So much average
I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible
It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.
Admittedly, Wesley Snipes' career is mostly rubbish. Blade was his pinnacle. He was born for this role.The violence here is extreme and extremely surprising considering how much the MPAA was cracking down on graphic gore in the 1990s. Blade is filled with stylized action scenes that required heavy amounts of visual effects and, like most movies made around this time, the eye-candy isn't as delicious 20 years later.
In itself a super cool movieBlade is definitely super cool money for the movie as well as for the main character. However, the film has little '90s troops that are quite outdated and take something out of the sails of the wind, the same goes for the' 90s CGI effects, but instead kicked 3 annoying action movie cliches as it should be.I love to watch movies that stand out from the others. I love it when I do not know who in that time a surprisingly big part and I love R rated comic book adaptations (Blabe came first).But there are many things about this movie that bother me, such as the constant shaky cam, is a tripod really that expensive? The back and forth intersect between the normal dialogues, not everything has to be presented excitingly high 10, because that makes the really exciting something bland. The main villain is just as old as muscular and looks as cool as the hero, so it would be better if he stings out more, especially as he is in a wheel full of old men who look like they are having children's souls to fight to the top as he represents the new kind and the new danger. Then do it too dangerously enough: if your rogue is not cool, then make him ... huge and scary, scary, super strong, diabolical, or at least entertaining enough that it does not interest you like boring.Seriously Deacon Frost just does not say it out and behaved like that until the climax, I wonder why we and the ever wasting our time with him, at least if he was super pretty and always well-dressed, you could at least to conclude that he served only as their figurehead and that would explain his motivation but unfortunately no! Nothing like that!Or we just change a few character traits and attributes in this movie because Frost's right hand, his asshole, was so nasty and so annoying that she always wanted to clap her hands when Blade missed one, her jokes were damned funny and his whole character so exhausting that you're just waiting to satisfy the feeling of salvation when he finally dies. (Unfortunately, a fight as well as his death like sex with a tuna can is painful, disappointing and totally anti-climactic.But those are the mistakes in the script that was probably stretched to double length (with over 10 minutes of filler), an amateur music video editing and post credit scene which for some reason was inserted after a blackout but before the credits, there are only a few plot Holes in the bad plan but otherwise there is not much to find worthy in this movie.The fights are exciting, so the characters are super interesting the whole movie has a cool look, only half of the movie is night city and even the scenes that take place at night are neatly photographed and lit up so you can see enough and that Film has enough stuntwork for about 50 trailers.
He kicks enough slow-mo ass in a long black coat to make Neo go "Whoa." He rocks a vampire franchise slick and edgy enough to make RPatz whimper. And he brings enough spurting blood to the superhero blockbuster to make Kevin Feige faint. He's Blade - breakout star of the era when the term 'superhero film' was largely tantamount to 'campy garbage'. And he's a welcome shot of adrenaline to the current day multiplexes bursting at the seams with his more bloodless (ha) brethren. Respect.Director Stephen Norrington knows exactly how to stay on the fun side of campy, and goes right for the jugular in doing so, offering a slick, taut, and hugely entertaining bloodbath. Eschewing both a redundant origin story and some of the decade's more frantic action editing, Blade is marvellously paced, ticking along, shark-like, from exposition to action interlude and back with the hypnotic steadiness of blood pulsing through veins. It's hardly an ambitious plot (stop the pending vampocalypse, natch), but lent welcome life from Norrington and writer David S. Goyer's more inventively gruesome touches. Check out the sprinklers at the underground vampire nightclub dousing the raving crowd in blood in a gleefully macabre Carrie homage, amidst the film's inspired opening sequence, and it's impossible to deny you're in for a garishly amusing treat. Granted, some of the film's stylistic choices (Mark Isham's industrial-influenced soundtrack) age better than others (DP Theo van de Sande shooting the film like a streaky, jump-cutting '90s hip hop video is fairly jarring). But Norrington's flair for the grotesque helps punch up the monster horror fun. His prosthetic deformities and bubbling corpses playfully pilfer the best of Total Recall and Raiders of the Lost Ark, just as the classist in-fighting in the vampire ranks (born vampires sneering condescension at 'turned' bloodsuckers) lends odd nuance to the villainous MacGuffin, while a sterling climactic setpiece amidst a (practical set!) marble vampire temple is as sleekly Gothic as you could ask for. Blade may not reinvent the action wheel, but it certainly gives it a good, vigorous spin in the right direction. As the titular vampire hunter (no, not Abraham Lincoln), Wesley Snipes firmly establishes himself as one of the more reliable '90s badasses. His icy charisma is easily enough to carry the film, even if his attempts at infusing Blade's monolithic masculinity with humour through bursts of twitchy sassiness may take some adjusting to. Still, anyone who can sell a punchline as corny as "Some motherf*ckers are always trying to ice-skate uphill" with dignity intact is worth of accolades in my books. Supporting Snipes, N'Bushe Wright astutely refuses any damsel in distress clichés with a welcome, hardened charisma, at the cost of occasionally neglected to react appropriately to some of the film's more fearsome scenarios. Similarly, as the film's central antagonist, Stephen Dorff is perfectly oily, but his refusal to chew scenery in favour of a more subtle creepiness backfires somewhat, making him a suitable, but fairly forgettable foe. Finally, Kris Kristofferson lends his 'gruff mentor' archetype an appealingly indignant crustiness, bagging many of the film's better lines in the process. As the bodies hit the floor amidst the flurries of impressively executed, cathartically bloody action choreography, a realization sinks in: Blade, for all its leather-clad macho posturing, is a remarkably unpretentious film. It's fun, no- nonsense, and down and dirty, in the ways that only a moderately-budgeted franchise film with low expectations but high potential can be. You can practically see the seeds for 2016's Deadpool's rampant success being lain, albeit with only the tiniest winks of its fourth-wall-toppling zaniness. Still, nearly 20 years on, Blade remains an adeptly unapologetic slice of entertainment. If you're thinking of giving it a pass, as Blade himself succinctly says, "Motherf*cker, are you out of your damn mind?!"-7.5/10
Blade (Wesley Snipes) is a half-human, half-vampire who makes it his personal mission to rid society of vampires (who live in the underworld, but move freely with 'human society'). Blade is assisted in his mission by Whistler (Kris Kristofferson) who has raised Blade since he was a teenager and Karen (N'Bushe Wright) whom Blade rescued shortly after she has been attacked by a vampire. Blade learns that the vampires are plotting something that could prove catastrophic to the human race and with the help of his small team he sets about trying to stop the vampires.Blade is just one of those films that is just pure fun from start to finish; it's chocked full of impressively choreographed fight sequences, incredible special effects, quick editing (which admittedly looks a bit choppy at times). Whilst it is a fun film, the plot and tone mostly remain dark (meaning that it's a film that's fun, but in a way where it can still be taken seriously rather than being fun in a dumb way). The special effects are impressive and whilst, arguably, they may still be the star of the show director Stephen Norrington does still allow room for the story to breathe - the character of Blade is given some depth and never remains one dimensional. The story is a little bit silly and many of the antagonists are more cartoon-like than menacing but in a film that's this much fun it never really matters and the film still remains enjoyable (as long as you know what to expect from it).As well as the Matrix-style fight choreography and impressive special effects the film also benefits from a good performance from Snipes; here he's able to effortlessly switch between delivering dialogue in bad-ass serious fashion to kicking a load of ass and delivering one liners in a typical 'tongue-in-cheek' manner. The supporting cast are all fairly good, but it's only really Stephen Dorff & Kris Kristofferson who are any sort of match for Snipes.I can't deny that Blade is not likely to appeal to all audiences - it is pretty violent and gory and the Matrix-style fight sequences and OTT special effects won't meet with approval from everyone. However, I happen to like these things and coupling these things with a reasonable story (it isn't a brilliant one however) and a rather 'knowing' performance from Snipes it all equates to 2 hours of unpretentious fun.