Wee Willie Winkie

1937 "TEN-SHUN! Shirley is a peacemaker and matchmaker in Rudyard Kipling's most famous story"
6.9| 1h40m| NR| en
Details

In 1897, little Priscilla Williams, along with her widowed mother, goes to live with her army colonel paternal grandfather on the British outpost he commands in northern India.

AD
AD

Watch Free for 30 Days

All Prime Video Movies and TV Shows. Cancel anytime. Watch Now

Trailers & Clips

Reviews

Lovesusti The Worst Film Ever
Actuakers One of my all time favorites.
Frances Chung Through painfully honest and emotional moments, the movie becomes irresistibly relatable
Philippa All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
JLRMovieReviews Shirley Temple and mother are traveling to India to see grandfather in this John Ford movie based on a Rudyard Kipling tale. In fact, in most of the Shirley Temple movies, she is the main focus of the film. Here, she is one of many, due to the exceptional talent that went into the making of this film. There's director John Ford's touch that usually makes gold. There's Victor McLaglen, one of John Ford's more frequent actors. There's the colorful and versatile Cesar Romero as a supposed villain here, who also costarred in "The Little Princess." And lastly, there's the locale of India, which seems to be the real star of this film. The mood, the shadows, the direction of Ford all tell a story besides the actual plot and dialogue. McLaglen is a stern officer, but then he meets and befriends Shirley. And, Shirley get embroiled into the war between the natives and the officers, when they think she has been kidnapped. The end result may be somewhat predictable, but the journey is a very different one than most Temple films. Although she is the title character, she just happened to be cast in this John Ford production. And, what a production! Along with "The Little Princess," this has to be one of the best films she ever made. I wanted to watch this over, once I finished it. A true testament to a great film!
Amy Adler Priscilla Williams (Shirley Temple) and her mother go to British-controlled India to reside with Colonel Williams, Priscilla's grandfather. Mother has been left a widow upon the death of her husband and this is the only option. Mrs. Williams doesn't really like the change, but wee Priscilla is enchanted by her new environment. This, in spite of the fact that the Colonel has no idea how to deal with little girls and comes off quite gruff. As can be predicted, she soon melts his heart. In addition, since the grandpapa only knows military life, Priscilla aspires to be a "little soldier". Thus, a tiny replica of the army's uniform is made for her, with the helmet-hat that everyone wears to prevent sun stroke. She is coached in military ways by Sergeant MacDuff (Victor MacLachlan) who also adores the tiny gal. It is he who gives her the name Wee Willie Winkie, since soldiers are rarely called Priscilla. One day, at the market, she sees that a religious token has been dropped outside a window and, picking it up, she gives it back to the owner through iron bars. Yes, he, Kodha Khan (Cesar Romero) is a prisoner. He is so grateful to her and strikes up a friendship. But, alas, he also has plans for a prison break out. A friend uses Winkie to deliver a letter that will "bring peace" to the Khan's heart. If you guessed it writes of "spring me plans", you are correct. Tensions, you see, are high between these Muslim Indians and the British. The breakout takes place. Meanwhile, something happens to MacDuff that changes everything. Soon, Winkie is on her way to make peace with Khan and save the regiment from disaster. Can a small child diffuse a dangerous situation? You bet, when its our Shirley! I count myself, easily, as a gigantic Shirley fan from childhood on and this one was, and remains, a favorite. The story, based on a Kipling work, is unique and beautiful, promoting peace at every turn. Also, the India setting has great charms for those who will never visit the country while the cast is terrific. MacLachlan's performance is so touching, tears will fall from everyone at a critical moment while Romero does nice work, too. The supporting cast is fine as well but, as always, Temple puts on a show well beyond her tender years. Are you just discovering the movies of one of America's treasured child stars? Don't miss this one!
Tom Dale Keever Graham Green published the following review of Wee Willie Winkie. Both he and the magazine Night and Day were sued by Shirley Temple's studio and her guardians. The magazine was bankrupted and Greene fled to Mexico, where he found the material for his novel, The Power and the Glory. When Greene's film criticism was collected in the volume "The Pleasure Dome" this review was omitted. Night and Day, October 28, 1937 The Films by Graham GreeneWee Willie WinkieThe owners of a child star are like leaseholders — their property diminishes in value every year. Time's chariot is at their backs: before them acres of anonymity. What is Jackie Coogan now but a matrimonial squabble? Miss Shirley Temple's case, though, has peculiar interest: infancy with her is a disguise, her appeal is more secret and more adult. Already two years ago she was a fancy little piece — real childhood, I think, went out after The Littlest Rebel). In Captain January she wore trousers with the mature suggestiveness of a Dietrich: her neat and well-developed rump twisted in the tap-dance: her eyes had a sidelong searching coquetry. Now in Wee Willie Winkie, wearing short kilts, she is a complete totsy. Watch her swaggering stride across the Indian barrack-square: hear the gasp of excited expectation from her antique audience when the sergeant's palm is raised: watch the way she measures a man with agile studio eyes, with dimpled depravity. Adult emotions of love and grief glissade across the mask of childhood, a childhood skin-deep.It is clever but it cannot last. Her admirers — middle aged men and clergymen — respond to her dubious coquetry, to the sight of her well-shaped and desirable little body, packed with enormous vitality, only because the safety curtain of story and dialogue drops between their intelligence and their desire. "Why are you making my Mummy cry?" - what could be purer than that? And the scene when dressed in a white nightdress she begs grandpa to take Mummy to a dance - what could be more virginal? On those lines in her new picture, made by John Ford, who directed The Informer, is horrifyingly competent. It isn't hard to stay to the last prattle and the last sob. The story — about an Afghan robber converted by Wee Willie Winkie to the British Raj — is a long way after Kipling. But we needn't be sour about that. Both stories are awful, but on the whole Hollywood's is the better.
ccthemovieman-1 This was okay but Shirley Temple made enough better movies that this wasn't a "keeper"in the end. I still have at least a half dozen of her other films which, I thought, were far more appealing. They were also shorter, too. At 100 minutes, this is too long a movie for the normal Temple fare. It was her longest movie as a child actor. The major fault, which also involves the time, is that is simply wasn't that interesting.It has its cute moments as all Temple films did and the cinematography was good. The fact John Ford directed it may have something to do with the better-than-average photography. I also enjoyed Victor McLaughlen in here. He played the best character.