The Sisters

1938 "THREE SISTERS IN SEARCH OF LOVE...A great novel... a greater MOVIE!"
6.7| 1h39m| NR| en
Details

Three daughters of a small down pharmacist undergo trials and tribulations in their problematic marriages between 1904 and 1908.

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Warner Bros. Pictures

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Reviews

Claysaba Excellent, Without a doubt!!
Stevecorp Don't listen to the negative reviews
Doomtomylo a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.
Juana what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.
Dalbert Pringle In this fluffy, 1938, period, Chick Flick - The one scene that really killed me was when Flynn's and Davis's characters first meet.And here's how it went - Standing in a moderately-sized ballroom of about 60 dancing couples, Flynn's dashing character carefully scans the busy room and, sure enough, his gaze zeros in on one of the most plain and homely females in the crowd (Yep. That's Bette Davis). And instantly he's mesmerized, falling madly in love with her and immediately marrying her on a total whim. (Yeah. Right. Give me a break, already!) Set mainly in San Francisco (circa 1904) - "The Sisters" story was hardly about the "sisters" at all. (There were 3 of them) It was chiefly concerned with just one sister, and, that, of course, was Davis's character.In my opinion - The Sisters (which is now close to 80 years old) really didn't stand up to the test of time. For the most part this rather predictable, little soap opera was so "dish-water" dull that even the scene of simulated earthquake effects did nothing to alleviate the story's overall monotony.
steven ross Begins well but after an hour or so, losses steam. Still worth watching for Errol & Bette along with solid Supporting Cast but the Hollywood ending is crass. Almost laughable. Errol was right: should have stayed with ending in the book. They could pull that off now but not back then.Well done effects on San Francisco earthquake scenes. Flynn delivers some wickedly cool romantic lines but one could say Errol's acting really didn't venture far from real life. Henry Travers steals every scene. Alan Hale a delight, as always, along with Beulah Bondi.One great Flynn line:Do you want to hear the story of my life?No, but it's exciting!Hadn't got any point to it but it might serve as a warning to you.
wes-connors Bette Davis (as Louise Elliott) is a Montana woman who marries San Franciscan sports reporter Errol Flynn (as Frank Medlin). Her sisters Anita Louise (as Helen), and Jane Bryan (as Grace) marry at the same time; the three sisters find wedded bliss is short-lived. Supporting floozies Lee Patrick and Laura Hope Crews are a very well-matched mother and daughter tag-team who befriend the deserted "Louise".Whatever the film's original intentions may have been, it is really about ONE sister; naturally, it's the sister played by Bette Davis, and HER marriage to the character played by Errol Flynn. The stars are in fine form as the love-struck young couple who hit on hard times. Ms. Davis is refreshing as a housewife who becomes ill in a smoke-filled boxing arena, and Mr. Flynn is convincing as the husband who drinks to heal his wounded pride. Flynn asks a significant question about his character: why did marriage make his wife strong, and himself weak? Similarly, the objective of "The Sisters" as a film is strong, and the story weak. Yet, the production level is high; and, historical events like Presidential elections (Roosevelt, Taft) and the San Francisco earthquake are used to great advantage. ****** The Sisters (1938) Anatole Litvak ~ Bette Davis, Errol Flynn, Anita Louise
bkoganbing Errol Flynn and Bette Davis did the first of two films together in The Sisters and curiously enough it followed landmark films for both of them, The Adventures of Robin Hood for Flynn and Bette's second Academy Award winner, Jezebel.It was an interesting project for both, but fell somewhat flat at the box office. Still it's not a bad film at all and for Flynn it was an attempt to expand his range as player.Bette's usual shtick is held firmly in check my director Anatole Litvak. She's one of three daughters of Henry Travers and Beulah Bondi of Broken Bow Montana and the action of the film takes place between Election Day of 1904 and 1908. Shortly after the first election where all three encounter the men they would marry.For Jane Bryan it's Dick Foran, a proper young man of business who soon becomes president of the bank and they settle down to a nice middle class existence. It's only threatened when Foran falls victim to the town tart briefly, one of many men in the area.For Anita Louise, she's a naughty flirt who likes romance, but also likes her creature comforts. She marries Alan Hale who's the wealthiest guy in town, who's also a widower looking for a trophy wife. She lucks into the best of both worlds when he dies leaving her well provided for and free to pursue love in comfort.But the main plot revolves around Bette Davis who marries newspapermen Errol Flynn, a charming, but essentially weak character. He likes to drink and carouse and even impending fatherhood doesn't put a damper on that. He leaves her, purely coincidentally right in the middle of the San Francisco Earthquake.Some don't like Flynn's performance, but I think he did fine in the role. The problem was that the brothers Warner filmed two different endings and gave into public opinion in the one you see. Flynn, by the way thought they did the wrong thing. Without giving it away, the ending should have resembled one they gave Four Daughters which was also produced by them in 1938.Despite the fact that Errol and Bette hated each other they got through the film and it's not bad. Look also for good performances from Donald Crisp as Flynn's sportswriter friend and Ian Hunter who gives Bette a job after Flynn leaves her and loves her as well.