae) & Maureen Tate (Julie Wilson) are holding a séance. Spooky things begin to happen & Chrissie becomes possessed with Alison's dead Father's spirit who warns her about what will happen on her nineteenth birthday. Chrissie is crushed to death by a bookcase that falls on her. The credits roll & then another on screen caption now helpfully informs us 'Alison - Eighteen years, Eleven months, Twenty Six days'. As Alison's nineteenth birthday fast approaches her Aunt Jenny (Bunny Brooke as Bunney Brooke), who along with her Uncle Dean (John Bluthal) brought Alison up when her parent died while she was a baby, phones her & invites Alison to her childhood home for her birthday. Alison agrees as Jenny also informs her that her Uncle is ill & has only a short time to live. Alison decides to take along her boyfriend Peter Healy (Lou Brown, the IMDb is wrong as Peter is not Alison's uncle, it's definitely Uncle Dean), they travel down & at first things are fine as Alison remembers her childhood & is reunited with Jenny & Dean, Alison is untroubled by the miniature Stone Hendge at the bottom of their garden. But that night Alison has terrible nightmares & wakes up to find a 103 year old woman (Marion Johns) in a wheelchair by the side of her bed. Jenny & Dean claim that the woman is her Grandmother they never told her about, despite this Alison still thinks everything is fine. Peter becomes suspicious when Uncle Dean warns him to stay away from Alison for a couple of days, Peter tries to see Alison but is told a phony excuse about her having nervous exhaustion by a dodgy looking Doctor named Jeremy Lyall (Vincent Ball) who when questioned is very evasive. When Peter forcibly tries to remove Alison the police are called & he is arrested. Peter decides to investigate further & visits a friend named Sally Brown (Lisa Peers) who seems to be some sort of astrologer, Peter mentions the name Mirne, the name Alison mentioned from her nightmare. Sally looks in a book & authoritatively says that Mirne was in ancient Celtic mythology a powerful female demon worshipped by Celtic magicians & was said to dwell in stone. Things turn nasty quickly for both Peter as he unearth's some sinister & shocking facts, & for Alison as her Aunt & Uncle have special plans for her nineteenth birthday party...Written & directed by Ian Coughlan Alison's Birthday is as dull as dishwater & as exciting as watching paint dry, I was bored to tears. The script is so slow it's untrue, the script goes for psychological terror totally ignoring the exploitative possibilities, & it fails completely which is no surprise. There is no suspense or tension & everything is so uninteresting & just plain dull. Nothing exciting, scary, gory or interesting happens until the last ten or so minutes when there is a decent climax & twist ending, unfortunately for Alison's Birthday this is far too little, far too late. Not one single drop of blood is spilt throughout, there is no nudity or bad language either & while these things aren't necessary for a horror film to be either good or entertaining they sure as hell help & since Alison's Birthday is so drawn out & dull some decent exploitation elements would have livened things up considerably. As it is Alison's Birthday is one of the most boring uneventful films I've seen. The film is also very flat & basic in terms of production values, it's not a poorly made made film but it isn't a particularly well made one either which makes it even more painful to sit through. Another minus against Alison's Birthday is that it is an Australian produced film & therefore everyone have annoying accents (G'day mate want to come to me barbie?), sorry but it's true! I can't think of a single good feature about Alison's Birthday by which I could recommend it. I pretty much hate this film, no matter how cheap you may be able to pick this up for don't bother unless your an insomniac that is. Guaranteed to have most people reaching for the 'stop' or 'fastforward' buttons well before it's anywhere near finished, do yourself a favour & avoid Alison's Birthday. Trust me you'll be glad you did.

emm And cheap is right! Just what I expected! Another movie that tries its darndest to be normal and serious, but it all ends up in the gutter when taken too cheaply. Here in ALISON'S BIRTHDAY, the word "cheap" is proven true. If you're still craving over more bad movies but haven't had the chance to see this title, then I'd say you've come to the right place! I only wished it wasn't THIS bad, as it is pretty much obscure for an Aussie import. It would even be so bizarre to find this kind of movie being made from the land down under! The story sounds campy, unfortunately, but I'll admit that ANY one soul can crack open a Bud and enjoy the bumpy ride. It starts off with three girls playing an Ouija-style game until Alison learns that a new fate awaits her when she turns nineteen. The rest of the story is up to you. Since this has to do with Satanic rituals and witchcraft, you may be wondering why no blood is present throughout the whole thing. In other words, this is extremely tame for a movie like this when you can compare to those notoriously gory British imports. Everything goes screwy with the plot, and what gives? You're expecting a "family" movie a lot more than any cult classic that would sustain a loyal fan base. The ending? Save it for the movie when you get a chance to see it! Although it's no worse than the worst I've seen out of bad moviedom, still try putting this title on your crowded shelf of huge clamshell boxes. How paranoid can you get?