Springtime for Pluto

1944
6.1| 0h7m| NR| en
Details

Seduced by a satyr, Pluto celebrates spring. He goes around enjoying the scents, then imitating various animals. But when he imitates the butterfly (that transformed from a caterpillar before our eyes), he gets in trouble. The butterfly had done a little dance with a water droplet; Pluto picks a beehive as his "ball". The bees, of course, attack, and Pluto escapes by diving into some bushes of poison ivy. Then the "gentle" rains of spring come, along with the hail ("hail, hail the rains"), making a mess of Pluto's house. When the rains end and the satyr returns, Pluto gives him the greeting he deserves.

Director

Producted By

RKO Radio Pictures

AD
AD

Watch Free for 30 Days

All Prime Video Movies and TV Shows. Cancel anytime. Watch Now

Trailers & Clips

Reviews

Spidersecu Don't Believe the Hype
BoardChiri Bad Acting and worse Bad Screenplay
Glucedee It's hard to see any effort in the film. There's no comedy to speak of, no real drama and, worst of all.
Aiden Melton The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.
OllieSuave-007 This is a very nice Pluto cartoon, where the dog experiences the beautiful nature of Springtime, including wildflowers, chirping birds and busy bees. The highlight of the cartoon, I think, is the singing caterpillar and its cocooned transformation into a beautiful butterfly. I loved listening to the Latin music during the butterfly's dance scene - very catchy and harmonic.Pluto also experienced his fair share of the negatives Spring has to offer, including Poison Ivy and rainstorms - pretty funny to watch Pluto to go through that. The music that accompanies each scene and action were brilliantly done. Great cartoon! Grade A
Michael_Elliott Springtime for Pluto (1944)** 1/2 (out of 4)Pluto is sleeping in his doghouse when spring wakes him up. He then goes on a journey through various springtime scenarios. For the most part this is a pleasant short that manages to certainly make you feel as if you are in a spring setting. There's no doubt that the highlight of this is the animation and the warm colors that pop off the screen. The short really doesn't contain any real laughs, although it's certainly mildly charming seeing Pluto running around and doing various funny faces and gestures.
baruch770 i have seen this short on video and what really won me over(and this is true for many of the disney shorts)the wonderful wonderful music done by oliver wallace. i have seen this short on video since i was a little kid out of all the disney cartoons this is my favorite one. I grew up with this short. My favorite part in this short was when the catapiller turned into a female butterfly.
Ron Oliver A Walt Disney PLUTO Cartoon.A new SPRINGTIME FOR PLUTO brings butterflies & birds to delight him - but also a fair share of vicious bees, poison ivy, pollen & hail.There are some good laughs in this amusing little film - the Pup's modern dance with the beehive (a probable salute to Charlie Chaplin & the globe in THE GREAT DICTATOR from 1940) is hilarious. The Spirit of Spring looks like a Greek demigod escaped from FANTASIA (1940). The inimitable Thurl Ravenscroft, who would add his voice to so many Disney projects over the coming decades, is the bass singer heard briefly vocalizing about caterpillars spinning cocoonsWalt Disney (1901-1966) was always intrigued by pictures & drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew comic figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that childlike simplicity of message and lots of hard work always pay off.