Curapedi I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

Portia Hilton Blistering performances.

Kaelan Mccaffrey Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

Zandra The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

Hitchcoc Once more, a traveller finds himself in a nightmare. He tries to simply enjoy a good night's rest. While his is getting ready, various pieces of furniture disappear and reappear. At one point, he takes off his pants and they fly through the air. Soon it's his bed. The man is frantic and overacts like crazy, which is great fun. These crazy living quarters are a real treat and must have been a delight to the viewers.

Horst in Translation (filmreviews@web.de) And here he does it even in the truest sense of the word. Even if it runs over 100 seconds and is pretty long for that era back then, this short film is packed with an amount of action that is almost too much for its running-time. A man enters an inn and from the moment he undresses things get awkward. Everything appears, reappears or moves with no logical explanation behind it. Every time he focuses on a new object, you could be certain something was about to happen with it. That includes primarily his clothes: coats, boots and pants, but also a chair keeps changing his position and the highlight is the big bed disappearing. No rest for him, it seems. Only his massive beard stays exactly where it is. Solid work from Méliès, neither among his best nor worst.

Red-Barracuda A traveller experiences strange paranormal activity in a room at an inn where he stops to stay the night. Clothes fly around, a chair vanishes and his boots walk off; all to the consternation of the spooked out man.This little comic short from Georges Méliès is a very early showcase for his cinematic trickery and visual invention. Just as significantly it illustrates his sense of humour. Méliès made many funny films which incredibly are still amusing even now, over a century down the line. The effects remain impressive even though we all know how they are done. There is always a loving care in Méliès work. This one is no exception and shows why he is the first cinematic genius.

boblipton L'AUBERGE ENSORCELE is probably Melies' most imitated single film: a traveler enters a hotel room and things don't just go wrong: thy go terribly pear-shaped as beds vanish and reappear, boots walk off and pants fly away in a side-splitting combination of stage and film magic. I have seen variations from Edison, Booth, Gaumont and Melies redid this at least three times in increasingly elaborate variations. Still, there's always tremendous fun in seeing something done for the first time and Melies' sense of fun is always great to see.This is one of the many previously lost or infrequently seen Melies pictures that have been made available by Serge Bromberg, David Shepherd and a myriad of other hands in the newly issued DVD set GEORGES MELIES: FIRST WIZARD OF CINEMA. Required viewing for anyone interested in the history of movies ..... and a lot of fun.