The Wild

2006 "Start spreading the newspaper."
5.2| 1h35m| G| en
Details

An adolescent lion is accidentally shipped from the New York Zoo to Africa. Now running free, his zoo pals must put aside their differences to help bring him back.

Trailers & Clips

Reviews

Lumsdal Good , But It Is Overrated By Some
Stellead Don't listen to the Hype. It's awful
Portia Hilton Blistering performances.
Tymon Sutton The acting is good, and the firecracker script has some excellent ideas.
tibercromwell This is quite possibly one of the worst films I have ever had the displeasure of seeing, I don't know what made me want to see this, but everyone was saying how terrible it was so I had to see what the fuss was about. And I should have just stayed at home, this wasn't even remotely fun, or funny. The character are awful with no interest or morals. The animation is atrocious, and looks like a five year old did it, I actually a five year old could do better. I mean, my gosh talk about getting all the joy sucked out of me in the very intent the movie comes on. I'm serious avoid this at all costs, unless you want to see what the fuss is about, then go ahead, but I will warn you, this is a 20 dollar bill you will never get back. After this I will say I'm glad I own How to Train Your Dragon, because after watching this piece of horse manure I needed to get my faith back into animation. I needed something to get my mind off this terrible excuse of a movie. Lets hope this is the last time we get an animated film this bad well at least in a long time. And the last thing, should kids see this? No. Not that its bad with inappropriate innuendos or jokes, its just kids will get bored with this. The kids in my theater were running up and down the aisle and a family sitting next to me left the theater. So if the film's target audience is in disarray, then imagine how you will feel, and how I felt watching this awful, disgusting, mess of a film. The animation is unimpressive, story sucks and its not original, there is no memorable scenes or lines, and makes Madagascar, Ice Age and Anastasia look like they never existed. THIS MOVIE SHOULD BE BANNED FROM THE WHOLE WORLD!!!! Oh, and those rodent characters that try to be the minions, I have one thing to say. Screw you!!!! Now to grade. Animation: F- Characters: F Story: D+ For Kids: No Music: C- Voice Acting: F Overall: F-. So yeah. It really is a ripoff of Madagascar, Ice Age, Anastasia and The Lion King!! That's why is sucks GARBAGE!!!!
daitran199980 The beginning of the 2000s (2000-2006) is one of the weakest era of Disney (the first era is from 1972 to 1984) with many boring and weak animations like Dinosaur (2000), Brother Bear (2003), Chicken Little (2005) and some poor sequels like 102 Dalmatians (2000), The Jungle Book 2 (2003)... Well, The Wild is the last animation of this era and Meet the Robinsons (2007) is the beginning of the new golden age of Disney. When I and my brother saw the poster of The Wild, he said that it look like Madagascar. We wanted to see it. After we saw it, I feel disappointed. It wasted my time, too boring. I couldn't laugh although it is comedy. The Wild is the mix of Madagascar and Lion King: +Madagascar: Characters: Samson like Alex (Lion) and Bridger like Melman (Giraffe but different gender). +Lion King: Characters: Ryan like Simba (young). Both of them can't roar and want to show their power. Finally, they can roar (Simba can roar when he graduated). Kazar like Scar. Both of them are the main enemy. In the end of the battle of 2 movies, Kazar and Scar were killed by his army. Roger Ebert said: "This is the third animated feature in a row (after "Curious George" and "Ice Age: The Meltdown") which aims at children and has no serious ambition to be all things to all people, i.e., their parents. But for kids, it's OK". I agree, this animation for kids, only kids love it. Adults and teenagers like me couldn't love it, too hard.
Atli Hafsteinsson The first two minutes or so of The Wild are very promising. They have a very snappy, cartoony style, culminating in a 14,000 foot wildebeest, and you think to yourself that you unfairly overlooked what's actually an entertaining cartoon comedy. But then what is revealed to be a mere opening (Kung Fu Panda style) ends and we are drawn into the movie's actual world.If you are unfamiliar with the term "uncanny valley", it refers to creepiness of features being very realistic but noticeably off the mark. That's The Wild's look style in a nutshell. The animals look semi-realistic but the way in which they are not is very visually jarring. The character design is very unappealing all around, and this movie looked average even when it came out in 2006.The setting might seem at first glance like a complete rip-off of Madagascar. The setting, not the storyline, centering on a lion and his friends in Central Park Zoo. The conflict here is about Samson the celebrated lion being separated from his son Larry, who runs away to the wild so he can overcome his total lack of a roar and thus live up to his father. The story about father and son is very touching and is definitely not to blame for this movie's shortcomings. Rather, how it's told is.Going back to Madagascar again, one of the strengths of those movies is that they know which characters are golden and keep us with them. Not the case with The Wild. Larry's friends the kangaroo and hippo had potential, and so did the sports team penguins, masters in the zoo's preferred sport of curling (which the movie honestly does a good job at making look exciting). But they all vanish practically instantly when our main gang leave on their journey. Even more of a shame, the alligators (one of whom is on the poster) barely even register, let alone induce a chuckle. They just appear and then they are gone, and you could easily imagine their scene being cut. What a waste of characters with potential! The main cast really don't get a lot to do. By far the most entertaining is Nigel the koala bear, hilariously voiced by Eddie Izzard. He's fed up with his popularity as a cute and cuddly koala bear plush, and his scatterbrained nature is the driving force for what little comedy the film can muster. The giraffe does nothing but complain all the way through, I was fed up with her quite quickly. Don't even get me started on the Dutch dung beetles, which stick out from this film's look style like a sore thumb but thankfully have even less screen time than the alligators.But what ultimately drags The Wild down is that its world is empty. Is anybody supposed to believe that New York City would ever be this empty, let alone Manhattan? They drive around, run around many streets, and there's just nobody there. Because it's nighttime? New York City is nicknamed the City that Never Sleeps, would some crowd simulations have hurt? There were lots of people in the zoo, so what's the excuse? This really kills one's believability in the film.What is in most regards a rather tame, pedestrian film is made even worse by squandering its few gold nuggets. The alligators get no time to be developed at all, and the hilarious special agent chameleons even can't save much. The biggest shame is that the visual and storytelling grandeur of the opening sequence is never touched upon again and upstages the feature presentation considerably. If that doesn't say something about what a missed opportunity The Wild is, I don't know what does.
Michael Nafekh Decent. This movie-if I were to summarize it in one word-would be decent. Before we progress, I'd like to mention that 5/10 stars is not as horrid as one might suppose. On my charts, it means that I moderately enjoyed the movie. With that in mind, 10/10 is almost impossible to reach, while 9/10 would be reserved to a movie so stellar, that I could watch it one-hundred times and still enjoy it. 1/10 would be so unsatisfactory that the mere sight of such an abhorrent disgrace to cinema would make children cry and grown men cringe. ---If you would like to skip to my summery,thus avoiding my very small spoiler and larger ramble, jump to the final paragraphLet's begin with the characters. Their portrayal was decent, even though for the most part, they were static (the snake, however, was unique… I liked the snake). What redeemed them were their lovable personalities, and the clear synergy between each of them while interacting; I personally enjoyed the odds and end gang. With that said, the dialogue was less diverse. I found myself cringing from time to time on the cliché lines uttered by Ryan and his father in particular, while Nigel was-on occasion-so obtuse that I couldn't help but sigh. But perhaps I'm downplaying this movie, as I've seen it through the eyes of an adult. Kids will probably find the dimwittedness of that particular Koala, Nigel, enjoyable and-unless well read-might not pick up on the clichés. However, we're talking about Disney here, and they have an impressive resume when it comes to making their movies enjoyable to both child and parent, without dumbing it down. This leads me to my next point. Since they were confronted by a shortcoming on some of the dialogue between Ryan and his father, they intended to make the movie appealing to us-the parents or older fans of Disney-through the use of mature humor. Though not as blatant as some other 'children movies' I've watched in the past, The Wild has its fair share. Thus is why I ask, confused, why the movie was rated G, and not PG. As for the latter, I have no say in such things, so let's move on.Now, onto the very fabric of the movie itself: I found it needed a few more original songs, and no, dear directors, 'I'm havin' a... really nice day, really nice day' repeated over and over does not count. I did enjoy the Coldplay song at the beginning, however. The storyline itself was jarring, and the use of transition to cover long durations of time was used too often. To counter my negative comment, however, I do applaud the director for attempting to encompass the viewers in the past and present- thus creating a more intimate connection between character and viewer. You would have achieved this wonderfully if only you fixed the pacing! And this leads me onto my final point. I really enjoyed Samson's background story. It was fresh, and when told fully, connected the dots and linked his strange behavior to a logical outcome of an event that transpired in his own childhood. I won't go deeper than that, least I spoil the story!---To conclude, I gave The Wild a 5/10, which is not so bad. It's animated nicely, has some great character chemistry and a good background story for Samson, but loses a few stars because of its occasional cliché lines, less than satisfactory original compositions, and jarred pace. This is by no means a Disney masterpiece, but rest assured that you and your child will find enjoyment in it!'If there be animals inside, expect a review!'~Mike