Intcatinfo A Masterpiece!

PiraBit if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.

Motompa Go in cold, and you're likely to emerge with your blood boiling. This has to be seen to be believed.

Brenda The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

paul2001sw-1 'What Remains' takes the classic Agatha Christie formula and updates it to the modern age: take a dead body, a house full of individuals all on the nasty end of normal, and a determined, dogged retired detective, and save the unveiling of the criminal to the final moments. In fact, whereas Christie's characters were generally thin, the characterisation is more convincing in this, although never truly surprising. The direction and acting are also highly competent, although the conclusion descends into (almost inevitable) silliness. Until that point, it's quite gripping, but also quite shallow: whatever remains, not that much lies beneath the surface.

Mouthbox We should know by now, from bitter experience, that when a copper is coming up for retirement it's a sure sign that something very, very nasty is about to happen.So when DC Len Harper (David Threlfall) walks out of the nick for the final time we've already guessed that he's soon going to be taking on the biggest challenge of this life. Maybe all police officers should simply start work on the first day of their retirement. It might dramatically improve the crime statistics."What Remains" begins with a flashback as chubby, innocent-faced Melissa (Jessica Gunning) moves into the attic flat of No 8 Coulthard Street. Something about Melissa says "victim" right away. We fear for her safety. Our sphincters twitch uncontrollably in our trousers.Clearly something's not quite right about this house. For a start, it looks exactly like the property in Simon Pegg's "Spaced", and several of the residents appear to have recently relocated from either Lark Rise or Candleford. There's also at least one familiar face from "Luther" which is scary in itself.Poor old Melissa should pack her bags and leave right away, but instead, in true "Scooby Doo" fashion, she climbs up into the loft on her own and gets strangled by a mysterious stranger.So, whodunnit? Grumpy old maths teacher Joe Sellers (David Bamber) is straight into the frame. For a start he has one of his ex-pupils Liz (Denise Gough) locked up in the basement, and he tups her wheezily at every opportunity. Meanwhile young Liz is less of a prisoner than we might think, and is secretly boffing the big eared boy from upstairs (Russell Tovey), while his very pregnant girlfriend is busy painting the nursery an unpleasant shade of duck egg blue.While all this is going on, we discover that prior to the murder Kieron Moss (Steven Mackintosh) was cheating on his journalist girlfriend Patricia (Claudie Blakley) by regularly popping upstairs and using poor Melissa as a human trampoline. Following this athletic intercourse it's hard to see how the architectural integrity of the house survived, but somehow the building remained standing long enough for the murder to take place.Other suspects include a couple of bitchy lesbians on the second floor (one of whom likes to bully the other by tying her up with straps), and Kieron's teenage son Adam, who spends the whole time trying to get into the knickers of his father's girlfriend. What's not to like? Everything and everybody.I enjoyed this 4 part BBC1 drama, but it really was quite difficult to identify with any of the characters. They were all, at best, flawed, and most of them were just downright nasty.Even with this in mind, I don't think any of us were prepared for the final episode, which left the claustrophobic and carefully distressed set littered with corpses and splattered with claret.There was us thinking there was only one killer on the loose, and the woodwork turned out to be crawling with psychopaths – the denouement making the climax of Macbeth look like a picnic scene from The Famous Five.OK, it was all a bit contrived, particularly when DC Len reached for his bow and arrow, but the twists and turns were so expertly engineered by writer Tony Basgallop that in the end we would forgive him anything.Stylishly directed by Coky Giedroyc, "What Remains" turned out to be one of my favourite drama series of 2013 so far, but sadly I don't think there's going to be a second series. Everyone's dead.Read more TV reviews at Mouthbox.co.uk

FlagSteward At heart, What Remains is an updated version of the country-house who-dunnit, a woman is murdered in a house that's been converted into 5 flats, and it's assumed that one of the other residents did it.There's few tangible clues as to what happened so there's little for forensics to do - this is not CSI/Silent Witness. Instead the clues lie in the psychology and relationships of the residents - it's a bit Stephen Poliakoff in the way they're all prisoners of their pasts. So it explores the relationships of the suspects in a depth that you wouldn't normally see from Miss Marple.Then on top of that you've got a few classic horror-movie buttons being pushed (not altogether successfully) and the hangdog detective working past his retirement date on just one last case. "You've all given up on finding the murderer, we owe it to this girl to find out what happened". It's a cliché because it works.I can see why some people find the first half a bit slow, it's deliberately meant to be "static" and a bit claustrophobic with the vast majority of the action happening within the house. It maybe helped that I recorded it and watched the whole thing in one sitting, so didn't have a week to think about how little had apparently happened in any one episode.On the other hand there's a few sub-plots in the middle that don't move the plot forward at all, they're just there so Giedroyc can expand his theme of loneliness in the city. It feels a bit self-indulgent when some of the residents' stories are left hanging at the end, either because he didn't know where to go or 20 minutes got left on the cutting room floor, it would be more satisfying if they had been resolved. I suppose it says something that you do care enough to want to know how things work out for them.So this is not a show for people looking for car chases and shootouts. Personally I preferred Jane Campion's Top of the Lake which the BBC aired in the same slot a few weeks before. But if you've run out of Scandinavian detective box-sets to watch then this is a decent enough way to spend an evening.

g.f.farrelly This is a, outstanding drama in which suspense is created by uncertainty about the true nature of the characters in a house. The unexplained death of a very overweight, shy, lonely female tenant in the house is the start of an endeavour to get to the truth by a detective who is retiring on the day her body is found. His dogged continuation of the investigation after his retirement seems partly based on his own shock at the loneliness and insignificance of his own life outside the workplace.The sense of alienation between neighbours and the themes of isolation, loneliness and secrecy simmer. The acting is uniformly outstanding and the house menacing. The ending is surprising, but believable and David Threlfall's performance is compelling throughout.