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Way Out

1961

Seasons & Episodes

  • 1

EP1 William and Mary Mar 31, 1961

William Pearl gets the bad news from his doctor: he only has a month to live. Dr. Landy says he can keep William's brain alive in a glass jar, after his body is dead. William never got along with his wife Mary; he was a cheapskate and was mean to her. When William dies, Mary is at home drinking and dancing. William's brain (and the attached eyeball) are coming home to Mary. But William's days of mistreating his wife are over; now she has the upper hand. To prove her point, she blows some cigarette smoke into the brain jar, making William's eyeball squint. [note: ""William and Mary"" is the name of a famous college-- the names kind of go together.] [trivia: perhaps this episode provided inspiration for the movie ""The Brain That Wouldn't Die"" (1962).]

EP2 The Down Car Apr 07, 1961

John Ventry and Mr. Bayle were Navy buddies; after they got out, they went into business together. Although they were pals, John Ventry wasn't much good at business; in fact, his gambling debts-- which he charged to their company-- almost forces them into bankruptcy. Bayle winds up shooting Ventry, and leaving a phony suicide note next to the body. But Bayle is haunted by Ventry. Bayle is in the top-story office one night when he starts hearing eerie noises and voices; Bayle tries to escape by taking the elevator down, but it plunges to the basement. When the elevator door opens, Bayle is greeted by his dead buddy John Ventry. [the ending is vaguely reminiscent of the Famous Ghost Story, about the personification of Death saying ""There's room for one more"" to a person about to board the elevator-- just before the elevator crashes. It was the theme of the Twilight Zone episode ""Twenty-Two"" which was broadcast Feb. 10, 1961.]

EP3 The Sisters Apr 14, 1961

Harriet, the older sister, is immaculately neat; Louise, the younger sister, is a slob. (think: ""The Odd Couple"".) They live together in a cliff-house in Maine. Not only does the domineering Harriet impose her tidy housecleaning habits on Louise, she tries to run her life too-- Harriet ""forbids"" Louise to date Paul Marchand. Possessive Harriet tells Louise she doesn't need men-- after all, they are sisters and will have each other forever. One day, Louise lets Harriet fall off the cliff. Now Louise can do as she likes, and date Paul; (or so she thinks). At night, a woman like Harriet goes around compulsively doing housecleaning. One day, Paul comes to the front door, asking to see Louise. Even though Louise answers the intercom, it is in Harriet's voice that she tells Paul to go away. Louise has become her dead sister. [in the character of Louise-- who adopted the habits of the person she killed-- I see a bit of Norman Bates, from Alfred Hitchcock's ""Psycho"" (1960).]

EP4 Button, Button Apr 28, 1961

The Button referred to in the title is the button that will launch the nuclear missiles in a war. Captain Stone has the key which unlocks the control panel, giving access to the Button. Captain Stone also has nightmares about the nuclear holocaust that would result, should he ever have to push the Button; in his nightmare, his men hold him while one of the sergeants takes his key, and presses the Button, unleashing the nuclear missiles. Captain Stone wakes up, relieved it was all a bad dream. But just then, the exact same men that were in his nightmare show up-- including the sergeant who took his key and pushes the Button. Was it a nightmare, or a vision of what was to come?

EP5 I Heard You Calling Me May 05, 1961

Freda Mansfield (an American, age 38) is checking out of a London hotel; she is planning on eloping with her British lover George Frobisher (age 43, who already has a wife, Monica, and kids) and they are going to New York City together. But Freda keeps getting mysterious phone calls from some strange woman, who says that Freda will never run away with George-- Freda is going with her. The strange woman keeps phoning Freda; the caller says her name is Mrs. Rose Thorn, and adds that she is coming up to her hotel room to see her. Freda sees what might be a ghost (dressed in 1912 clothing), and goes hysterical, and faints. Later, a doctor examines Freda's body-- he tells George that she died of pneumonia-like symptoms: both lungs are filled with water, sort of like drowning. George says that his mother was Mrs. Rose Thorn, who died of drowning nearly half a century ago-- she was a passenger aboard the doomed Titanic. (He was later adopted by the Frobisher family; he had never mentione

EP6 The Croaker May 12, 1961

Mr. Rana (latin for ""Frog"") is a strange man who has moved into the neighborhood. He gets pestered by a rascally kid named Jeremy Keeler (think: ""Dennis the Menace"") who does stuff like letting pet dogs loose, so he can get a reward from their owners for their return. Mr. Rana raises frogs, and offers Jeremy 25 cents per jar with flies, so he can feed the frogs; Jeremy balks at first, but after Mr. Rana tells him how much mischievous fun he will have knocking over peoples' garbage cans to collect the flies, Jeremy accepts. Jeremy, meanwhile, sends Mr. Tench over to Rana's house to get his dog back. Mr. Rana slips him a potion that turns Tench into a frog. Next day, Mrs. Tench is filing a missing person's report. Sergeant McGoogin reads his notes, ""Hair color: yellow. Eyes narrow and close together. Weak chin; drools."" He asks, ""Is that your dog or your husband?"" Mrs. Tench quips, ""Both."" Later, a large frog chases Mrs. Tench over to Mr. Rana's place; he slips her a potion, an

EP7 False Face May 26, 1961

Handsome actor Michael Drake has been cast as Quasimodo in a production of ""The Hunchback of Notre Dame."" Drake goes slumming, and at a flophouse picks up a bum with an ugly face; Drake offers him $50 to come to his dressing room, so Drake can copy his ugly face via make-up. Once he has no further need of the bum, Drake dismisses him. Drake is also rude to his costar and girlfriend, Rita Singer. The play is a hit, but there's a problem: after the show, the make-up won't come off! Drake tells Rita, but since he has been so mean to her lately, she just laughs at his problem. Drake desperately retraces his steps, until he finds the bum. The bum now has Drake's handsome face. Drake offers any amount of money to switch faces with him again, but he's too late-- the bum is dead. Drake is now stuck with a Quasimodo-like face for the rest of his life.

EP8 Dissolve to Black Jun 02, 1961

Bonnie Draco's first acting job is a spooky one: she goes to work at a TV studio at night. Bonnie rehearses a scene with Paul, Harry and a murderer. But George the director tells Bonnie she must stay after hours to rehearse more. Everything dissolves to black. Bonnie now witnesses a real killing with a different Paul, Harry and murderer. Now, the murderer pursues Bonnie, and there is another dissolve to black. Next morning, when the cast and crew arrive, there is no sign of Bonnie.

EP9 Death Wish Jun 09, 1961

This episode starts out with the Narrator saying, ""Most men want to kill their wives."" (did I mention ""Way Out"" is a misogynistic series?) And we meet yet another married couple that can't stand each other: George and Hazel Atterbury. They attend a funeral for one of George's coworkers. That night, TV-addict Hazel is talking to her hubby, telling him all about her favorite TV shows, for example, ""The one where they're all gangsters, except the hero... it's very authentic, it's based on official files."" (sounds like ""The Untouchables"".) George goes for a walk instead. George walks to the Petard mortuary that handled the funeral. George decides to kill his wife. Just as we hear his thoughts-- ""What do you do with the body?""-- Mr. Petard puts a sign in the window: ""Let us dispose of the body."" Inside, George talks to Mr. Petard, who is an eloquent elderly gentleman who has a giant, bald-headed assistant named Charon* (think: Tor Johnson). When George finds out they killed Mrs. H

EP10 The Overnight Case Jun 16, 1961

A woman wakes up one morning in a strange bed; beside her is a stranger. He swears he's her husband Bill Clayton, and her name is Norma. She gets hysterical, says her name is not Norma; she must be having another nightmare, and she starts to pack The Overnight Case, which is always a part of this bad dream. She is taken to a psychiatrist. She meets with Dr. Sandham, but when she sees the man she knows is her husband, he doesn't recognize her. Again, she grabs the overnight case and starts to run. One morning, she finally wakens in her own bed. But the man who says he is her husband is a stranger. She grabs her overnight case to run again, swearing she must still be dreaming. [this ""loss of identity"" was used in a few Twilight Zone episodes, such as ""A World of Difference"" (3/11/1960) a year before this ""Way Out"" episode, and ""Person or Persons Unknown"" (3/23/1962) broadcast a year after this episode.]

EP11 Hush, Hush Jun 23, 1961

Dr. Ernest Lydecker just wants peace and quiet, and prefers to putter around in his laboratory. His nagging wife Bernice is a constant source of noise. Dr. Lydecker decides to make his wife the guinea pig for his latest experiment: using special sound waves, he has made mice and chimps docile, so he tries it out on his wife. It seems to work, Bernice becomes quiet and docile. But there is a side effect; now Bernice cannot stand loud noises. She destroys a ringing phone, a chiming clock, a barking dog, and finally a loud neighbor. Dr. Lydecker figures he must reverse the experiment with an antidote-like sound treatment. But Bernice does not want to revert. She is happy and docile, unless some loud noises irritate her. Dr. Lydecker keeps ordering her, in a loud voice, to get the treatment-- and Bernice destroys anything that irritates her. [a typical ""married couple hate each other"" episode, only here the twist is that the hubby turned his wife into a killer.]

EP12 Side Show Jun 30, 1961

Meek Harold Potter is a bookkeeper with a nagging wife Edna, and no life. One night, he goes to a sideshow at a carnival. They show a guillotine, and appear to cut off a woman's head. The main attraction is Cassandra, a headless lady strapped into an electric chair; only the chair is not a method of execution, but the opposite-- 10,000 volts ""keep her alive."" Somehow, telepathically, the headless Cassandra pleads with Harold to stay. Later, the carnival closes for the night. But Harold comes back to see Cassandra night after night. Harold falls in love with Cassandra; he even promises to help her escape the carny life. He is convinced that she is a normal girl, and the ""headless"" routine is just a carny trick; he thinks the only reality is that she is strapped into the electric chair, being held a virtual prisoner. Late one night, Harold sneaks into the sideshow, and using some pliers he starts to cut the metal straps that hold Cassandra. Later, Edna comes looking for her miss

EP13 Soft Focus Jul 07, 1961

Peter Pell is a photographer who has made an amazing discovery: a special chemical that not only retouches photos, but then magically changes the faces of the people in the photos. For example, Peter removes the scars on a portrait of a once-famous actress, making her beautiful again. Peter knows that his wife Louise is having an affair with his assistant Bill Fontaine. So Peter starts working on Louise's photo, using the magic retouching fluid, adding wrinkles until she looks very old. Peter, the whole time, has been working on his own photo, making himself look younger. But one night Louise discovers what he's up to in his studio; she splashes the bottle of the magic retouching fluid on Peter's photo -- erasing half the face on the photo, and half of his face! [A truly scary episode. It seems to draw some inspiration from the classic story: ""The Picture of Dorian Gray"".]

EP14 20/20 Jul 14, 1961

Harvey Cartwright is a timid little man with a shrew of a wife; he is an encyclopedia salesman. Since he can't see well with his new eyeglasses, he accidentally goes to the wrong address: the Jellifers had not asked about a free trial offer of encyclopedias. Their line is taxidermy, they keep stuffed animals-- like Mahatma, a stuffed viper. At home, nagging wife Stephanie harps that she was better off with her previous husband Stanley, before he died. Harvey only wishes to escape from his awful life-- whether at work or at home, he is miserable. Harvey finds out that his new eyeglasses have magical powers: by putting them on, he is reunited with the Jellifers at their place. The Jellifers tell him their stuffed animals can come back to life and kill people; Harvey offers them money to have Mahatma the viper kill his nagging wife Stephanie at 3:00 a.m. But at 3 o'clock in the morning, it is Stephanie who is wearing the magical eyeglasses. It seems she was friends with the Jellifer
7.8| 0h30m| en
Synopsis

Way Out was a 1961 fantasy and science fiction television anthology series hosted by writer Roald Dahl. The macabre 25-minute shows were introduced by Dahl's dry delivery of a brief introductory monologue, sometimes explaining a method of murdering a spouse without getting caught. The taped series began because CBS suddenly needed a replacement for a Jackie Gleason talk show that network executives were about to cancel, and producer David Susskind contacted Dahl to help mount a show quickly. The series was paired by the network with the similar The Twilight Zone for Friday evening broadcasts, running from March through July 1961 at 9:30 p.m. Eastern time, under the primary sponsorship of Liggett & Myers. Writers included Philip H. Reisman, Jr. and Sumner Locke Elliott. The premiere episode, "William and Mary", adapted from a Roald Dahl short story, told of a wife getting revenge on her husband. In "Dissolve to Black", an actress cast as a murder victim at a television studio goes through a rehearsal, but the drama merges with reality as she finds herself trapped on the show's near-deserted set. Other dramas offered startling imagery: a snake slithering up a carpeted staircase inside a suburban home, a disembodied brain in a jar, a headless woman strapped to an electric chair, with a light bulb in place of her head and half of a man's face erased.

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Cebalord Very best movie i ever watch
Matialth Good concept, poorly executed.
Intcatinfo A Masterpiece!
Chirphymium It's entirely possible that sending the audience out feeling lousy was intentional
classicsoncall My summary quote is from Charlotte Rae's character Hazel Atterbury, wife of the guy (Don Keefer) in the 'Death Wish' episode, the one where he wants to kill her but the mortician turns the tables on him. As creepy and mysterious as the shows were, there was just the slightest enough hint of realism to make you think twice. For one season in 1961, 'Way Out' was the lead-in to that other imaginative show hosted by Rod Serling, everyone's favorite 'Twilight Zone'. Like many of the other posters on this board, I would have been about ten years old when this program first appeared, and the one I remember best even to this day was 'The Croaker'. I just finished watching it, along with the other four episodes that seem to be the only ones readily available. The surprise this time around was learning that the oddball guy turning victims into frogs was portrayed by venerable character actor John McGiver, and the neighborhood kid Jeremy was played by Richard Thomas. I recall sitting on the couch with my Dad fifty years ago when this episode first aired, and we both looked at each other with barely disguised glee when Jeremy concocted his own formula to one-up old Mr. Rana (McGiver). I won't reveal it, but that ending just blew me away. Very clever too, that name Rana, which is a genus of frogs used for McGiver's character.The shows opened with pairs of buried hands clawing out of their presumed burial places, consumed by smoke and fire. Host Roald Dahl greeted the viewer with a droll "How are you"?, and then did a bit of a somber monologue that was about as creepy as the show itself. Duplicate images of his talking head lent an even eerier quality to the rhythm of his voice, and he had this mesmerizing effect on the viewer making you hang on every word.Count me in as a fan who would love to see these shows remastered and brought out for a modern day audience. There's a reason why series like this, 'The Twilight Zone', 'The Outer Limits', and 'One Step Beyond' hold sway with such large numbers of fans today. They tap the imagination in a way that's not done any more with stories that both frighten and amuse, and as Roald Dahl would be inclined to say, "You can be quite sure, it is Way Out".
peterarne2 .....then by all means let me know directly at the above e-mail address so that I may arrange for a copy for you. Specifically "Death Wish," the one with Charlotte Rae as an insufferably TV-addicted wife who drives her husband to plot to kill her, leading him into the realm of a very strange funeral parlor. The creepy proprietor has a beefy, Tor Johnson-like assistant, and between their combined presence, the very unsettling organ soundtrack, and the bizarre candle-lit appearance of the parlor in kinescope, it's one unforgettable set! Roald Dahl himself opens the show with great funereal wit (and as a bonus treat we can hear Rod Serling's voice at the end making a pitch for his own classic series, "The Twilight Zone"). A 'reel' gem worth repeat viewings!
tomneiman Does anybody remember the TV show Great Ghost Tales. This show was very similar to Way Out. First, it was filmed live in New York City. Second, the show came on at 8:30 P.M. CST. Like Way Out, the show was short lived. Great Ghost Tales ran for 12 episodes, Way Out for 14. Fourth, Richard Thomas of The Waltons fame starred in one episode of Way Out and one episode of Great Ghost Tales. Way Out aired on CBS from 3/31/61 to 7/14/61. Great Ghost Tales aired on NBC from 7/6/61 to 9/21/61. The show replacing Great Ghost Tales was Hazel. A viewer would almost get the impression that Great Ghost Tales was a continuation of Way Out on another network with another announcer, Frank Gallop. On Way Out the episode that frightened me the most was "I Heard You Calling Me" about a woman who drowned 49 years ago aboard the Titanic. She haunted the room on the 7th floor of a hotel in London. On Great Ghost Tales, it was "A Phantom of Delight". This episode was about a woman who died forty years ago on her wedding day. Wearing her wedding gown, she would haunt her bedroom that was left locked and untouched by her parents.
bppuppy1 This T.V. show aired when I was 9 years old. All I can remember about it was that the first episode scared the heck out of me, the second episode scared the heck out of my grandmother and the third episode ( having to do with nuclear war, I believe) scared the heck out of my parents. After that, we weren't allowed to watch it anymore, and I wish it was available on tape or DVD so I could see for myself what I missed. Now that I look back, after seeing everything in the horror and sci-fi field that's come out since, I wish I could see these episodes and compare them to all the shows I've loved since then, like Twilite Zone or Outer Limits.

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