A Ghost in Monte Carlo

1990
5.9| 1h30m| en
Details

A chance meeting between British nobleman and lovely young Mistral foils a plot by her manipulating Aunt Emilie to avenge the death of her sister, Mistral's mother, who died in childbirth. But when an unscrupulous blackmailer and a rapacious Rajah enter the plot, the growing attraction between Lord and convent girl becomes yet more fraught with Danger.

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Reviews

Scanialara You won't be disappointed!
BlazeLime Strong and Moving!
VividSimon Simply Perfect
Ensofter Overrated and overhyped
gridoon2018 A handsome, well-staged production, set in 1875 Monte Carlo, with some beautiful vistas and some lovely women, but a bit on the dull side. A good cast is not used to its full capabilities. A murder and a couple of sword fights cannot disguise the fact that this is really a chick flick at heart. My first experience with a Barbara Cartland adaptation, and it's probably enough to realize that it's not for me. **1/2 out of 4.
Cathie Browne This is a superb adaptation of a page turning Barbara Cartland novel, with all the frills you would expect, and one will find this to be highly watchable. While some have said you may "figure out most of the story in the first few minutes" I dare say otherwise and with the cast in the film and excellent production values this has more of a "movie movie" feel, than a made for TV film, as you watch it enfold as its enveloping twists and turns it will delight the viewer to it's moving climax.Sarah Miles and Lysette Anthony are wonderful, Ms Miles delivers a compelling and sympathetic performance as a world weary Countess who takes her innocent niece (Ms.Anthony) from a convent and sends her into the exciting world of Monte Carlo, into the arms of the Crown Prince himself, all played to atypical romantic perfection!This ensemble cast of top actors shine in this photo-play. The late Oliver Reed, along with the ever wondrous Christopher Plummer, shine especially, along with the superb Samantha Eggar, Fiona Fullerton and Gareth Hunt in supporting but important roles this is a true classic of 1990s television at it's best, to be watched and enjoyed, and watched again. This is a ***** star TV Movie production that zips by in in an all too short 90 mins!
ysic2 Okay. Am a bit biased on this movie as like Marcus Gilbert. First saw him in Hazard of Hearts and liked him so much and the movie wasn't bad either that bought the book. Really surprising Marcus Gilbert has not been in more movies. The ones he has been in have been horror ones, so bit disappointed in that. In fact this movie has four characters from Hazard of Hearts. (Christopher Plummer, Marcus Gilbert!, Fiona Fullerton and Gareth Hunt) so I think they were just recycling the actors. Okay. This movie could of been a little better. I didn't like Lysette Anthony playing the main girl character Mistral or Madam Phantom. I think she was wrongly picked. She didn't have any quality that I could see every man attracted and drawing to her. Not only did she look plain and ordinary, as well as having flaws, there was nothing appealing about her including her character in the story. Lord Stanford, on the other hand. (Marcus Gilbert) was superb in my books. His voice and looks (woah!) He is up there with Colin Firth in my books. The story itself. Again not as good as Hazard of Hearts despite having some other great actors in it like Oliver Reed and Joanna Lumley but okay to watch if you like period pieces.
ANeary Well, what can you say about a Barbara Cartland adaptation?There are some amazing actors in this (Oliver Reed, Sarah Miles, Christopher Plummer) but they clearly are clocking up the money.Lysette Anthony and Marcus Gilbert have appeared in two other Cartland epics - Anthony with Hugh Grant (who looks suitably embarrassed) and Gilbert with Helena Bonham Carter.If you really want to see a "watchable" adaptation of Cartland, the Bonham Carter one is the one to go for ("A Hazard of Hearts" - what a title!!). Gilbert is the weak link in that, but Bonham Carter is suitably beautiful and of course can actually act, and the rest of the cast play it to the hilt with tongues firmly in cheek (Edward Fox & Diana Rigg)

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