ma-cortes
Nice Almodóvar film revolving around a a nutty doctor (Antonio Banderas) who creates a type of synthetic skin and attempts to remake the bruised body of beloved beings , then , he kidnaps people . Moody terror movie about a mad doctor , assisted by a maid (Marisa Paredes) , removes the structure of a gorgeous women and attempts to graft her skin onto her body . His guinea pig results to be a brave and rebel girl (Elena Anaya) , but this patient is very closely linked to dramatic deeds from past he would like to forget , then things go wrong .
Austerily wonderful mysterious film that contains intense drama , thrills , chills , and haunting poetic fantasy . In this enjoyable as well as eerie flick , Almodóvar established again his uniquely poetic and visually striking style , though imitating to classy "Eyes Without A Face" (1960) , the masterpiece directed by George Franju . This is a similar story but revisited by Pedro with his ordinary roles and situations , including rape , kink sex , strong love scenes and marvelous actresses . This splendid Spanish production is generally characterized by unforgettable images that owed a great deal to early cinema in general . Engaging and twisted script Pedro Almodóvar based on Thierry Jonquet's novel . Pedro worked on the script for almost a decade, and what initially was a retelling ended up being more of an inspired tale . The story is not massively strong , but it is not bad either , as Almodóvar strings a few o different threads together and that , along with tension and skin going on throughout tends to ensure the movie is always interesting and thrilling . The music by Oscar winner Alberto Iglesias , Almodovar's regular , is good in which it fits the style and feeling of the film . Luxurious and colorful cinematography by the prestigious José Luis Alcaine .The cast is also standout element of the film , as Pedro recasts Banderas in the character of unsettling doctor . Antonio Banderas is brilliant as a disturbing researcher/scientific/surgeon haunted by past tragedy who takes people removing their faces and attempts to graft them new skins . Support cast is frankly good , such as : Roberto Álamo , Eduard Fernández , Barbara Lennie , José Luis Gómez , Jan Cornet , Blanca Suárez , Susi Sánchez , Fernando Cayo . And brief appearance , as usual , by Agustin Almodóvar , Pedro's brother and film producer .
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This issue about a doctor who attempts to remake the bruised face of intimate people has been treated several times in the European cinema , such as : ¨Eyes without a face¨ (1960) by George Franju , ¨The windmill of the stone women¨ by Giorgo Ferroni . And especially by the prolific writer/producer/director Jesús Franco who shot : The Awful Dr. Orlof (1962) deemed to be the first movie of the ¨Spanish Fantaterror¨ and following a long series as El Secreto del Dr. Orloff (1964) aka "The Mistresses of Dr. Jekyll" - USA . It's gone on by " Orloff y el hombre invisible (1970) aka "Dr. Orloff's Invisible Monster" , ¨Ojos siniestros de Doctor Orloff¨(1973) . Furthermore , El enigma Del Ataúd (1969) aka "Only a Coffin" and El Siniestro doctor Orloff (1984) aka "The Sinister Dr. Orloff . Finally in ¨Faceless¨ or Depredadores de Noche¨(1987) .
nzswanny
The Skin I Live in is a very disturbing movie about plastic surgery, and if you are easily disturbed I suggest you know what you're in for. This Spanish horror movie stars Antonio Banderas as an obsessed plastic surgeon called Robert Ledgard that looks for the way to make the perfect skin and who gives a subtly eerie performance that visualizes the insanity of obsession, breaking thick boundaries to get there. Unexpectedly, the film then entirely develops into a horrific nightmare that gets more frightening as it goes along, with Robert Ledgard going to extreme lengths to create the skin as perfect as possible. There have been a lot of shocking scenes in this film that have stuck in my memory for a few days now and have troubled my mind hauntingly, and that effect on a two hour event gets my dearest respect for the courage it has to not play it safe and keep away from disturbing it's audience. The soundtrack, editing and cinematography then top it all off, creating an extremely disturbing horror movie that is repulsing and at the same time frighteningly fascinating.
cdreid1
Look at a film. ANY film on IMDb. You'll find the first 50 revies drop names left and right. Theyll talk about when they worked for so and so. Theyll use words like "misunderstood genius" "masterpiece" etc. badly written hype. If you read the reviews of this film it OOZES with "hello i was paid/want a job/was given a job by x"... Please stop. It doesn't work and makes those of us with an iq over 12 not want to see your garbage. Ill watch a movie with "loved it .. hated it... blablabla" over "a generational masterpiece" every day. All day.
cinamalover
The Skin I Live In, is masterfully directed master piece. Telling a story far to often forgotten about The Skin I Live In does not hesitate when it comes time to show what we need to see, in order to really feel the effects of the film. The Skin I Live in is not just a film but an experience!9/10
