Matho The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.

Mathilde the Guild Although I seem to have had higher expectations than I thought, the movie is super entertaining.

Freeman This film is so real. It treats its characters with so much care and sensitivity.

Billy Ollie Through painfully honest and emotional moments, the movie becomes irresistibly relatable

david-klompas Silent films are a strange object of consideration for the contemporary film critic. Some of them are classics, pieces of cinematic art which belong among the best films of all time and which must be seen by any serious film buff. Others are downright dreadful, only valuable as historical objects. It is in-between these two categories where A Midsummer Night's Dream's cinematic debut belongs.Stage veteran Charles Kent, along with co-director J. Stuart Blackton, does an adequate job at bringing this legendary piece of dramatic literature to the silver screen for the first time. The theatre man brought a few of the bard's plays to the silver screen for the first time, with A Midsummer Night's Dream being his second after Anthony and Cleopatra a year earlier. Being his second adaptation, it doesn't do much in the way of directorial innovation. However, the editing shows signs of some innovations that were taking place at the time. An early example of special effects was used to transform Bottom's head into an ass, while the fairies are made to appear and disappear using the same splicing effect. For this editing innovation and foresight alone, A Midsummer Night's Dream's cinematic debut is worthwhile.

Michael_Elliott Midsummer Night's Dream, A (1909) ** 1/2 (out of 4) Yep, more Shakespeare early style. The actual "story" never really comes across here and the title cards just make things even more confusing but the interesting thing are all the technical stuff. Every shot of the film takes place outdoors and all the locations are very nice. The camera angels are also all set up to perfectly capture the mood of the film.Tempest, The (1908) *** (out of 4) Another Shakespeare adaptation works perfectly well and delivers a very magical feel. Part of this is due to the dreamlike camera work but the special effects are also quite good for their time.King John (1899) *** (out of 4) 've been told this was the first Shakespeare adaptation and if so it isn't too bad for what it is. Running just over three minutes this here takes the final pages of the play as King John dies.

tedg I'm becoming convinced that it is extremely difficult to bring Shakespeare to film without doing some major translations, at least using modern notions. There's just too much invested in the spoken language itself from whence all the stuff flows that is normally associated with the cinematic.I've been looking at several silent treatments. Naturally enough, they fall flat. But this one doesn't because it emphasizes the play of the "mechanicals." The abstraction of that play on film, the jumping and gesticulating is along the same lines as ALL the acting of that day, but double.If you were going to try a film, the best plot device is the play within the play (of any of his plays that have this). And the best abstraction strategy is to just take his existing exaggeration and exaggerate it.It is all a matter of what you are tricked into falling in love with.Ted's Evaluation -- 3 of 3: Worth watching.

didi-5 This version of Shakespeare's play works well with some excellent performances (the girl playing Puck, Julia Swayne-Gordon, Maurice Costello, Florence Turner) and an attempt to pack in all the twists and turns of the plot into a very short time span. The curio is that Oberon is omitted and Penelope added instead - very odd! The players are also very funny, particularly the wild looking actor playing Bottom. Not at all boring and exceptionally good quality visually.