Exoticalot People are voting emotionally.

LouHomey From my favorite movies..

Pacionsbo Absolutely Fantastic

Dirtylogy It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

Glen McCulla As a long-time fan of British horror of the golden age, from the 1950s to the 1970s, i have always has a special fondness for the 'portmanteau' form of storytelling. Usually comprising three to five short stories interlinked by a framing story, this device was well used by Amicus films in such gems as "Asylum", "The House That Dripped Blood" and "From Beyond the Grave".This BBC Christmas offering from a couple of years ago revived the format that has, i suppose, lain dormant since '80s US revivals such as "Creepshow" and "Tales from the Darkside". Written by actor and writer Mark Gatiss - no slouch when it comes to knowledge of the sinister side of the silver screen as his "History of Horror" documentaries proved - this tells us three tales involving the history of the sinister Geap Manor, relayed by a sinister museum curator (Gatiss) to a schoolteacher (Lee Ingleby).The first story is set in one of Gatiss' favourite historical periods (at least going by League of Gentleman sketches and his Doctor Who story "Phantasmagoria"): Georgian Regency England. Philip Jackson plays the vile Bloxham, a mercenary capitalist who gets his comeuppance when his cherished new wainscoting turns out to be made from the wood of Tyburn gibbet and inhabited by the restless souls of hanged men. This story generates a nice period atmosphere, helped by supporting performances from Julian Rhind-Tutt and Andy Nyman, but not very much fear despite the best efforts of Jackson and the sound designer - going for a "The Haunting" type approach that sadly fails to come off.The second story as far superior, some 1920s set whimsy at a party full of Waughian "Vile Bodies"-style Bright Young Things that slowly creeps into a tale of hushed family secrets, betrayal, and vengeance from beyond the grave. The legendary Jean Marsh, no stranger to the time of Charlestons and "Topping, what-what", appears as the grand dame of the family. I must confess, however, that my own attention was distracted somewhat by the gorgeous Anna Madeley as the haughty and snooty Katherine in her Cleopatra outfit. Ding dong, filly.The closing tale of this trilogy of terror is a continuation of the wraparound story, as Ingleby's character finds his antique doorknocker, having once adorned the threshold of Geap Manor, has turned the doorway of his suburban Barratt Home into a portal into the past. Ingleby's growing sense of fear and panic as the tale wears on is almost palpable, and when the horrific Abomiation appears in his front hall, crouched in the shadows before advancing like a Fuseli nightmare sprung to life, genuinely managed to spook this veteran of horror. While the revelation of the true nature of Gatiss' "caretaker" character and the twist ending are quite workoutable (is that a word? It should be), it is, as always, the journey that is important rather than the final destination.A cold collation to chill the cockles at Christmastime.

Leofwine_draca CROOKED HOUSE is a fun ghost trilogy from writer/actor and horror aficionado Mark Gatiss and made as a modern BBC Ghost Story for Christmas. In actual fact, the inspiration is more clearly the genre of portmanteau horrors made by Amicus during the '60s and '70s of which TALES FROM THE CRYPT is a good example.This three parter is based around a Tudor mansion with a haunted reputation, told by a museum curator in the present day played by Gatiss himself. While the cheapness of the TV production is sometimes apparent, Gatiss' love and respect for genre makes this an anthology impossible to dislike.The first story is my favourite. Set in the 18th century, The Wainscoting is a traditional haunted house piece with clever details and a suitably frightening spirit manifestation. Philip Jackson gives an excellent performance as the gruff stock trader heading towards a cruel fate and the vibe I got from this was spot on. The second episode, Something Old, is less successful, it's a story of a family curse that features too little horror and too much exposition. The last story, which I think is just called The Knocker, is on firmer ground and delivers a mildly spooky modern-day haunting.This is all topped off with a pleasing twist ending which will be familiar to those who have seen and enjoyed the likes of DR TERROR'S HOUSE OF HORRORS.

Queenie_Q Writer, producer and star Mark Gatiss was hoping to revive the grand old BBC tradition of the Christmas ghost story with this trilogy of enthralling spooky tales - and he succeeds magnificently.The "crooked house" of the title is Geap Manor, a Tudor manor house that had a habit of "attracting unpleasantness", but which is now demolished. The first two episodes in the mini-series take us back into the house's past: to the Georgian era where a corrupt businessman discovers all is not well with the wainscoting in his newly renovated drawing room, and then to the 1920s where a flamboyant costume party is disrupted by a spectral bride. Finally, the trilogy is brought bang up to date with a contemporary tale which proves that the Manor's malign influence is very far from banished..."The Wainscoting" kicks off the series in fine fashion. Gatiss' ear for period dialogue is sheer delight. I'm not entirely sure what it means to get "boskey on blue-tape" but I have a pretty good idea! Gatiss clearly relishes the arcane language and flowery expressions, but cleverly ensures that they never alienate the viewer. It's refreshing to feel a script is not patronising its viewer for once, as opposed to the contemporary jargon that litters the likes of the recent series of "Merlin" or "Robin Hood". The story clatters along at a fine pace, neatly building the tension, as Joseph Bloxham (a charismatic and engaging central performance from Philip Jackson, who manages to make you sympathise with the fellow in spite of his dubious business ethics) becomes more and more perturbed by the noises in the woodwork. All of the cast are strong: John Arthur's comic turn as the disreputable Brummie builder Master Coil, Beth Goddard, who delivers a moving speech in tribute to her dead husband quite beautifully, and particularly Julian Rhind-Tutt, whose reminiscences of a disturbing incident at the Manor are a masterclass in screen acting.The story ratchets up the tension nicely, and the pay-off involving the wood's origins is unexpected and gruesome. A good example of a ghost story where less is more, and one that plays along with our fears of creaks and noises in the house at night!The second story brings a change of atmosphere and also a contrast in terms of the central protagonist. Where Bloxham was male, middle-aged and world-weary, our heroine in "Something Old" is the young, pretty Ruth, at the centre of a "ripping" 'Twenties costume party. This time it is an actual ghost plaguing the corridors of Geap Manor. But again, Gatiss' script is tightly plotted, lean and with some splendid dialogue. "Gloriana!" indeed! The wonderful Jean Marsh is by turns imperious, crotchety, motherly, passionate and vulnerable as the matriarchal Lady Constance, and she forms a lovely double act with Barbara Kirby's kindly lady's maid, Miss Adams. Our quartet of bright young things are all attractive and enjoy getting their teeth into a story of love triangles, jealousies and over-wrought passions: Anna Madeley's vicious Katherine is particularly wonderful. There are some great scares: not least being a hand snatching at Ruth from a cupboard, and the unexpected appearance of the bride hiding behind a bedroom door. The tension is ratcheted up for the climax when we learn exactly what happened at the wedding day in the past, and why Constance is so concerned. Her sacrifice at the end is a moving moment, and the relief in the old lady's eyes as she collapses into her sister's embrace quite touching.As glorious as the first two parts are, "Crooked House" saves its most disturbing episode till last. The collision of the past and the present makes "The Knocker" a particularly chilling conclusion, which neatly and satisfyingly wraps up the story. Lee Ingleby is simply wonderful as Ben, and charts the character's progression from relief at regaining his freedom as a single man, to hollow-eyed horror as he realises he has been the unwitting pawn of the diabolical Dr Unthank, and lost both his girlfriend and his baby into the bargain. As with the other stories, the chilling tone is lightened at moments by comedy, here principally provided by Ben's friend Jess (Julia Dalkin) whose response to his question: "What would you do if you actually found yourself in a ghost story?" made me laugh out loud. However, the appearance in Ben's hallway of the aptly named "Abomination", all the more frightening for being merely glimpsed, is "Crooked House"'s scariest moment.So a big thumbs up from this reviewer. The film looks glorious, has a wonderful cast, sophisticated dialogue and enough scares to send you to bed with nightmares. I'm hoping for a DVD release and more in the same vein next Yuletide. Oh and if you have the choice, watch all three back to back in the omnibus edition, as it works even better in that format!

Grant Webb What a wonderful, creepy and intriguing tale Mark Gatiss has presented for us here with the marvellous Crooked House.Set over three consecutive episodes, this story tells the tale of Lee Ingleby who plays a man who has unearthed an unearthly door knocker from his garden and goes to see the Cuator (Mark Gatiss) of an old museum who sheds light on its gruesome past of the now demolished Geap Manor.The supporting cast in this production is superb with Jean Marsh, Phillip Jackson, Andy Nyman and even a fleeting cameo from the magician Derren Brown as a shadowy character.I shall not give anything away as the plot is so intriguing it would spoil the ending. I'd recommend this drama for anyone who loves a good scare. I hope to see a few more episodes from Mark Gatiss as this format fits in perfectly for a full series of spooks and scares which would echo that of 'Tales of the Unexpected'.Ten out of ten!