A Guide to Recognizing Your Saints

2006 "Sometimes the only way to move forward is to go back."
6.9| 1h44m| R| en
Details

Dito Montiel, a successful author, receives a call from his long-suffering mother, asking him to return home and visit his ailing father. Dito recalls his childhood growing up in a violent neighborhood in Queens, N.Y., with friends Antonio, Giuseppe, Nerf and Mike.

AD
AD

Watch Free for 30 Days

Stream on any device, 30-day free trial Watch Now

Trailers & Clips

Reviews

Mjeteconer Just perfect...
Deanna There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.
Juana what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.
Candida It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.
antoniotierno Given all the filmed memory pieces about screaming, violent Italian- American families in New York boroughs, I'm not usually thrilled by even good examples. However director Dito Montiel adapts his autobiographical book, most of it set in the mean streets of Astoria in the early 80s. Robert Downey Jr. plays Montiel, who goes home to visit his estranged father (Chazz Palminteri), occasioning flashbacks to his younger self (Shia LaBeouf), his pals, and a violent feud involving graffiti and a baseball bat. With Rosario Dawson, Dianne Wiest, Channing Tatum, and Eric Roberts. Lovable the scenes with young people in the middle of a hot New York summer, talking to one another like panthers circling. Overall it's worth it.
rmedel The movie has man great things about it. First off, the setting is really well portrayed and well shown in every scene. The characters in this movie are really built through their back stories, which are only shown for a few seconds. The visuals are very gritty, making me look away from the screen for a few seconds, but either than that, it's well scripted, great well know actors, and a pretty good auto biography turned into a movie. Second, it really shows how bad Astoria, Queens was back in the 80's, but also shows the struggles all the teens had to go through with drugs, gangs, and peer pressure. Not only that, it also shows the struggle they went through to earn money.
deatman9 This was an outstanding movie and I had never even heard of it Im so ashamed. I was srufing netflix the other day and I saw this. I browsed the credits and noticed all the well known actors so I gave it a shot and I was very impressed.This movie like most independent films does not have much of a story line. It shows young dito and antonio as kids living their lives. It shows them get into all kinds of trouble and shows the struggle of lower class life in New York.This movie was awesome. Every scene was enthralling and the acting was done very well. This movie had many good actors besides channing tatum who I personally think is garbage but give him the right role and he will act like the best of them!If your not a big fan of independent movies or the way they have their own style then I don't recommend this for you. If you are a true film lover then you will love this no doubt. If you like transformers then don't watch this please stick to CGI and exsplosion garbage.
MBunge This is one of the more believable and well-executed movie autobiographies I've ever watched, but it fall victim to the same pointless pursuit of naturalness that plagues so many slice-of-life films.Robert Downey Jr. is Dito Montiel, a somewhat well known writer living in California whose moderate fame is built on a book he wrote about his life growing up in Queens. Dito is summoned home by calls from his family and old friends to get his ill father Monty (Chaz Palmintieri) to go to the hospital. As he resists returning home, we flashback to young Dito (Shia LeBeouf), a kid with dreams too big for his working class family, working class neighborhood and working class friends. The plot is ostensibly about a conflict between Dito and a Puerto Rican thug called 'Reaper' and how that leads to Dito finally leaving for his destiny on the West Coast. What the story actually gives us is a series of vignettes about Dito and the people who make up his "not-very-social" social circle.We meet Antonio (Channing Tatum), the bigger, tougher and dimmer boy who's more like a real son to Monty than Dito. Antonio is filled with the self-loathing of the poor and desperate, but clings to it because he thinks it's all that defines him. There's Antonio's brother Guiseppe (Adam Scarimbolo), a boy who's constantly in a haze of booze and drugs. He's the kid who never says anything around adults but talks big around his friends. Nerf (Peter Anthony Tambakis) is another one of Dito's friends, who mainly just tags along with him and Antonio. When we see him 20 years later he's living with his mom and is staring down a life that's only going to get smaller and sadder as time goes by. Laurie (Melonie Diaz) is Dito's almost-but-not-quite girlfriend, the one he would have ended up marrying and probably resenting if he hadn't gotten out of Queens. Michael O'Shea (Martin Compston) is the Scottish foreign exchange student who gives Dito his first real taste of life outside his neighborhood, helping crystallize Dito's sense that he's not like his friends and doesn't want to be. We also come to see Dito's father Monty as a man who is content to think himself a big deal in a small world, but grows angry with anything that makes him realize how small he and his world really are.This is not one of those autobiographical films where you can easily tell how exaggerated and embellished it is. This is one of those films that wants to show you have everything "really" was, life in all its raw and mundane glory. Which means the dialog is relentlessly ordinary, the characters are simple and obvious and the conflict between and within characters isn't greatly examined or explored. It bubbles under the surface and momentarily erupts in shouting matches between people who can't or won't deal with what they're honestly feeling and thinking.You're not supposed to enjoy this movie. You're supposed to be impressed by it. You're supposed to be impressed at how marvelously they were able to capture real life and throw it up on the big screen. But I'm not impressed with these sorts of movies. I don't like them and I don't understand the people who do. I already live real life every hour of every day. I experience first hand all its highs and lows, its darkness and light, its years of denial and awful moments of realization. I don't need to have all that reflected back at me. I don't know why anyone would.Perhaps there are people out there who don't live enough real life. Maybe they've got too much money, too much brain power or too little time to notice or appreciate their own existence. Maybe movies like A Guide to Recognizing Your Saints fills in the gaps those folks feel in their own personal realities. But instead of watching films like this, maybe they should throw away their blackberry, turn off their iPod and go down to help out at their local homeless shelter. That's wouldn't be just watching real life. It would be living it.