Abar, the First Black Superman

1977 "He asked for Equality, he witnessed injustice. He knew Wisdom ... he got Revenge!"
4.2| 1h42m| en
Details

Upon moving into a bigoted neighborhood, the scientist father of a persecuted black family gives a superpower elixir to a tough bodyguard, who thus becomes a superpowered crimefighter.

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Jos-To Productions

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Reviews

Actuakers One of my all time favorites.
UnowPriceless hyped garbage
Moustroll Good movie but grossly overrated
CommentsXp Best movie ever!
calvinnme thus my high rating, because believe me this hits the bulls eye. A black doctor and his family move into a wealthy white suburb of Los Angeles so he can focus on his research. Unfortunately, all his neighbors are racist in ways that make the cast of In the Heat of the Night look like pikers. So the family winds up being protected by Abar, the head of the Black Front for Unity.It turns out that the doctor is working on a formula for invincibility, and after he perfects it, he administers it to Abar, who uses he newfound superpowers to make black teens go to college, black hobos drink milk instead of malt liquor(!), and black preachers ride a horse and buggy instead of a Caddy. Really.The plot veers wildly, with a wacky western dream sequence and liberal use of Martin Luther King's "I Have a Dream" speech punctuating things. Meanwhile, the acting ranges from pretty bad to unbelievably awful. The doctor is ridiculously wooden, while his wife resorts to over-the-top screaming.And then there's the fabulous 1970s design. There probably wasn't enough of a budget for a wardrobe, so most of the people presumably wore whatever they had (thankfully, they didn't have Audrey Hepburn's Givenchy). This results in a lot of authentic 70s fashion statements and some garish color schemes in the outfits. But there's even more garish color in some of the sets. The doctor's new house has lovely avocado green shag carpeting, and one room that's entirely bright red, as though it had been borrowed from Bergman's Cries and Whispers. The result is an utter disaster, but one that winds up being lots of fun.1/10 if you're looking at it as a normal movie; 8/10 if you're looking for a "so bad it's good" experience.
boblipton Although my review of this movie is rendered more difficult by the poor print that was offered last night on TCM, I am in substantial agreement with the other reviewers: it's awful in all departments, from the script, the acting, the music -- for a while I thought they were ripping off Lalo Schifrin's classic Mission Impossible theme for the Black motorcycle gang -- and the set design; I can't get the cathouse red from the living room out of my eyes. A poor print and muffled sound track makes it more difficult to make an assessment, but I have watched a lot of bad prints in my time.Where I differ from the other reviewers is their insistence that this is so bad that it's fun. It isn't. Perhaps if it shows up on Riftrax, some fun might be had, but it's shooting fish in a barrel. Save your time for a nap, or for a barrel of fish.
spiderman-3 First off: potential viewers should note that the picture on the front of the In Your Face re-release (actual title: Abar, The First Black Superman) has NOTHING TO DO WITH THE MOVIE! The two people pictured on the front are NOT in the movie, and neither one of them is Abar.Now that that's out of the way, this movie is so bad that it is not only entertaining, it's highly enjoyable. The premise is easy to follow, and the story has so many goofball turns in it (Dr. Kinkade develops a serum that makes rabbits bulletproof!! Little boy's dream sequence is also unforgettable!) that you can't help but have a good time taking it all in. Production values are really horrible, sound looping is obvious, and scenes often cut for no reason. Still, worth a look, especially if you're a die-hard fan of nonsensical B-movies. The only real problem with this one is the extremely tacked-on lackluster ending.
D.I.Z. Abar is obviously set up in an extreme environment. The blatant racism may seem to be too much for some viewers, but one must remember that it is just a movie. Actually, when witnessing the acting and editing, I find it hard for the average person to forget that it's just a movie. However, regardless of the poor editing and dialogue delivery, the characters are skillfully (almost magically) developed. The extreme prejudices portrayed in the film may not seem realistic for this day and age, but I think that it compensates for all of the constant problems and issues of minority disrespect/disregard in american society that may seem subtle, but in reality, cause just as many feelings of societal rejection and frustration within minority communities. With this film, I urge the viewer to, first, get a good laugh at the overall makeup of the film, and then check it out again to pick up on some of the issues that "In Your Face (Abar)" presents to our "great" american society.