The Women's Room

1980
7.1| 2h18m| en
Details

A wife is sick and tired of her husband's infidelities, so she leaves home and goes back to grad-school. There she meets many self-confident women who help her find her own voice.

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Reviews

VeteranLight I don't have all the words right now but this film is a work of art.
Cleveronix A different way of telling a story
Voxitype Good films always raise compelling questions, whether the format is fiction or documentary fact.
FirstWitch A movie that not only functions as a solid scarefest but a razor-sharp satire.
gfinister I watched this movie decades ago in the USA and now it's no where to be found. This is a really good movie, and Lee Remick is excellent in it. I remember when the book came out I think it was in the 1970s and I was in high school and everybody had that book. It had to be a best seller. The movie is so true to life. I wonder now why this movie appears to have been taken off the market? It is no where to be found, and I've been searching for this movie for years.
hrd1963 Satisfactory adaptation of the Marilyn French bestseller. Lee Remick is Myra, a thirtyish housewife who decides to abandon her cheating husband (a pre-Cheers Ted Danson) and dull suburban lifestyle, and return to graduate school. There, she becomes involved in the burgeoning women's movement and eventually finds sexual fulfillment in the arms of a younger man (Gregory Harrison). As Remick's character develops from a naive, sheltered young bride to an aware, independent woman, the viewer is introduced to two sets of female characters (Patty Duke, Tyne Daly and Kathryn Harrold are her suburban friends, all trapped in unhappy marriages, and Colleen Dewhurst, Tovah Felshuh, Lisa Pelikan and Mare Winningham are her graduate school associates) who, through their own experiences, help to shape and inform Myra's self-identity. Ultimately, Remick concludes that her happiness need not be dependent on any man. While I wouldn't characterize the film as "man-hating", as other on-line comments have suggested, it very definitely has a feminist sensibility. The acting is generally quite fine. Remick offers her usual capable performance, Dewhurst excels as her sexually frank, liberated friend and Winningham is very good as Dewhurst's neglected daughter. Patty Duke, while often compelling, is occasionally over the top as Remick's emotionally unstable friend; Tyne Daly manages a similar role with far more subtlety.
Billy With such talents as Patty Duke Astin, Lee Remick, Colleen Dewhurst, Tyne Daly, Mare Winningham and more in one single film, how can one go wrong?This is an excellent story of Mira (Remick) as she experiences being a wife and mother from the 1950s, through the 70s. Outstanding performances all around. Astin and Dewhurst were both up for supporting Emmys. Just watch as Astin has her final scene, where she is telling Remick what it was like to be locked up in a nut house. Powerful stuff and acting does not get any better than this.Remick, who was unjustly overlooked for a nomination, hasn't been better since Days of Wine and Roses. She carries the picture very well.A Pre-Cagney & Lacy Tyne Daly also does some of her best work in this film.Please ignore the comments by the first reviewer. This is NOT a man-hating movie! I am a man and was not one bit offended by anything in the story.This is not available on video, so try to catch it next time it is on Lifetime!
tony.dagostino If your idea of a good time is to watch a movie about a group of women p***ing and moaning about men, this is your film. One of their complaints is that men simply cannot aim properly in the bathroom.