Vashirdfel Simply A Masterpiece

Cooktopi The acting in this movie is really good.

Janae Milner Easily the biggest piece of Right wing non sense propaganda I ever saw.

Fulke Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

atoothbrush I quite enjoyed the 1st season. The struggle of spies with their private relationships, their conscience and integrity, their co-workers, the media and public perceptions, all within the murky current era. Berlin was a nice backdrop for it all to play out, but it was about a CIA station that could have been anywhere in the West. 8/10 for the 1st Season from me.Season 2 sadly left most of the the Season 1 dynamic behind for a story about the USA influencing German domestic politics. The political subtext was so overt and so cliché it often broke the immersion for me. 4/10 for the 2nd Season.Both seasons have some good characters and actors making the most of them. I particularly liked Rhys Ifans, Leland Orser, Michelle Forbes, and Richard Jenkins.

bi-azh This text may contain spoilers. As a German viewer I enjoy this show very much. It is great to see the German actors alongside the American and British cast on an even level and it is really enjoyable for us here in Germany to watch both languages alongside (sorry for American viewers who have to read subtitles). This show gets it right mostly, the political topics are burning and yes - the far right movement is a much bigger problem than Islamic terror. American viewers might have a different view on that for all the alt-right propaganda going on but since the last election that moved the far right into the Bundestag the problem is real. In Berlin Station there a many subtle hints and points also to the American political situation that might not be agreeable to the viewers in the country. There are some small details that the writers got wrong f.e. Otto and Josef are no longer names for men in their fifties, the German leader of the alt-right party is Katerina Gerhard which would rather be Katharina in German. But the actress is the girl-friend of our Justice Minister which gives the story some irony. Sometimes the German men have mustaches (which is out-of-fashion here as much as in USA), and the American spy wears a base cap when he is secretly following someone in the streets which would be a big mistake because he would be recognized as American instantly. I like all the acting, specially that of Rhys and of course Richard Armitage who already was a spy in the British show "Spooks" and an undercover agent in "Strike Back". His acting is subdued - according to his role but also with a lot of hold-back-emotion that sometimes shines through. There is much to enjoy here - the scenery is great, it feels authentic and the plot is decent and without any false pathos, just downright realistic. If you enjoyed Nightmanager or Tinker- Taylor-Soldier-Spy this show might be for you.

korereviews I really want to like this show: another quality spy thriller like Homeland would be great - and that's obviously what this aspires to be. And it has a lot going for it - some great actors, good locations, what seems like a healthy budget. Unfortunately, there seems to be some people at the helm who make terrible decisions.First: the overall aesthetic of the show is about 20 years out of date - as evinced most painfully by the choice of Bowie's "I'm afraid of Americans" (released in 1995 - and it sounds like it!!!) for the title music. Ugh. This song was dated about two minutes after its release, and age hasn't made it better. Also, the fast-edit style a la Jason Bourne movies might have seemed cool back in the early 2000s, but now it just feels cheezy - like watching your dad trying to act 'cool'.Second: While the cast is generally good (I tuned in mostly because Rhys Ifans was in it; but Richard Jenkins and Leland Orser are also excellent and help prop up the show). I'm a bit divided on Richard Armitage as the lead - he's a solid actor, but feels miscast here. I just don't buy him as an intrepid spy with a dark past - he's too stiff and uptight-looking. He was convincing in North & South (mostly because he played a stiff and uptight Brit), but not so much here. Also: having two British actors (Armitage and Ifans) play American leads is problematic. Viewers outside North America might not notice, but their accents don't really sound natural. I wish they'd just played them as MI5 agents - would have been more convincing and there's really no reason for the show to focus on the CIA. A properly Euro-centred version of Homeland would have felt much more authentic and would have avoided these issues. Plus: some of the actual American actors they have in the show are awful and drag the overall quality down: of course this season Ashley Judd, but also Michelle Forbes.Third: By far the weakest part of this show is the writing, which tries to weave a complex LeCarre-style narrative but frequently resorts to idiotic clichés, radically implausible character decisions and actions, and general eye-rolling dumbness. Examples from season 2: -the way large chunks of exposition are hamfistedly inserted into the dialogue between Daniel Miller and a female agent in the opening scene of S02E01, making for one of the most awkward "conversations" I've ever heard (-she might as well have been saying "Here are some things from season 1 you might have forgotten about that I need to remind you of in this first episode of season 2").-how Miller and the German undercover agent have a conversation right outside Ganz's office - who for all they know might be standing with his ear to the other side of the door, or have the hallway bugged - about how the latter will surely kill Miller if he's found wearing the wire he was about to go in wearing (-and in fact these sorts of scenes - where characters who are supposed to be highly trained super-spies do obviously careless things which never seem to cause suspicion or get them caught - recur in every episode; I'm no expert, but this doesn't seem like professional tradecraft...) -terrible continuity errors, like in S02E02, where Ganz says to Daniel, as they stand in his office in BERLIN "You will take me to your source NOW!" and the scene immediately cuts to a shot of them driving up to that source's house IN SOUTHERN SPAIN!!!!!! (that one actually caused me to laugh out loud). Wow - when Ganz says NOW, he's not foolin' around - I guess they teleported... (actually, they mention later that they flew; so I guess we're meant to believe that Miller, Ganz, his daughter and his henchman drove straight to the airport - where they somehow already had tickets booked for this location in Spain that Ganz hadn't even known about till Miller mentioned it - and then flew there together, rented a car, drove to this house... anyway, you get the idea - the show is plagued by nonsensical transitions like this).Overall, non-US productions that try to imitate American-style programming are always worse for it. Here it results in some of the worst aspects of the show, like pointless nudity and sex, bad accents and casting choices, terrible editing, dumbed-down storytelling, and generally just a lot of empty, stupid clichés and posturing in place of intelligent writing. Like I said, I WANT to like this show. I was surprised that it got a second season and was hoping things would be better this time around. They could have something good here, but need to get some better producers and writers on board.

bueandre I watched the entire first season of Berlin Station, and it was a fairly good series full of interesting characters and a plausible story line.The second season is actually painful to watch. It's a hard left story line, mainstream politicians on the right are portrayed as Nazis etc. The new station chief character is played by Ashley "Pu**yhat" Judd. With lines like "everything is alt-right", it's just a big stinking political sh*it show. Stay clear.