elicopperman
"When people see the famous portrait, they see a masterpiece by one of Austria's finest artists. But I see a picture of my aunt, a woman who talked to me about life while I brushed her hair in her bedroom." Truer and more earnest words could not have been spoken better than that of Austrian- Jewish holocaust survivor, Maria Altmann, known for successfully reclaiming some of her family paintings from the Austrian Government that were abducted by the Nazis. Today's film tackles that subject, and upon viewing it for the first time, it managed to speak above higher levels of sincerity and personal attachment that I don't see often in cinema.The first notable element that the film portrays beautifully is the character of Maria Altmann herself. Growing up as a child in the mid-20s, she saw her aunt Adele Bloch-Bauer being used to create the grim yet beauteous woman in the portrait known as Woman in Gold. Adele had a few portraits made of her by Austrian symbolist painter Gustav Klimt at age 25 through negotiations by her husband. Considering how much the portrait of her aunt meant to Maria personally, it makes sense that she would feel disgusted to see how this painting was used in later years. In fact, throughout the film, we see flashbacks of Maria's childhood that perfectly immolates her lifespan from childhood to young adulthood. Given how close Maria felt to her aunt as elegantly displayed in these flashbacks, this makes the symbolism of the gold painting all the more powerful. Klimt's intention was to showcase a "swirling gown within a blaze of gold rectangles, spirals and Egyptian symbols", creating her aunt as the personification of Vienna's Golden Age. After her aunt died, the family would look upon the paintings through divineness, leaving Maria only with memories of the paintings, before they were taken away. This is what presents the "Portrait of Adele Bloch-Bauer I" as a symbol of all that her family had lost.One aspect that the film never shies away from is the horrible treatment of European Jews. As mentioned before, the film often depicts flashbacks of Maria's struggles in Austria. Not just the treatment of "inferior" people, but by also demonstrating Nazis taking family possessions away from their original owners and would never have them restored. Maria's story compliments this unfortunate event, but the idea that it's best to let go of the past plays a notable contrast, despite how unjustified the act was. Sure, those who may not have been affected by it could still feel sorry for such a tragedy, but the ones who had a piece of them taken away by their foes just adds into how much of a double-edged sword the justice behind this act really is.Adding on to the well personified protagonist, the acting is also spot on. Helen Mirren is able to showcase the guilt hidden in Maria from how she abandoned her family to live a safer life, and is excellent at presenting her conflicted soul. She perfectly understood how Maria was tangled up between the past and the need to move on, elevated with tough emotions. Ryan Reynolds may be praised for Deadpool nowadays, but he is able to personify lawyer Randy Schoenburg (grandson of composer Arnold Schoeburg) as a young persistent lawyer extraordinarily. As a struggling family man with strong conviction for his roots, Reynolds leaps his persona to whole new heights as a determined lawyer in getting justice back to the right person.Similar to Big Eyes, the supporting cast either come off as obstacles or supporters in the protagonist's determination to gain their rightfully owned possessions back. Some like Hubertnus Czernin and Pam Schoenburg do support the duo in their court cases and battles against false copyright claims as well as giving some insight on their own pasts. Others, on the other hand, like Dr. Dreimann, Rudolph Wran, and those in favor of the Austrian government are highly intelligent and guarded civilians who have to deal with someone wanting back a possession which is also a legendary piece of their motherland. Not to mention, the court room scenes are at their most complex, especially in how Randy exercises in ownership loopholes and fighting against claims of the 1976 copyright act.Now the story itself does fall a little derivative with the two main leads conflicting with one another throughout before officially teaming up. Yet as overused as it seems, it actually helps give Randy a clear purpose to aid Maria given how much he cares about the identity of his own people as much as hers. Along with the gut-wrenching drama, the film occasionally sneaks in some subtle humor for good measure. Even if this was to keep the horrid trauma from what it truly was in real life, it gives off a more relatable vibe with the story and characters for the audience. Finally, the use of grim cinematography during the flashbacks fits perfectly with the time period to create the right sense of depression in contrast to the brighter cinematography of Altmann's court cases in '99.With sharp acting, well defined characters, and perfect contrast between the past and future, Woman in Gold is such remarkable insight on a fascinating woman who fought the law to gain her rightfully owned possessions back. The film actually ends with a quote that states, "It has been estimated that over 100'000 works of art taken by the Nazis have not been returned to their rightful owners". That quote only makes Maria's success all the more unique seeing as how much that piece meant to her, even if it meant taking a historic piece of art away from Austria. While some may not know of the actual history, this motion picture manages to stay true to the facts, and would definitely recommend to anyone who wants to see an underdog story about gaining one's memories back.
Hitchcoc
I have to say that I enjoyed this film, but mostly for the subject matter, a court case that took place in 1998. We have for some time been made aware again of the Nazi's efforts to steal the great art of the world, particularly Western art. Movies like "The Monument Men" depict efforts to recover what they stole from the heart of the world. For this they can never be forgiven. The majority of these pieces have never been found. Fortunately, many of the works were kept in museums or in private residences and so were intact. This is the story of a piece that became known as the Austrian Mona Lisa. Helen Mirren is Maria Altman whose family owned the great portrait known as the Woman in Gold. When she finds some letters that tell of the story of the painting, she enlists a young Randy Schoenberg, the grandson of the great composer, to make a case for the return of the painting to its rightful heirs. Predictably, they wade through all the roadblocks, assisted by a young Austrian journalist. I have to agree with the reviews that talk about the good guys and the bad guys. I love Austria, especially Vienna, but here they are portrayed so harshly that we have little sympathy for their position. Ryan Reynolds is a little short on effort here, sort of phoning it in. But there are enough twists and turns and Mirren is great fun to watch to make it well worthwhile. I plan on seeing how realistic the portrayal was.
mike harris
This movie powerfully portrays the importance of honoring our heritage. Woman in Gold gives voice to our ancestors. It shows that to the degree that we remember our roots and live in a way to honor our ancestors, then a link divine is forged which impacts us here and now and and sweetens the inevitable reunion on the other side. Remembering, simply remembering our fore-bearers creates an inheritance that exceeds gold. Deuteronomy 6:10-12 serves as a good summary of this movie:*Then it shall come about when the LORD your God brings you into the land which He swore to your fathers, Abraham, Isaac and Jacob, to give you, great and splendid cities which you did not build, and houses full of all good things which you did not fill, and hewn cisterns which you did not dig, vineyards and olive trees which you did not plant, and you eat and are satisfied, then watch yourself, that you do not forget...*
