Curapedi
I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.
SanEat
A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."
Fleur
Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.
Mormegil
Be warned, this is a Peter Greenaway film and may cause offence. The incredibly moral plot with its littering of fable and allegory make the script enchanting and involving, and leave plenty of room for an in-depth analysis.The soundtrack is haunting and appropriate, and the set is marvellous. The story is told as a "play within a play" and the theatre-like set is used to its utmost. There is a strange violence created from darting between the characters of the theatre being portrayed and the actual actors. The rape scene is the most effective use of this tactic, which is by far the most horrifically violent scene of its nature I have seen in any film. The audience is left shocked and silent.Every intricate detail of this story is sewn together beautifully and the many plots and ideas collide at the end to form a brilliant Greenaway masterpiece.A must see for Greenaway enthusiasts, but beware - this film is an acquired taste and may not sit well with your average moviegoer.
HumanoidOfFlesh
Peter Greenaway is one of the most unique directors at work in cinematic arthouse today.He made several truly original movies like "The Falls"(1980),"A Zed and Two Noughts"(1985),"The Pillow Book"(1997) etc."The Baby of Macon" is pretty demented with the scenes of cannibalism,incest,rape and gore.The film is difficult,challenging,brutal and darkly beautiful.A baby is born from a supposed virgin woman,so a chain of hysteria about divine intervention in the birth takes place.The scene when stunningly beautiful Julia Ormond is gang-raped is really hard to watch-it is not graphic,but her agonizing screams are quite convincing.Highly recommended if you want to see totally challenging piece of art.
CineRam
This film was shown at the Cannes film festival nearly a decade ago and apparently received more walkouts than any film in the festival's history--and "Wild at Heart" won the grand prize here?Unlike most films that use sex and violence to help sell them, Greenaway seems to have no interest in "selling". The story he tells--which takes the form of a play attended by royalty and commonfolk alike--is a Shakespearian fable regarding a young woman (Julia Ormond) who uses her disfigured mother's newborn as a messiah-like figure to gain wealth and comfort, much to the dismay of the church (repped by Ralph Fiennes).To say that the writer/director of this film is a sick person because of what happens in the story is shortsighted, at best. Yes, there are truly heinous atrocities committed by some of these characters--but the manner in which it is depicted does nothing to suggest glamour or vicarious thrills. David Lynch's Golden Palm winner, on the other hand, is full of all manner of freaks and malicious acts played mostly for laughs. Greenaway definitely got the soiled end of the stick on this one.It's a shame, too. This film recently played for just a few nights in one of Chicago's most prominent art theaters. It's never received anything remotely close to a nationwide theatrical or video release, and it's my favorite Greenaway film, second only to "The Cook, the Thief...". If one is interested in this sort of experience and has a fairly strong stomach, I'd recommend a theatrical screening in a minute.
acejase
This film is simply a masterpiece, the ultimate experience in visual poetry. If I didn't think Greenaway was a master film maker before, I certainly did after viewing The Baby of Macon.His use of the Camera is stunning, I believe it is the closest thing to perfection in reference to the Camera, Actor and Stage. There were so many moments of genius throughout the Film that I was overwhelmed and had to see it a second time to soak it all in.He has captured the era, the aura, the atmosphere of the subject better than anything I have seen before. The script was a work of Art, the blending of Vulgarity and Beauty, from the spoken word to the lavish colours and movement captured on Film, a true masterpiece in every sense of the word.Yes, I highly recommend this Film, it has volumes to say, if you desire a deeper, fulfilling feast of mind and heart. Everything a Greenaway fan could want, and more.
