The Locusts

1997 "Every betrayal begins with trust."
6.1| 2h4m| R| en
Details

Delilah Potts has always had her choice of men to work her ranch and fill her bed. But from the moment Clay Hewitt, a handsome drifter with a mysterious past, arrives at her door, Delilah knows that her life will never be the same. And when he spurns her affections, she unleashes a torrent of forbidden passions and deadly secrets that will prove to Clay that the only thing darker and more dangerous than the past he's escaping... is the one he's about to discover.

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Reviews

Micransix Crappy film
Livestonth I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible
Lela The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.
Justina The film never slows down or bores, plunging from one harrowing sequence to the next.
moviemaster I have to wonder if the cohesion that might have held this movie together is lying on the cutting room floor. There are so many subplots that are never properly developed and not tied up at the end. I stumbled into this movie thinking it was some Sci-Fi work (as described by the on screen analysis of "on demand.") I just wanted a movie to put me to sleep. This wasn't that movie. Locusts did not take over the planet. But I was immediately struck by the brooding nature of the direction and how it drew me into the movie. However, sometimes I felt like it was some mini-series I had missed the first episode of. Some of the performances were good, but the plot meandered along until it suddenly became hurried. In the last 10 minutes the "mother" tells of her rape by her father, her son drowns himself, somehow, in the gelding shed and the mother finally did the world a favor and shot herself. Fortunately our hero and heroine ride off into the sunset in their maroon pick up truck and we're marooned, wondering if this is a happy ending or not... that is if you can consider a man who raped and murdered a woman a "hero." In the end, it didn't put me to sleep, but made me wonder why I had stayed up so late.
lurch-17 I got lung cancer from all the second-hand smoke. In nearly every scene, cigarettes play a prominent role. Either the director was a cigarette junkie, the cast were nicotine addicts, or tobacco companies funded the entire production.The plot was predictably hokey, the acting mediocre (with the exception of Flyman), and the directing lazy. It seemed to pause often to make some point but never delivered the point. Capshaw was especially disappointing. I managed to struggle through all 2+ hours waiting for something to reach out of this film. It never did.The high point was seeing Vince Vaughn take off his shirt - and I'm straight.Don't waste the time and money. It could drive you to lighting up.
danie-5 I thought this movie was pretty good until the end, which made no sense. NOT an uplifting story, in fact, it's unflaggingly grim. But it's worth seeing for good performances. Refreshing after the endless onslaught of phony Hollywood feel-good stuff like Notting Hill.
jimbo-93 I agree with bjb completely on this one. Skip this and rent Cat on a Hot Tin Roof or Hud. I can actually think of a couple southern movie cliches that weren't used: the cattle did not develop brucelosis; the protagonist did not fight racism at any point in the movie;and (Specific to Texas)though longneck beers were constantly being imbibed, I could not surmise that they were Lonestar brand and nobody was drinking Dr Pepper. Still, Ashley Judd looks great. The plot is preposterous and somebody needs to explain to me why Kate Capshaw's character did not want her son to leave?