Fallen Angels

1993

Seasons & Episodes

  • 2
  • 1

6.4| 0h30m| en
Synopsis

A neo-noir anthology television series, set in somber Los Angeles right after World War II and before the election of American President John F. Kennedy. The episodes, although filmed in color, mimicked what had been done by Hollywood filmmakers during the film noir era of the 1940s and 1950s in terms of tone, look, and story content.

Cast

Director

Producted By

Propaganda Films

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Trailers & Clips

Reviews

Evengyny Thanks for the memories!
Pacionsbo Absolutely Fantastic
Humaira Grant It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.
Staci Frederick Blistering performances.
BatBanks Smith These episodes remind me of old movie but there still film noir. I few of my favorite are "Dead End for Delia" with Gary Oldman, "A Dime of Dance" with Jennifer Gray & Eric Stolz, "Fearless", "Tomorrow I Die" with Bill Pullman & "Good-Housekeeper" with Dana Delany, William Peterson, Benicio Del Toro & Marcia Gay Harden. These few episodes were well-acted and had twist in the end. Some episodes were either boring or bad acting they did not keep my interest. I hope they put this show on DVD soon.
PUNISHER_ I remember watching these episodes on Showtime, and I would have to say that they are pretty interesting. The one with Joe Montegna was really interesting. Gary Oldman had a good role in one of the episodes. Above all, I would give the entire shows combined together, 6.5 out of 10.
alice liddell Trust Steven Soderbergh to make dangerous and thrilling a safely nostalgic TV show. His film, 'The Quiet Room' is an extension into noir of his SEX, LIES AND VIDEOTAPE subject matter, and provides a bridge between it and his later generic forays: the private, sexual space in the public domain; the Genetesque rites of sex and power, one corrupting the other (and vica versa); the malaise of middle-class inadequacy; the ultimate failure of all relationships because of lack of communication (this film begins the father/daughter problematic essayed so hauntingly in THE LIMEY). Brilliantly, painfully funny, the film is more stylistically imaginative than a TV programme has any right to expect.