The Italian Job

2003 "Get in. Get out. Get even."
7| 1h50m| PG-13| en
Details

Charlie Croker pulled off the crime of a lifetime. The one thing that he didn't plan on was being double-crossed. Along with a drop-dead gorgeous safecracker, Croker and his team take off to re-steal the loot and end up in a pulse-pounding, pedal-to-the-metal chase that careens up, down, above and below the streets of Los Angeles.

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Reviews

ReaderKenka Let's be realistic.
Erica Derrick By the time the dramatic fireworks start popping off, each one feels earned.
Logan By the time the dramatic fireworks start popping off, each one feels earned.
Jenni Devyn Worth seeing just to witness how winsome it is.
esmorr This movie is a typical Hollywood "remake" of a brilliant British original. The story is only vaguely similar to the British one, and this is shown in the use of gold bars as the target of the theft, the three mini's, the chase scene and the traffic jam. Other than that this picture is very far removed from the original Italian Job that has always been one of my favourite classics. The only thing that is really worth watching in this mess is the lovely Charlize Theron and a 10 minute appearance by Donald Sutherland.This picture is not special in any way, and is just yet another one of these modern-day action movies with a bunch of thieves, some high-speed chase scenes, lots of guns and explosions, some boats and some pretty Venecian scenery. It is the sort of thing I might watch only if I get bored with the news and the commercials, the fresh paint on the wall has finished drying, and the grass outside has stopped growing!Hollywood has shown us yet again, as if we needed any more proof, that the Yanks just can't make movies as well as the Poms can. This title was originally a Michael Caine British classic of the theft movie genre with a dash of typically understated British humour, and Benny Hill in an uncharacteristic scientific role. How dare the money-grabbers in Hollywood even think that they can "update" such a classic with a bunch of Yankee actors and some speed boats and still maintain the quality of the original? I do not mean to take anything away from the actors themselves here; they have done the best that they could with what they were given to work with, and stars like Mr Sutherland and Miss Theron were obviously brought in as draw cards to grab the audience. They are not the issue, but it always maddens me when the Hollywood sausage-machine tries to recreate a brilliant original movie which cannot be equalled. They should leave them alone because all that ends up happening is that they reiterate just how good the original is. That is what has happened again here, and so I can only give this movie a 6 and tell you to go and grab the original Italian Job and be properly entertained, and forget this insult!!
adonis98-743-186503 After being betrayed and left for dead in Italy, Charlie Croker and his team plan an elaborate gold heist against their former ally. A Remake of an 1969 movie starring Michael Caine that doesn't suck, it's true people although maybe it's unrealistic and even it goes over the top at moments with it's action The Italian Job succeeds thanks to a great talented cast with famous names such as Charlize Theron, Jason Statham, Edward Norton and Donald Sutherland but it's also directed by the director of The Negotiator F. Gary Gray who is going to direct Fast 8 and will be released next year starring 2 cast members from this film Statham and Theron. What i like about this film it's the way it's directed it's a movie of cat and mouse with a lot of chase sequences and some really smart characters it also has some pretty good character development with the team and the stunts with the cars were top notch i totally recommend you to see this film!!
manideep deep Over the last few months, I have seen a lot of reviews for The Italian Job, many of them negative. The gist of almost all of these pessimistic criticisms is that, for all its modernistic bravado and high-budget technology, the film doesn't have much substance where it counts. Look, people, it's just a fun movie. This is the type of picture where you're supposed to sit back, relax, and just enjoy the steady-moving pace of the film. Like Ocean's Eleven (2001), you can concentrate on the characters and the plot at the same time without having to do much thinking (lucky for some of us). Granted, "Ocean" is a better movie, but who cares? The plot may have some holes (there's a huge one about 3/4 of the way through), the action may not be as gratifyingly gratuitous as the trailers made it out to be, and some of the dialog may seem pointless and cheesy, but again, who really cares? Cool characters, Mini Coopers, big explosions, Charlize Theron. What more do you want? I think it's time to drop the fake Roger Ebert meets Gene Shalit act and enjoy yourself for once! Oh, and another thing, whatever you do, don't compare it to the original because, to reiterate what F. Gary Gray has told the press a million times, THIS IS NOT A REMAKE!! My advice- if you're interested in nit-picking your way through a good-humored, fun flick, don't even bother seeing The Italian Job. But, if you don't have a severe inferiority complex and/or want to see Ed Norton get jacked by a bunch of Ukranians, go ahead. The Bottom Line, my fellow moviegoers, is: Lighten Up and Have Fun, Dammit.
Troy Putland The latest version (there being only two.....so far) of The Italian Job has no merit to its name. Director F. Gary Gray and screenwriters Troy Kennedy-Martin and Donna Powers have taken the best out of Michael Caine's original (three Mini's in a car chase, one thought-out heist) and glamourised it (Hollywood A-listers, pristine, clean shots) but with out the charge and the adrenaline we assume that's there. Wahlberg is a flat front-man. Edward Norton makes for a surprising bad guy, annoying and outsmarting Croker (Wahlberg) and his team left, right and centre. The other cast members struggle due to a lackluster script and and its inability to succeed our expectations. You'll be least disappointed in this film if you get the chance to watch this before the 1969 classic.