666: The Beast

2007 ""Let him that hath understanding count the number of the beast: for it is the number of a man." - Revelations 13"
2.6| 1h29m| en
Details

Donald Lawson, the devil child from "666: The Child", is now an adult and is determined to fulfill his destiny as the Antichrist.

Director

Producted By

The Asylum

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Reviews

Invaderbank The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.
Aneesa Wardle The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.
Jonah Abbott There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.
Allison Davies The film never slows down or bores, plunging from one harrowing sequence to the next.
Woodyanders Humble, but smart and ambitious Donald Lawson (a solid and likable performance by Chad Matthews) gets promoted to junior vice president at the major corporation he works for and discovers that he's really the Anti-Christ. It's up to Donald's loyal and supportive pregnant wife Kate (a sympathetic portrayal by Makinna Ridgway) to stop him before it's too late. Writer/director Nick Everhardt relates the compelling story at a brisk pace, does a good job of creating and maintaining an eerie and mysterious gloom-doom atmosphere that gets darker and more unsettling as the grim plot unfolds, spices things up with some tasty female nudity and a kinky satanic ceremony, and stages the exciting climax with Donald facing off against several Catholic priests in a church with real flair and skill. Moreover, this film is well acted by an able cast: Alma Saraci burns up the screen as foxy and wicked temptress secretary Sydonia, Amol Shah impresses as shrewd and ruthless senior vice president Ashmed Chammadia, Collin Brock brings a strong and credible sense of no-nonsense gravity to the role of helpful and knowledgeable devout priest Father Deacon Cain, and Stephen Blackehart smarms it up nicely as slimy jerk Tom. Bianca Bahena's lively cinematography gives this picture an extra buzzing energy by keeping the camera constantly moving about throughout. The moody score does the brooding trick. A coll little flick.
bareselaaronj It disturbs me to see the negative reviews of 666-The Beast. Okay, it was filmed in 6 days- that just adds to its glory.If these actors,producers, and director were given a Hollywood budget you would see genius unfold on film. This "B" film was far better than any recent big budget horror film easily. The devil's portrayal was the best I have ever seen. The anti-Christ was eerily believable as a self centered. ambition driven, corporate master who cheats on his wife and literally kills all competition.The character of Father Deacon Creed was amazing. The actor portrayed the priest as a an academic who, despite having taken a vow of humbleness before God, can not help but flaunt his superior knowledge of the occult whenever the devil strikes. His accent is a great one and you truly believe that he is an extremely educated and driven agent of the Vatican.The final, climactic scene is one of the best portrayals of the devil vs. the Catholic Church since the Exorcist. The actor portraying Donald really seems to become possessed as he fights an army of Catholic agents. The scene was incredibly acted and is one of the finest climaxes I have ever seen done in a "B" film.IN conclusion, 666-the Best is NOT the joke which others claim it is. It was a dark, well written and superbly acted horror film. The writers, actors and directors did a LOT with little time and money. The fact that it invented its own theological theory about the second coming of Christ is a testament to the brilliance behind the writing and production of one of the bets end of days films I have ever seen.
Paul Andrews 666: The Beast starts a number of years after the original 666: The Child (2006) & is set in Los Angeles where Donald Lawson (Chad Mathews) is a balding middle aged executive at a company called GlobalTech. His boss promotes Donald to junior vice president of the company & also reveals that Donald is in fact the Antichrist destined to take over the world which all things considered Donald takes pretty well. However Donald's boss also says that a baby will be born who will have the power to destroy him unless he kills it first, as by a strange (budget saving) coincidence it's Donald's wife Kate (Makinna Ridgway) who is pregnant with the baby. So in a roundabout ironic sort of way the only person who can stop Donald destroying the Earth is his wife, the one person who loves him the most...Writeen & directed by Nick Everhart 666: The Beast is The Asylum's straight-to-DVD sequel to their straight-to-DVD The Omen (2006) rip-off 666: The Child & against all the odds the makers of this have actually turned in a worse film than the original. I saw 666: The Child a couple of days ago so basically I have seen both in the space of a weekend & quite frankly I almost lost the will to live they are that bad. At least 666: The Child had a plot which you could follow, sure it didn't make much sense & it was pretty poor but there were at least signs of a story there while in the case of 666: The Beast you will struggle to find anything approaching a coherent story. 666: The Beast was a straight The Omen rip-off with a creepy demonic kid this time around Donald is grown up & the first hour or so is nothing more than him getting a promotion & then being told his true destiny which he takes surprisingly well. Who was his boss anyway? How did he know who Donald was? Why was he Donald's boss? Wouldn't it have more sense if Donald was the company president? I doubt Donald will be able to mastermind the destruction of the entire world as a junior vice president! There's precious little incident, there's no horror, there's no gore, the story is awful, the supernatural elements are absolute rubbish & what happened to the sexy secretary Sydonai? It moves along at a snail's pace & is really boring, hardly anything happens & the whole thing is just a mess.Director Everhart has the shaky camera syndrome, it's not as bad as The Blair Witch Project (1999) but the camera sways gently from side to side on most shots. Basically it looks awful as well as being horrible to watch. There are a couple of scenes set in a church which are quite moody since they are lit by huge shafts of sunlight coming in through the window & they are at odds with how bland the rest of 666: The Beast looks to the extent they almost feel like they belong in a different film. The gore is none existent, all the murders from the first film 666: The Child are replayed in flashbacks but as far as original gore goes there are a few off screen stabbings & a bit of fake blood otherwise absolutely nothing. There's certainly nothing in 666: The Beast I would describe as a special effect.With a supposed budget of about $500,000 the makers didn't have a lot of money to play with but that's really no excuse for turning in such an awful film, there are plenty of low budget horror films out there which are much, much better than this. The acting sucks as well.666: The Beast is a terrible film, it's one of those films which make you want to reach for the 'stop' button on your remote control & how I managed to prevent myself from pressing it I will never know. 666: The Beast is awful & it's as simple & straight forward as that.
chaosholm This is probably one of the worst movies I have seen so far this year. Dull, boring, not-making-a-lot-of-sense... lots of holes in the plot and acting which I have seen better in school plays.. Actually I think I would prefer watching 'Bloodrayne' and 'Bloodrayne 2' again as opposed to this lame excuse of a movie. If you have never seen any movies in this genre (The Omen, Stigmata, Bless The Child and so on) - please - do not watch this one. It will make you run away from the genre... But OK - to be fair to this movie - I haven't seen the first one (666 The Child.. I think), but I do not feel any urge to see the first one. It probably could have been OK for a Sunday with a hangover if they had changed the script, the director and the actors...

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