A Hero Never Dies

1998
7| 1h38m| en
Details

Jack and Martin are gunmen who work for two rival kingpins. Jack and Martin have been fighting on their bosses behalf for close to a year. When a truce is made both Jack and Martin are cut loose. The two men then decide to join forces and take on the gangsters who used them.

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Also starring Fiona Leung

Reviews

Hellen I like the storyline of this show,it attract me so much
Claysaba Excellent, Without a doubt!!
BeSummers Funny, strange, confrontational and subversive, this is one of the most interesting experiences you'll have at the cinema this year.
Humaira Grant It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.
chrichtonsworld Some reviewers compare this movie to John Woo's A Better Tomorrow. I think that is very misleading. Because the action is nothing like the great shootouts in that film. Only the ending came close to a shootout we are used to seeing in the majority of heroic bloodshed titles. I think this a more a drama about these hit men who have a special kind of relationship. They are rivals who respect each other nothing more nothing less. The girlfriends add some good emotional context to their personalities. If you hear about a title like Hero Never Dies you expect some mayhem, or at least a lot of bloodshed. But it simply isn't there. Except for the ending which was a bit short. I do get that this film is paying tribute to the old genre and at the same time is trying to do something unique and different. In this case you could call it the Johnnie To touch. Most of his movies share the same themes but in all honestly only a few of them I liked. Exiled is an example of that. Actually that title comes closer to being a true heroic bloodshed title than this one. Another title you should be looking out for is The Mission.After seeing many of these so called heroic bloodshed titles / gun fu like Hero Never Dies I realize that John Woo really is the God of Heroic Bloodshed. No other directors have come close to making bloodshed titles like he did (A Better Tomorrow, The Killer, Hard Boiled). And I really wished he would go back or at least make a new one to show them how it is done. Johnnie To clearly has another vision. But what? I don't know what he is trying to tell us but often his minimalistic approach to characterization and storytelling get in the way of whatever he is trying to convey. Consequence is that I lose interest and then automatically focus on the stuff that is compelling. Like the action. In Exiled this worked marvelously. Unfortunately this is not the case with this title. It failed to involve me story wise and action wise. I did not care about any of the characters. That is never good.So is this title worth your time? No, I don't think so. It was never compelling or engaging and the little action that was present certainly wasn't enough to redeem itself.
P C. F. Great film, no wonder Mister To won a few festivals with this film.His work has a director is brilliant in this movie ! Specially the Sukiyaki scene ! Where he proves in an eight-minute scene, that you don't need words to describe a relationship between characters ! Just good shoots, an excellent montage and great actors ! That scene should be a cult scene ! As for the story, it's the story of two men, working for an opposite gang, but still men of pride and honor, this is a story about love, friendship, betrayal, vengeance and hope.Something I really noticed in this movie, is the great soundtrack ! You might feel that To is trying to use it to easily, but it just works out fine in every scene ! So in a few words : A great film, a must-see ! And should definitely be seen by everybody !
teresateng Other than his good looks and swagger, Leon Lai doesn't have much going for him in this movie. The guy who plays the Wayne Newton/Clark Gable-like character is a better actor.The movie starts out with a fortune-teller and his altar getting shot. Is it supposed to say something about man determining his own destiny? The female characters are very strong even though they're the gangsters' girlfriends who sacrifice themselves for their men. Fiona did the best acting of anyone in this movie.I don't understand the plot details and judging from what I've read, other people don't understand it either. The ending's pretty funny.7/10
Bogey Man A Hero Never Dies (1998) is a film by veteran HK film maker Johnnie To and his Milky Way Image filming company that has produced some of the darkest and grittiest of the recent HK action dramas like The Longest Nite and Expect the Unexpected, both 1998. A Hero Never Dies (1998) is another of these films and stars again the Milky Way face Lau Ching-Wan and Leon Lai Ming. They are both very great and make the little too shallow characters as interesting as possible.A ruthless gangster boss kills and abuses his friends and never thanks anyone who has helped him. Lau's character is among the ones who helped him become what he is now. Lai is Lau's friend and they both have sweet girlfriends (Fiona Leung and Yo Yo Mung) that start to take care of the two when violence erupts and their history looks dark. But no one dies, only the hope for a peaceful life and forgetting and forgiving the wrongs of the past. Lau decides to avenge his fate to the boss but all this kind of thing results is more violence, and since this is an honest and un-commercial gangster drama, violence is never shown in a glorifying, positive or entertaining light.A Hero Never Dies is written by Yau Nai-Hoi (The Longest Nite, Expect the Unexpected, Barefooted Kid (1993)) and Szeto Kam-Yuen (Nite and Unexpected, too). Unfortunately the film's problems lie in the screenplay and the characters, too. None of the male characters gets to develop too interestingly or realistically and their acts seem not to be too greatly motivated. Silence is a good thing in cinema, but what there is in the characters' minds must be expressed some way, with the tools of the art, no matter how silent the film is. Lau's and Lai's relationship is a little weird and the very long "wine glass" sequence at the beginning works surprisingly fine and kind of depicts how they respect each other but also have some disagreements, too. Mostly I find it irritating that their love for their girls seems not too warm or real and only the females are the ones that get things moving in this film. They care for their loved ones and cure them while they're almost dead but also sadly end up dead themselves very easily. But it is great to see females depicted as this strong in a HK film, but still Hero would have been much stronger a film if the emotions of the characters (for example the great idea of the damaged face of the loved one after an accident) were better written and thought about.The theme of ruthless violence living inside To's films' characters is always very strong especially in this and the great Expect the Unexpected which has one of the most depressing, unexpected and cold endings for very long time on any film, HK or other. Hero's characters kill and slaughter each other mindlessly but always pay the price, whether you're "good" or "bad". No one wins anything by using violence in these dark and honest thrillers and so the violence is depicted as a brutal and harrowing act commited by man towards another man for some selfish and weak reason. The violence at the ending of Unexpected is pretty close to Japanese Takeshi Kitano in its intensity and wordless impact.The visual look of Hero is again pretty stunning but not quite as in The Longest Nite which has completely awesome blue photography and menacingly dark settings in the middle of the bloody triad gangster war. Cinematographer Cheng Siu-Keung does great job in Hero and especially the ending in its bright red colors is again something very unique to HK cinema. The grittiness of the cities and places is very strong in these films. Also the music by Raymond Wong Ying-Wah is pretty effective and never gets too underlining or exaggeratedly "dramatic" but just makes the images more powerful and almost nearly hypnotic at places. A Hero Never Dies is a good example of what HK is capable of, but still it is not as great as they have done. The mentioned Milky Way films are more noteworthy in my opinion as well as Alfred Cheung's On the Run (1988) starring Yuen Biao and Pat Ha to name just a very few of these films. A Hero would have needed better and deeper characters as well as some gaps and incredibilities of the plot filled and changed to something more noteworthy. Still A Hero is 7/10 class and, like the others, requires much more than just one viewing.