Hottoceame The Age of Commercialism

Fairaher The film makes a home in your brain and the only cure is to see it again.

Ella-May O'Brien Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

Juana what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

Foreverisacastironmess After an evil scientist dognaps Mickey's pet and friend Pluto, the courageous mouse embarks on a rescue mission into a haunted castle where it turns out that the wacko scientist who conducts his fiendish experiments within literally has quite a few skeletons in his closet, and they ain't exactly dead! For 1933 the animation of this short is terrifically fluid and superbly fun to watch and is so suspenseful, with lots of dynamic fixed angles and deep shadows, it's very classically spooky and Gothic, much like in Mickey's The Haunted House and The Skeleton Dance, and to me this short is just as awesomely atmospheric and well done as those two. There's some excellent 'set' pieces in it, like the huge creepy castle that's built on a giant skull-shaped rock with the little drawbridge and lightning thundering above as the ocean waves crash below.. I so love that! It's such grand and dramatic macabre imagery, to my tastes very beautiful and timeless. The tone of this short distinctly feels a lot more early Fleischer than Disney, it almost feels like it should be sweet Betty getting terrorised by those mischievous skeletons! There are some great weird spooky sight gags to enjoy like when the door locks itself and the door within a door within a door, and the sequence where Mickey's making his way through the stone corridor is incredibly well detailed and impressively done, having an almost 3-Dimensional effect to it. And I love all the inventive gags they did with the skeletons - like a skeleton staircase of coffins, a skeleton cuckoo clock, a bizarre skeleton spider- everything! And they were some well detailed and proportioned skeletons! This is a cartoon short that feels especially well-polished, it has tons of rich details poured into its animation, not least the mad doctor's lab which is a homage to 1931's Frankenstein. Something else that I couldn't help noticing was that when the doc was wearing his black cloak disguise he looked very much like the figures that close the massive gates of cursed Pleasure Island in Pinocchio. I did feel a bit let down by the old "it was all a dream" surprise twist at the end.. But hey perhaps it wasn't so done and dusted back in 33! It was made so long ago but it's still so much scary great fun to watch, the truly classic stuff never grows old x

TheLittleSongbird This has to be one of the best Mickey-Pluto cartoons. It is quite dark for a Disney Silly Symphony, with some parts scaring me as a kid(such as Pluto's heart being at his throat). As a young adult I still enjoy it while admiring its technical values. The story is simple, but still manages to be engaging with a lot of suspense. The animation is just fantastic, the black/dark and white/light shades are some of the best I've seen, helping at times to give some depth to Mickey's design as he enters the Mad Doctor's castle. I also loved the animation for the catacombs, recalling Egyptian Melodies, and the skeletons that Mickey has a constant battle with, imaginatively animated and very expressive even for skeletons. Mickey has more depth animation-wise than he has ever had before and is as likable as ever, Pluto is cute and energetic and the Mad Scientist immediately makes an impact by how frightening he is. The gags are clever, the creatures are suitably creepy and the cartoon goes at a terrific pace. Overall, while some MAY find themselves cheated by the "it's all a dream" ending, this cartoon is an absolute must see for Disney and animation fans. 10/10 Bethany Cox

MartinHafer Mickey is in bed when he hears some noise outside--a mad scientist has stolen Pluto! And, when you see this nut back in his lair, you see that he's abducted other animals on which to experiment! Obviously this is NOT your typical Mickey Mouse cartoon!! So, Mickey springs into action and runs to the castle--where he encounters skeletons and other ghastly creatures. However, by the end of the cartoon, all is right and poor 'ol Pluto is just fine! The print for this one is very poor--and in need of restoration. Perhaps the Disney folks haven't done this because it's such a dark and potentially disturbing cartoon. As for me, the more disturbing the better! After all, by the 1940s and 50s, Mickey was a wimp and I liked the darker and more morally ambiguous Mickey cartoons as they had a sharp edge--and none sharper than "The Mad Doctor"!

wmorrow59 While I wouldn't call it my favorite Mickey Mouse cartoon, The Mad Doctor is a genuinely impressive piece of work, a dazzling display of what Disney animators could accomplish within the six-minute, black-and-white format. It's hard to believe that this was made only five years after Mickey's debut, for where those early adventures have the crude look of a flip-book, this cartoon demonstrates sophisticated technique in every department, from the draftsmanship to the editing, voice work, and that perennial Disney specialty: the use of music. All of these techniques are deftly combined to put our heroes, Mickey and his dog Pluto, into a terrifying situation that evokes childhood fears with the intensity of a nightmare. I confess this isn't my favorite cartoon because I find the macabre atmosphere all too well realized to watch with undiluted pleasure, but I certainly admire the technique on display.The very first shot sets the tone with ruthless efficiency: a storm is howling and we see dark clouds, branches blowing wildly, lightning flashing, a small house in the distance and a dog house in the foreground where Pluto is sleeping peacefully. Cut to Mickey in his bed as the lightning flashes and thunder crashes, and then we hear Pluto howling and evil laughter in the yard. Mickey looks outside, and we see Pluto's house upended as a sinister hooded figure drags him away on a chain. Mickey plunges into the storm and takes off in pursuit. The hooded figure drags Pluto across a narrow bridge, high above a moat, to a castle on a skull-like island. (Hollywood inside joke: the castle's knocker identifies the owner as "Dr. XXX," a reference to a then-current horror film starring Lionel Atwill with a similar title.) Once inside, Mickey encounters bats, shadowy figures, and skeletons who hurl their own heads at him.Mickey's misadventures with the skeletons are creepy in a traditional, Halloween-y sort of way, but what makes this cartoon really disturbing are the scenes in the castle involving Pluto. There's a startling shot of the dog writhing as the hooded figure carries him into his laboratory, and then Pluto is strapped into an electric chair-like device alongside a long-suffering, sobbing chicken. Pluto's captor then throws off his hood and reveals himself as a bearded 'Mad Doctor' with a taste for eccentric gene-splicing experiments. Using a graphic diagram to illustrate what's about to happen, the villain announces his evil intentions in rhyme as the dog squirms. There's a particularly nasty shot of the doctor slicing Pluto's shadow in half while the dog watches in horror.I guess it goes without saying that things work out alright for Mickey and Pluto in the end, but squeamish viewers would no doubt prefer to see the happy ending come a bit sooner. As it stands, we have only a few moments at the fade-out to bask in our sense of relief. The Mad Doctor is a must for animation buffs, but I'm not kidding when I say that I'm glad I didn't see it until I was an adult, because if I'd seen this movie as a kid I would've had nightmares for a long time afterward.