Cubussoli Very very predictable, including the post credit scene !!!

VeteranLight I don't have all the words right now but this film is a work of art.

Tayyab Torres Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

Tymon Sutton The acting is good, and the firecracker script has some excellent ideas.

Leofwine_draca An interesting adaptation of the Edgar Allan Poe short story, THE MURDERS IN THE RUE MORGUE concentrates heavily on costumes (which are admittedly classy) and scenery at the cost of atmosphere and suspense. That's not to say that it isn't a good film, but it does lack that necessary oomph needed to drive it into being something really good. The main reason I found the film had no suspense was that I had read the short story previously and so I already knew the identity of the killer (which is kept ambiguous throughout the film).The acting here is superb, and much of the weight lies on the shoulders of the late, lamented George C. Scott, who is perfectly cast as the fussy and brilliant detective Dupin (a forerunner of Sherlock Holmes), and has all the mannerisms and intelligence down to a tee. He is given able support by the fresh-faced Val Kilmer in a supporting role, while Rebecca De Mornay, better known to audiences for her role as a psychotic nanny in THE HAND THAT ROCKS THE CRADLE, is the token female caught up in the danger. Also appearing is the comedy gent Ian McShane, star of TV's LOVEJOY! Sadly he is not flogging any antique paintings in this film.The gore is light, with some blood splashed over the walls being the main highlight. One interesting aspect is the murder scenes in a park dotted through the film, which serve no real purpose and are a result of the '80s slasher craze, which don't really fit in with the rest of the murder mystery format. There are some great animatronics in the film too. If you're a fan of crime fiction or of Poe then this film is worth seeing as an above average adaptation. It's also a lot similar to a Sherlock Holmes story (with Scott as Holmes and Kilmer as Watson) so if you're anything at all a fan of this kind of classic locked-room murder story (like I am) then this one might be worth a look, even if only for Scott's presence.

lost-in-limbo Edgar Allan Poe's story sees another adaptation in this 80s made-for-TV outing starring some names in George C Scott, Rebecca De Mornay and Val Kilmer. It's diverting, but very unexceptional and stagy in the details. In honesty it's the strong performances that really carry this one, especially a stalwart Scott and a headstrong De Mornay. How the cast worked of each other kept me glued. Some atmospherics are etched out nicely, with fitting period details of a turn of a century Paris and there's a dark, grim air lurking about. The deaths happen off screen, but there's something ghastly about them and that's mainly due to its effective use of sound. However the story is all about the investigation/mystery of two murdered women and it's somewhat stiff in its execution of it. Even with the script throwing around ideas, theories in its quest to uncover the motive of the puzzling deaths it just fared as a typical crime plot of outrageous circumstances. Still at least it didn't find itself getting distracted by certain sub-plots. Earnest entertainment.

anonreview2 This movie is PATHETIC and BORING!. Kilmer and Mornay are stiffer than concrete. the plot is ridiculous--nothing but the worst caricatures and uninformed stereotypical behaviors ever portrayed in a film. the illogical events in the film are untenable--e.g., having sworn to protect the young virgin, the young detective then leaves her alone in the dark park, to be subsequently attacked, even though he knows the murderer is still at large and supposedly in the park! Moreover, it is factually untrue that the "murderer" could have committed this crime, as this species is completely vegetarian and non-violent towards humans unless directly attacked. Check out writings by Birute Galdikas if you have any doubts.It is shameful to perpetuate such outdated notions about a fellow primate that is on the verge of extinction because of humans.

andrei cretulescu I've been waiting to see this film for about 10 years. There never was and there NEVER will be a truly great screen adaptation of Edgar Allan Poe. Because it can't be done. Given that Poe is definitely one of my favourite writers, you probably would suggest that I shouldn't watch any movie (or TV movie) based on one of his writings. True. But I love movies, and one of the best I've seen is The Pit and the Pendulum, directed by the great Roger Corman, which is an adaptation of Poe's short story and has virtually NOTHING to do with it. But Corman is Corman and he did 5 or 6 movies based (inspired by...) on Poe, and they're all classics (if you love this kind of cinema), and Vincent Price is absolutely splendid and...enough about history. Therefore, you should never expect a brilliant(or even decent)adaptation of Poe, but if you agree with that and if you are prepared to swallow characters and facts that aren't present in Poe's story (Murders in the Rue Morgue, that is) then you're in for a treat. The lugubrious atmosphere, the fluid camerawork, the impressive production design and the magnificent location all add panache to a well told (by David Epstein) and well directed (by Jeannot "Somewhere in Time" Szwarc) tale. And let's not forget the great, late George C.Scott, whose presence alone makes the film worthwile. And listen closely...If you love Poe just on paper, better stay away! If you haven't read the story (and if you like Scott), stick with it! Just remember - if you want a gore movie, wait till Dario Argento makes his own version. If you want an intellectual/perverse/subversive flick, talk to Polanski or De Palma. This one is just a TV movie.